forti simone (34 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: VG. Glossy white 8vo, 209 pages, VG condition with just some wear to covers. Postscript & Afterword by Dewey & Mac Low respectively.

Zustand: NEW.

Paperback. Zustand: Brand New. 152 pages. 8.75x7.00x0.20 inches. In Stock.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: New. 2021. 3rd ed. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:1892184214.

Paperback. Zustand: Brand New. 01 edition. 94 pages. 9.00x6.25x0.25 inches. In Stock.

SOFTCOVER. Zustand: Fine. 1st Edition. 4to in stiff card covers, 95pp on various types of paper, colour plates, etc . [CONDITION: FINE, a well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorSIMONE FORTI shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the .

292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders.

304 pp.; 23.8 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Achille Bonito-Oliva with editorial coordination by Corinna Ferrari. Artists include Marina Abramovic, Vito Acconci, Vincenzo Agnetti, Laurie Anderson, Carl Andre, Giovanni Anselmo, Eleanor Antin, Art & Language, Michael Asher, David Askevold, Gabor Attalai, Michael Badura, Jo Baer, Marco Bagnoli, John Baldessari, Martin Barré, Robert Barry, Lothar Baumgarten, Didier Bay, Bernd and Hilla Becher, Bill Beckley, Larry Bell, Lynda Benglis, Joseph Beuys, James Bishop, Mel Bochner, Alighiero Boetti, Mari Boeyen, Marinus Boezem, Christian Boltanski, George Brecht, K.P. Brehmer, Marcel Broodthaers, Stanley Brouwn, Trisha Brown, Gunter Brüs, Chris Burden, Daniel Buren, Victor Burgin, James Lee Byars, André Cadere, Pier Paolo Calzolari, Peter Campus, Louis Cane, Enrico Castellani, Mark Camille Chaimowitz, Alan Charlton, Sandro Chia, Christo, Francesco Clemente, Chuck Close, Hanne Darboven, Walter De Maria, Agnes Denes, Jan Dibbets, Richard Estes, Valie Export, Robert Filliou, Dan Flavin, Simone Forti, Terry Fox, Hamish Fulton, General Idea, Gilbert & George, Philip Glass, Dan Graham, Robert Grosvenor, Hans Haacke, Duane Hanson, Michael Heizer, Eva Hesse, Dick Higgins, Nancy Holt, Rebecca Horn, Douglas Huebler, Robert Irwin, Ray Johnson, Joan Jonas, Donald Judd, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, David Lamelas, La Monte Young, Marian Zazeela, Barry Le Va, Les Levine, Sol LeWitt, Richard Long, George Maciunas, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Gordon Matta-Clark, Mario Merz, Annette Messager, Mary Miss, Meredith Monk, Robert Morris, Antonio Muntadas, Bruce Nauman, N.E. Thing Co., Barnett Newman, Dennis Oppenheim, Nam June Paik, Michelangelo Pistoletto, Arnulf Rainer, Yvonne Rainer, Ad Reinhardt, Gerhard Richter, Terry Riley, Dieter Rot [aka Dieter Roth], Alan Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Richard Serra, Charles Simonds, Robert Smithson, Keith Sonnier, Nancy Spero, Daniel Spoerri, Frank Stella, Richard Tuttle, Wolf Vostell, Andy Warhol, and Lawrence Weiner. Includes author biography. Texts in English, French, and German. Very Good. Small chip to bottom edge of dust-jacket at spine. Light bumping of cover and page corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[4] pp.; 21.6 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for an evening of performances by Trisha Brown Company performed at The Marymount Manhattan Theatre, New York, in 1979. The evening included performances of "Accumulation (1971) With Talking (1973) Plus Water Motor (1978)," performed by Trisha Brown; "Planes (1968)," performed by Daniel Lepkoff and Terry O'Reilly with films by Jud Yalkut and music by Simone Forti; "Line-Up (1977)," performed by Trisha Brown, Elizabeth Garren, Lisa Kraus, Nina Lundborg, and Mona Sulzman and "Glacial Decoy (1979)," New York Premiere, performed by Trisha Brown, Elizabeth Garren, Lisa Kraus and Nina Lundborg with visual presentation and costumes by Robert Rauschenberg. Includes biographies of the performers. Cover photograph by Babette Magolte. Good / Very Good. Gentle 6 mm. dog-ear to lower right corner of recto and additional light handling wear. Contents clean and unmarked.

