foster annette (43 Ergebnisse)

Hardcover. Zustand: Good. 1. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. Annette Cable (illustrator). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Annette Cable (illustrator). First. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.7.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 223 pages. 9.00x6.00x0.51 inches. In Stock.

Paperback. Zustand: Brand New. 201 pages. 9.61x6.69x0.46 inches. In Stock.

Zustand: Poor. Volume 7. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781615256518.

Printed Wrappers. Zustand: Fine. First Edition. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. Journal.

Printed Wrappers. Zustand: Very Good. First Edition. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. Journal.

Printed Wrappers. Zustand: Very Good. First Edition. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. Journal.

Printed Wrappers. Zustand: Near Fine. First Edition. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. Journal.

Printed Wrappers. Zustand: Very Good. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. Journal.

Printed Wrappers. Zustand: Very Good. First Edition. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome example. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 153pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Mea Culpa - Mary Kelly; Agriculture, Industry, and the Birth of the Photo-Essay in the Late Weimar Republic - Michael Jennings; The Art of the Day (1925) - Nikolai Tarabukin; Tarabukin, Spengler, and the Art of Production - Maria Gough; Portrait of the Artist as a Monkey-Hand - Paul Galvez; Camera Obscura: Socialist Realism in the Shadow of Photography - Leah Dickerman. A most handsome copy. Journal.

Printed Wrappers. Zustand: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome example. Journal.

Printed Wrappers. Zustand: Near Fine. First Edition. 115pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Two Paintings by Barnett Newman - Yve-Alain Bois; Barnett Newman's Stations and the Memory of the Holocaust - Mark Godfrey; Jean Fautrier's Jolies Juives - Rachel Perry; Of the Public Born: Raymond Hains and La France déchirée - Hannah Feldman; Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy - Anson Rabinbach; Stan Brakhage (1933-2003) - Annette Michelson. A handsome copy. Journal.