francesco filelfo (59 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine.

1st edn. 8vo. Original gilt lettered blue cloth (Fine), dustwrapper (Fine). Pp. xxiii + 445 (no inscriptions). [Parallel Latin and English text].

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Latein | Produktart: Bücher.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Hard Cover in Slipcase. Zustand: Very Good. Still well bound. Interior in nice clean condition. No names or inscriptions.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

(16), 269 pp. Publisher's cloth, dust-jacket.

Zustand: New. In.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Envoi rapide Bon Etat quelques rousseurs. in8. 1967. Cartonné. avec un coffret carton editeur. Good.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Latein | Produktart: Bücher.

Zustand: New. In.

Zustand: New. In.

Softcover. Zustand: Good. First edition. Quarto. Volume five only. xxxixpp. "Prose E Poesie Volgari" di Francesco Filelfo, Raccolte E Annotate Da Giovanni Benadduci, 535pp. Original printed light blue wrappers. Frontispiece portrait. Text in Italian. Phyllis Goodhart Gordan's copy with gilt-stamped leather label laid inside front wrap, wrappers dampstained with spine tape-repaired, crayon underlining of the author, thus good only. Phyllis Goodhart Gordan, a benefactor and former trustee of the New York Public Library. Scarce, *OCLC* locates only 1 copy of this volume.

Zustand: new.

Brossura. Zustand: discrete. Prima edizione. Cm.28,5x19,3. Pg.16. Tiratura limitata di 100 esemplari. Dedica autografa del curatore. > Tre copie in SBN al 17 settembre 2017. 50 gr.

Zustand: Good. 12mo. 10 x 17cm. 2 vols.Qtr. brown sheepskin, smooth spines with fillets, leather labels on spines, Few defects along edges of spine.Tenth edition enriched with 158 intaglio figures.2 frontispieces and 83 engraved plates outside the text (78 of which each contain two figures).OCLC Number / Unique Identifier: 15288328.Dixième édition enrichie de 158 figures gravées en taille-douce. 2 vol. demi-basane brune, dos lisses filetés, p. de titre et de tomaison en mar. rouge et brun, tr. rouges (reliure de l'époque). Mors rongés par endroits. Salissures au frontispice et au titre du tome I et à qqs rares endroits.2 frontispices et 83 planches gravées hors texte (dont 78 comportant chacune 2 figuresExpertise by Cabinet Poulain5, rue de Saintonge75003 Paris.

Zustand: Buono (Good). 8vo. (8), 112 leaves. a8, A-O8. With the printer's device on the title-page. Contemporary limp vellum (rebacked).Adams, F-1002; Edit 16, CNCE 18997. THIS schoolbook edition was reprinted in Italy in the same form at least seven times starting in 1539 (Venezia, Heirs of Ottaviano Scoto). The last sixteenth century edition was published in Venice by Camillo Pinzi in 1578. Born in Tolentino, near Ancona, Francesco Filelfo studied in Padua under Gasparino Barzizza and Paolo Veneto. He then started a successful career as a private tutor of wealthy families in Padua, Vicenza, and Venice. In 1421 he was appointed secretary to the Venetian ambassador in Constantinople, where he received many diplomatic assignments from the emperor and deepened his knowledge of Greek at the school of John Chrysoloras, whose daughter he married. In 1427 he came back to Venice with a considerable load of Greek manuscripts. In 1428 he was appointed professor of moral philosophy in Bologna, but moved to Florence a year later. His lectures at the local Studio became very popular, but his arrogance earned him many enemies. In May 1433, as Filelfo was walking to his lectures at the Studio, a thug attacked him and slashed his face. Filelfo blamed the attack on Cosimo de' Medici, and when Cosimo was exiled by the Albizzi party in 1433, he urged the signoria of Florence to pronounce the sentence of death on him. When Cosimo returned to Florence, Filelfo's position in that city was no longer tenable. He claimed that one attempt on his life had already been made; and now he readily accepted an invitation from the state of Siena.In Siena, however, he did not remain more than four years. His fame as a professor had grown great in Italy, and he regularly received tempting offers from princes and republics. He decided to accept the most alluring of these, made by the duke of Milan, Filippo Maria Visconti; and in 1440 he was received with honor by his new master in the capital of Lombardy. During his stay in Milan, he composed the Convivia mediolanensia, the famous commentary to Petrarch's Canzoniere, and the celebratory poem on Francesco Sforza (Sphortias).Subsequently he was invited to teach Greek in Rome by Pope Sixtus IV. In his last years, Filelfo reconciled with Lorenzo de' Medici, and returned to the Studio Fiorentino. Two weeks after his arrival, at the age of 83, he succumbed to dysentery, and was buried at the age of 83 in the Church of the Annunziata (cf. G. Resta, Francesco Filelfo tra Bisanzio e Roma, in: ?Francesco Filelfo nel quinto centenario della morte. Atti del XVII Convegno di Studi Maceratesi, Tolentino, Settembre 27-30, 1981?, Padova, 1986, pp. 1-60). Book.