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 87p : illustrations ; 23 cm. Very good, minimal marks to delicate white wrappers, clean, crisp, unmarked. The Bear in the Mirror is a collection of stories, prose-poems, drawings, photos, letters, notes, and memories. Simone Forti dives into her family s past, trying to put all the myths and fragments of information into some kind of perspective, from December 1938 till the present moment, from woollen mills in Italy to Los Angeles. Chance encounters with bears play an important part in this narrative in pieces.

Soft cover. Zustand: Very Good. 60 pp., illustrations, index. light cover wear, minor foxing (age spots) inside covers & on 1st & last page, includes original handbill from Frank Moore's March 7, 1992 performance. Pages 4-9 are the Jacques Chwat Memoriam. Pages 10-56 are on the subject "The Body".

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st. Near Fine First Edition. 8vo. Published by the Press of the Nova Scotia College of Art and Design & New York University Press, 1974. Black cloth with white titling to spine, bumping to head and foot, interior clean, tightly bound. Very Good + white illustrated dust jacket, some edgewear, almost undetectable sunning, protected in mylar. Rife with photographs, drawings, reproductions of journal entries in black-and-white, this is the first monograph on renowned contemporary New York dancer and choreographer, Simone Forti. 144 pp.

43 pp.; 27.8 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published as an overview of performances and exhibitions held at The Kitchen in New York in 1974 and 1975. Introduction by Bruce Kurtz. Artists include: Ant Farm, Eleanor Antin, John Baldessari, Kirsten Bates, Connie Beckley, David Behrens, David Behrman, Carmen Beuchat, Scott Billingsley, Trisha Brown, Jim Burton, Jim Byrne, Peter Campus, Cornelius Cardew, Sergio Cervetti, Rhys Chatham, Peggy Cicierska, Andy Mannik, Jim Cobb, David Cort, Alvin Curran, Barbara Dilley, Juan Downey, Jean Depuy, Susan Ensley, Henry Flynt, Nova'Billy, Simone Forti, Jon Gibson, Davidson Gigliotti, Frank Gillette, Tina GIrouard, Dan Graham, Amy Greenfield, Ellen Grossman, Noel Harding, Julia Heyward, Nancy Holt, Gerard Hovagimyan, Nelson Howe, Tannis Hugill, Tom Johnson, Joan Jonas, Beryl Korot, Jill Kroesen, Shigeko Kubota, Robert Kushner, Richard Landry, Darcy Lange, Garrett List, Anna Lockwood, Alvin Lucier, Jackson Mac Low, Ingram Marshall, Michael McClard, Mike Metz, Dick Miller, Phill Niblock, Steve Paxton, Liz Phillips, Virginia Quesada, Eliane Radique, Steve Reich, Jonathan Richman, Ripert Center, Joost Romeu, Jim Rosenberg, Leon Rosenblatt, Martha Rosler, Arthur Russell, Ira Schneider, Robin Schwartz, Allen Sekula, S.E.M. Emsemble Festival, Willoughby Sharp, Tape Inc., Richard Teitelbaum, David Tudor, Peter van Riper, Robin Winters, Walter Wright, and Susan Wolfson. Cover photo by Robin Winters. Very Good / Fine. Light rubbing of covers with light bumping of corners and creasing at spine. Contents clean and unmarked.

Zustand: New. Wie vielseitig die Kuenstlerin, Choreografin, Taenzerin und Schriftstellerin Simone Forti ist, zeigen die etwa 200 Arbeiten, die dieser schoen bebilderte Band dokumentiert. Ihre Untersuchungen ueber die Beziehung von Objekt und Koerper im Wechselspiel mit mental.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Original wraps. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good +. A sharp, well-preserved copy of the 1974 1st edition of this "account of an ongoing personal discourse and its manifestations in dance". Crisp and Near Fine in its printed beige wrappers. And in a bright, VG+ to Near Fine dustjacket, with very light spotting along the front fore-edge. One of the titles in the very interesting "Nova Scotia" series, which has also produced theoretical works by Steve Reich, Claes Oldenburg and Yvonne Rainer.

