Ford margot (14 Ergebnisse)

Zustand: Good. First. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. While there are many biographies of important Missouri men, there are few such biographies of Missouri women, which might suggest that they did not count in history. This book helps to correct that misconception by tracing the lives of four women who played important roles in their eras.…

Paperback. Zustand: Very Good. While there are many biographies of important Missouri men, there are few such biographies of Missouri women, which might suggest that they did not count in history. This book helps to correct that misconception by tracing the lives of four women who played important roles in their eras.…

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 1st edition. 112 pages. 9.25x6.25x0.50 inches. In Stock.

Buch. Zustand: Neu. Neuware.

Zustand: New.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. [Exhibition catalogue]. Folio. Oblong. 75 pp. Soft white and color illustrated wraps with black, gray and brown lettering. Color wraps. Includes a foreword by Ann C. Kubisch, introductions by Margot H. Knight and Sharon Dynak and an essay by Tad Savinar. Includes works by Avantika Bawa, Pat Boas, Michael Boonstra, Cody Bustamante, Christine Clark, Anne Connell,David Corbett, Ka'ila Farrell-Smith, Erik Geschke, Sarah Grew, Stephen Hayes, Garrick Imatani, Malia Jensen, Shelley Jordon, Ann Kresge, Adam Kuby, Jeff Leake, Ellen Lesperance, Donald Morgan,Darren Orange, Roger Peet, Julie Perini,Ryan Pierce, Brittany Powell Parich, Paula Rebsom, Jack Ryan, Julia Stoops, Cara Tomlinson and Amanda Wojick. Catalogue created to showcase Oregon artists participating in month-long Oregon artist residency program with Djerassi Resident Artists Program and Ucross Foundation between 2013 and 2016. Scarce.…

Vintage borderless reference photograph showing director Richard Donner on the set. Stamps specific to the French release on the versos. The origin story of Jerry Siegel and Joe Shuster's famed superhero, an alien sent as a baby from his crumbling home planet to Earth. The wildly popular film foreshadowed the later success of Hollywood superhero franchises, and firmly established Christopher Reeve as the ultimate Superman. Shot on location in Canada, New York, California, New Mexico, Arizona, and England. 9.5 x 7 inches. Near Fine. National Film Registry. Ebert IV.…

Draft script for the 1935 film. In a custom quarter leather clamshell box. The second of two films based on Liam O'Flaherty's 1925 novel, the first being Arthur Robison's 1929 British feature, about a former Republic Army member during the Irish War of Independence, who turns in one of his comrades to the British in order to use the bounty money to book passage to America for himself and his girlfriend, who has been forced into prostitution. Winner of four Academy Awards, including Best Adapted Screenplay, Best Director, and Best Actor for McLaglen, nominated for two others, including Best Picture. Screenwriter Dudley Nichols became the first person to decline an Academy Award, when his refused his Oscar due to an ongoing dispute between the Screen Writers Guild and the Academy, though he would eventually claim it three years later. Detached green wrappers, noting the title, screenwriter and director on the spine in manuscript ink. Title page integral with first page of text, with credits for screenwriter Nichols and novelist O'Flaherty. 105 leaves, with last page of text numbered 105. Mimeograph duplication. Pages Near Fine, wrapper Very Good, side-stapled. National Film Registry.…