Zustand: Good. 8vo. 11 x 18.2cm. Contemporary calf with gilt spine, unrestored. Engraved frontispiece from the 1631 du Bray edition; [22],712, [8],112pp.Pages 206-210 with Fable XXXVI have been removed. 118 full page engravings. .Frontispice et 120 figures gravés en taille douce dont quelquesunes signées Isaac Briot ou de sa fille Marie Briot. Les autres sontcopiées pat un anonyme sur Corneille Galle. Les Fables de Philelpheont un titre séparé.OCLC Number / Unique Identifier:491695286Notes:Les fables de Philelphe ont une p. de titre particulièreSig. ã8, e?4, a-f8, g6, A-Z8, Aa-Yy8, Zz2 ; ã4, A-G8118 gravures sur cuivre, 1 par fable d'EsoExpertise by Jean-François Bétis1, rue de l'Eglise, Donzacq, F-40360.

Rare and beautifully illustrated edition of 117 Aesop's fables in French, each with an extensive discussion of the moral followed by a four-line verse, by Jean Baptiste Morvan de Bellegarde. He adds French prose translations of further fables without illustrations: 18 numbered fables by the Renaissance Italian humanist poet and scholar Francesco Filelfo or Philelphus (1398-1481), translated from the Latin verse; 37 fables based on Aesop by Gabrias and Avienus, translated from the Latin verse; two longer fables: the "Battle of the cats and the rats", and the "Battle of the rats and the frogs"; five Aesop "tales" taken from Plato's dialogue Protagoras; six numbered "poetical fables", with Olympian Gods as protagonists; and finally three more "tales", the first from Herodotus and the last from Gerbellius. Pieter Mortier in Amsterdam first published the present collection of fables in 1708. Bellegarde (1648-1734), a French Jesuit, was clearly influenced by the very popular French Aesop translation by Jean Baudoin, whose 1649 and 1659 Paris editions also included Filelfo's fables. Even the frontispiece is based on Baudoin's, except that the king with armillary sphere, hunting horn and spear is replaced by Aesop with the same objects.The engravings in the present edition are copies of those in the 1708 edition (where each Aesop fable had a separate half-page engraving, here combined in pairs, except for the last). The engravings are beautifully executed by Georg Paul Busch (active 1713, d. 1756), a Berlin copper-plate engraver. The animals and intentions of Aesop's fables are drawn with a firm and certain hand in clear and rather "sec" scenes and movements, with the strong contrasts in black and white working as a kind of "colour" for the plates. The book is set primarily in types (roman and italic) cut by Nicolaus Kis in Amsterdam, but they were probably cast in Leipzig and the book may have been printed there.Very slightly browned, with an occasional (mostly marginal) stain and a marginal worm hole in a few leaves, but still in very good condition. The backstrip is damaged and the boards slightly rubbed.l STCN (1 copy); cf. Bodemann 97.1 & 2 (1708 & 1709 Amsterdam eds.); Fabula Docet 124 & ill. on p. 193 (incomplete 1734 Utrecht ed.); Landwehr, Emblem & fable books F062 (1708 Amsterdam ed.); not in Anne Stevenson Hobbs, Fables; The fox and the grapes: checklist Aesopic fables Pierpont Morgan Library. Contemporary calf, sewn on 4 cords, gold-tooled spine, red sprinkled edges. With an engraved frontispiece showing Aesop standing on a gallery holding an armillary sphere, hunting horn and spear, surrounded by a mixed crowd (including children), with a group of wild and domestic animals standing and lying below, title printed in red and black with an engraved emblematic device (Minerva before a shelf of books and Mercury before a view of ships at sea, with motto "erudit et ditat" and "P.S. libri"), engraved plate illustrating Aesop's life in 6 small scenes, and 59 numbered engraved plates with 117 half-page illustrations for the 117 numbered Aesop fables, all plates probably engraved by Georg Paul Busch in Berlin (the frontispiece and scenes of Aesop's life signed). Pages: 477, [9], [2 blank] pp.

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Legatura moderna in piena pergamena rigida; dorso con titolo in oro su fondo dipinto di rosso. (8)-108 carte numerate. Frontespizio con illustrazione silografata di un soldato romano; il solo primo capolettera abitato e silografato. Esemplare in discrete condizioni conservative, alcune lievi ma ampie gore al margine esterno di buona parte del volume, alcune pagine sottolineate, appunti manoscritti sulla prima carta di sguardia.