Softcover. Zustand: Sehr gut. Marina Abramovic und Ulay, Laurie Anderson, Dara Birnbaum, John Cage, Elliott Carter, Yoshiko Chuma, Danskern, Simone Forti, Dan Graham, Pauline de Groot, Nan Hoover, Joan Jonas, Meredith Monk, Musica Elettronica Viva MEV, Charlemagne Palestine, Giulio P (illustrator). 1. Auflage. ´60 ´80. Attitudes / Concepts / Images. Performance, Dance, Music, Installation, Video, Film. Catalogue Supplement. Stedelijk Museum, Amsterdam 9.4.-11.7.1982. 275:207mm. 76S. Zahlr. Abb. (3 fab.). Brosch. Texte Engl./Flämisch. von Ad Petersen, Dorine Mignot, Frans van Rossum. Aktivitätsliste und Dokumentation über "Events" von Marina Abramovic und Ulay, Laurie Anderson, Dara Birnbaum, John Cage, Elliott Carter, Yoshiko Chuma, Danskern, Simone Forti, Dan Graham, Pauline de Groot, Nan Hoover, Joan Jonas, Meredith Monk, Musica Elettronica Viva MEV, Charlemagne Palestine, Giulio Paolini, Ulrike Rosenbach, Barbara Smith, David Tudor, Frances-Marie Uitti, Robert Whitman. Wie neue.

Paperback. Zustand: Good. Softcover 8vo, staple-bound with texts printed on one side only of 24 leaves, and with 2 interior & 1 front cover photographic image. The present copy is inscribed on ink on the ffep To Joan [Jonas) / with Love / Simone. While both front and back covers are present, the front one may have come unglued as it wrapped around to the rear. either that or there was a printer's error. in any case the staples still function while the cover is partly detached above and below the top & bottom one. Rubbing, spotting to covers while interior pages are bright & unmarred. Simone Forti 7 Joan Jonas go WAY back.

paperback. Zustand: Fine. Libro d'artista a cura di Fabio Sargentini e Simona Tarantino. Le immagini di questo librino, sono fotogrammi tratti da un video della performance di Simone Forti girato durante la mostra "Contemporanea" a Villa Borghese nel febbraio 1974. Stampato in occasione della performance "Logomotion" di Simone Forti, martedì 18 marzo 2008 nello spazio della Galleria L'Attico Esemplare n. 56/100. Cm 6,7x10,5. pp. 60 non numerate. . Ottimo (Fine). . Edizione originale di 200 esemplari numerati (Original edition of 200 numbered copies). . Nata a Firenze da una famiglia di industriali ebrei emigrati negli Stati Uniti per sfuggire alle leggi razziali fasciste, Simone Forti è un'artista del movimento, come ama definirsi. La sua formazione nella danza inizia nel 1955 a San Francisco, dove partecipa agli innovativi laboratori di Anna Halprin e conosce un modo nuovo di ballare e costruire la coreografia, liberata di ogni elemento non essenziale e aperta all'improvvisazione. A New York, quattro anni dopo, avviene l'incontro decisivo con Robert Dunn, che la introduce alla lezione di John Cage sull'indeterminatezza e la libertà espressiva. In città sono gli anni degli happening, di Fluxus e del Judson Dance Theater. I primi risultati della sua ricerca, presentati nel 1960 alla Reuben Gallery, sono già un'anticipazione di quelle che più avanti chiamerà Dance Constructions. Forti sviluppa performance di una semplicità estrema che implicano quasi esclusivamente l'uso di corde, scatole e strutture di legno grezzo. I movimenti degli interpreti richiedono uno sforzo che è spesso privo di scopo o servono a sperimentare le possibilità di azione del corpo nelle situazioni ludiche dell'infanzia. È il caso di See Saw, performata da Robert Morris, all'epoca suo marito, e Yvonne Rainer, in azione alle due estremità di un gioco a dondolo. Figura chiave nella diffusione della danza e della musica d'avanguardia in Italia grazie a un lungo soggiorno romano nel 1968 e all'amicizia con il gallerista Fabio Sargentini, Forti non ha mai smesso di sperimentare, sconfinando spesso nel campo del video, del disegno, della fotografia e della parola scritta. Alcuni dei contributi più significativi arrivano però soprattutto in ambito sonoro, dove testa il potenziale espressivo del segno grafico, trasformando in partiture musicali i profili dei volti, e quelle del caso, illustrando insieme a Charlemagne Palestine la complementarità tra suono e movimento. Quando, negli anni ottanta, l'artista torna a concentrarsi sul movimento e sulla fisicità, lo fa aggiungendo alle sue performance una forte componente parlata. Inizialmente sviluppati in forma spontanea con il nome di Logomotions, questi lavori saranno successivamente conosciuti come News Animations, in riferimento alle questioni di attualità che costituiscono la traccia a partire dalla quale Forti dipana la sua narrazione. Edizione originale di 200 esemplari numerati (Original edition of 200 numbered copies). Book.

