Fordham douglas (31 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: Brand New. 100 pages. 10.00x8.00x0.50 inches. In Stock.

Zustand: New. In English.

Zustand: New.

Paperback. Zustand: Brand New. 100 pages. 10.00x8.00x0.50 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. An illuminating investigation of how aquatint travel books transformed the way Britons viewed the world and their place within it In the late 18th century, British artists embraced the medium of aquatint for its ability to produce prints with rich and varied tones that became even more stunning with the addition of color. At the same time, the expanding purview of the British empire created a market for images of far-away places. Book publishers quickly seized on these two trends and began producing travel books illustrated with aquatint prints of Indian cave temples, Chinese waterways, African villages, and more. Offering a close analysis of three exceptional publicationsThomas and William Daniells Oriental Scenery (17951808), William Alexanders Costume of China (17971805), and Samuel Daniells African Scenery and Animals (18045)this volume examines how aquatint became a preferred medium for the visual representation of cultural difference, and how it subtly shaped the direction of Western modernism.Distributed for the Paul Mellon Centre for Studies in British Art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Brand New. 1st edition. 464 pages. 9.45x6.77x0.94 inches. In Stock.

Zustand: New. In English.

Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. This volume is dedicated to the problematic relationship between art and the British Empire from the 16th century to decolonization in the 20th century. It examines a wide range of visual production, including book illustration, portraiture, monumental sculpture, genre and history painting, visual satire, and more. xx, 442 pages, 16 unnumbered pages of plates : illustrations (some color), maps ; 25 cm. First edition, first printing. Blue boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: Very good. First Edition. 18 x 25cm 442pp very good hardback in dust jacket, a minor crease along the top edge of dust jacket. Has many colour plus black and white reproductions.

Zustand: New. This pioneering study argues that the concept of 'empire' belongs at the centre, rather than in the margins, of British art history. Twenty essays by authors from four continents offer innovative methodological approaches to the analysis of visual art as it was produced, exhibited, and distributed throughout the British Empire. Editor(s): Barringer, Tim; Quilley, Professor Geoff; Fordham, Douglas. Num Pages: 464 pages, Illustrations, black & white|Illustrations, colour. BIC Classification: 1DBK; AC. Category: (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 172 x 238 x 24. Weight in Grams: 1156. . 2009. Paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Zustand: Neu. Neuware - Founded in Sydney in 1987, the Boomalli Aboriginal Artists Co-operative helped to invent the category of urban Aboriginal art while cultivating artists whose work cut across multiple generations, sexual orientations, and language groups. Focusing on pivotal moments in the careers of Boomalli's founding members, these essays insist that the choice of media matters. As they worked with photography, printmaking, textiles, and watercolors, the artists of Boomalli challenged stereotypes of Aboriginal identity and revealed new ways of creating community and tradition. This companion volume to a major exhibition at the Kluge-Ruhe Aboriginal Art Collection provides a truly intersectional approach to the study of contemporary Aboriginal art and is an important contribution to the study of Indigenous art and its significance to contemporary art history.…

Zustand: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. New Haven, Yale, 2016. First edition. First printing (with full number line including 1). Hardbound. NEW. Still in original shrink-wrap. Very Fine in a very fine jacket. A clean tight copy. 259 pages. 11.00x9.00x1.25 inches.

Zustand: New. &Uumlber den Autor Ash Duhrkoop is a PhD student at the University of Virginia specializing in global modernism and African art. She has held a number of curatorial positions, including most recently at the Virginia Museum of Fine Ar.

Hardcover. Zustand: Brand New. 1st edition. 259 pages. 11.00x9.00x1.25 inches. In Stock.

Zustand: New. pp. 464.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: New. 1st Edition. Book hardcover First Edition 127 b&w figs 19 colour plates pp442. Condition As New marred only by light dusting to top edge.

Zustand: New. In English.

Kartoniert / Broschiert. Zustand: New. This pioneering study argues that the concept of empire belongs at the centre, rather than in the margins, of British art history. Twenty essays by authors from four continents offer innovative methodological approaches to the analysis of visual art as it.

Taschenbuch. Zustand: Neu. Neuware - This pioneering study argues that the concept of 'empire' belongs at the centre, rather than in the margins, of British art history. Recent scholarship in history, anthropology, literature and post-colonial studies has superseded traditional definitions of empire as a monolithic political and economic project. Emerging across the humanities is the idea of empire as a complex and contested process, mediated materially and imaginatively by multifarious forms of culture. The twenty essays in Art and the British Empire offer compelling methodological solutions to this ambiguity, while engaging in subtle visual analysis of a previously neglected body of work. Authors from Australia, Canada, New Zealand, South Africa, the USA and the UK examine a wide range of visual production, including book illustration, portraiture, monumental sculpture, genre and history painting, visual satire, marine and landscape painting, photography and film. Together these essays propose a major shift in the historiography of British art and a blueprint for further research.…

Hardcover. Zustand: Brand New. 315 pages. 11.50x10.00x1.25 inches. In Stock.

Gebunden. Zustand: New. KlappentextAn illuminating investigation of how aquatint travel books transformed the way Britons viewed the world and their place within it In the late 18th century, British artists embraced the medium of aquatint for its ability to pro.

paperback. Zustand: Sehr gut. 278 Seiten; 9789231027697.2 Gewicht in Gramm: 500.

Buch. Zustand: Neu. Neuware - An illuminating investigation of how aquatint travel books transformed the way Britons viewed the world and their place within it In the late 18th century, British artists embraced the medium of aquatint for its ability to produce prints with rich and varied tones that became even more stunning with the addition of color. At the same time, the expanding purview of the British empire created a market for images of far-away places. Book publishers quickly seized on these two trends and began producing travel books illustrated with aquatint prints of Indian cave temples, Chinese waterways, African villages, and more. Offering a close analysis of three exceptional publications--Thomas and William Daniell's Oriental Scenery (1795-1808), William Alexander's Costume of China (1797-1805), and Samuel Daniell's African Scenery and Animals (1804-5)--this volume examines how aquatint became a preferred medium for the visual representation of cultural difference, and how it subtly shaped the direction of Western modernism. Distributed for the Paul Mellon Centre for Studies in British Art.…