Wrappers in Illustrated Jacket. Zustand: Near Fine. First Edition. 144pp, profusely illustrated in b&w. Published by the estimable Press of the Nova Scotia College of Art and Design in 1974, this is the first monograph on renowned contemporary New York dancer/choreographer Simone Forti. It contains texts (often reproduced in facsimile), sketches, and photographs documenting her performances between 1959 and 1974. A most handsome example in dust jacket showing just a bit of age-toning to the covers. Dance Monograph.

Second Edition, a trade softcover original, with all inserts present. INSCRIBED by La Monte Young on the inside front wrapper in 1997: "To / With all good vibrations! / La Monte / 97 III 22 / 2:30:28 PM / NYC." A lovely copy of the faithful reprint of the seminal Fluxus manifesto, originally published in 1963, rare to find inscribed. Easily Near Fine in perfect-bound red-and-black wrappers as issued. Fluxus Codex US.

[1] pp.; 27.8 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided flyer published in conjunction with a performance by Simone Forti with Jon Gibson and workshop participants held October 6, 7, 8, 198? / 199? Very Good. Folded in three. 4 mm. tear to left side edge. Light handling wear and wear to corners with 1.2 cm. light yellow spotting to bottom right corner. Otherwise clean and unmarked.

[1] pp.; 35.5 x 21.6 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Flyer / program for the New York premiere of Joan Jonas's "Double Lunar Dogs," held at the Performing Garage, New York City, [December 9 - 13 and 16 - 20, 1984]. Written and directed by Joan Jonas, inspired by "Universe" by Robert Heinlein. Assistant directed by Marion Cajori. Performers included Jill Kroesen, Spalding Gray, David Warrilow, Mayra Levy, Todd Betterley, Brina Gehry and Daniel Minahan. Sets by Joan Jonas, Mary Heilman, Andrea Callard and Dan Moran. Sound by Richard Teitelbaum, The Residents, Barney Bailey, Michael Riesman, Joan Jonas, Jill Kroesen, Simone Forti and Scott Breindel. Lighting by Richard Lloyd and Gitta Gisell. Videotape by Michael Oblowitz, Joan Jonas, Dede Halleck and Christophe Landzenberg. Film edited by William Farley. Fair / Good. Significant handling wear. Folded in twelve, with rubbing along fold lines. Bumping of corners and edges with a 1.4 cm. dog-ear to bottom left corner and a 6.1 cm. dog-ear to upper left corner. 8 mm. and 5 mm. tear to left side edge of page and 1 mm. tear to right side edge.

0. Handbook in Motion. An account of an ongoing personal discourse and its manifestations in dance. Halifax 1974. 152 S. mit zahlr. meist ganzseit. s/w Abb. & Textdok., brosch. (= The Nova Scotia Series. Source Materials of the Contemporary Arts. General Editor: Kasper König). ANTIQUARISCH.

[1] pp.; 58.5 x 73.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with the 13th Annual Avant Garde Festival held on June 19, 1977 at the World Trade Center, New York City. Presented by Charlotte Moorman participating artists included Laurie Anderson, Christo, Robert Filliou, Simone Forti, Geoff Hendricks, Joan Jonas, Allan Kaprow, Yoko Ono, Larry Rivers, Bill Viola, and many, many others. Poster designed by Jim McWilliams. Good. Folded in eight as issued with light additional gentle fold marks. This copy printed on matte paper.

[2] pp.; 89 x 58.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two-sided poster for Festival held July 20, 1980 at Passenger Ship Terminal, 55th Street & Hudson River, New York City. Huge roster of artists includes Ay-O, Christo, Barbara Ess, Simone Forti, John Giorno, Jon Hendricks, Dick Higgins, Nancy Holt, Joe Jones, Alison Knowles, Les Levine, Jackson Mac Low, Ann Magnuson, Nam June Pair, Michael Smith, and many many others. Good. Mailed copy with mailing marks and mailing wear. Small tears along folds. Three tears along meeting points of folds measuring 1 cm., .5 cm. and .3 cm respectively. Moderate yellowing along folded edges. Image on poster clean and unmarked.