Foote sandra (27 Ergebnisse)

Paperback. Zustand: Brand New. 51 pages. 9.00x6.00x0.13 inches. In Stock.

Paperback. Zustand: Brand New. 47 pages. 8.25x6.00x0.12 inches. In Stock. Andrew, Dixie (illustrator).

Paperback. Zustand: New. 1st.

Zustand: New.

Paperback. Zustand: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Paperback. Zustand: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Zustand: New. pp. 207.

Paperback. Zustand: New. Books of Hours are probably the most famous of all medieval illuminated manuscripts. Presented here are 12 Books of Hours that date from the origins of the genre in the 13th century to its eclipse in the 16th century. Examples come from France, Italy and the Southern and Northern Netherlands and are by many notable artists, including Pietro da Pavia, Belbello da Pavia, the Masters of Zweder van Culenburg, the Masters of the Gold Scrolls, Willem Vrelant, Guillaume tile Roy and Jean Poyer. Some are richly illustrated; others are more modest. Each manuscript is wholly unique, offering a captivating glimpse into the lives and preoccupations of their owners, the concerns and contributions of their illuminators.The introduction by Christopher de Hamel, Donnelley Fellow Librarian at Corpus Christi College, Cambridge, underscores the intimacy'of Books of Hours as a genre. A team of distinguished scholars have contributed to the essays, bringing up-to-date research to the project that helps situate each manuscript in the most recent scholarship. Comparative photographs of manuscripts in institutions place these twelve Horae in their broader artistic and cultural contexts.Accompanying an exhibition held at Les Enluminures, New York, 2-25 May 2012.…

Paperback. Zustand: Brand New. 255 pages. 12.00x7.75x1.00 inches. In Stock.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Tall softback (30cm x 19.5cm) in colour pictorial card covers; 207pp, with colour illustrations throughout. Previous owner's bookplate to inside of front cover. Very Good copy overall. (SHELF 110) ISBN: 9780983854630 PLEASE NOTE: Heavy Book (1.1 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. …

Zustand: New. pp. 207.

Zustand: New.

Paperback. Zustand: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Paperback. Zustand: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Paperback. Zustand: New. Books of Hours are probably the most famous of all medieval illuminated manuscripts. Presented here are 12 Books of Hours that date from the origins of the genre in the 13th century to its eclipse in the 16th century. Examples come from France, Italy and the Southern and Northern Netherlands and are by many notable artists, including Pietro da Pavia, Belbello da Pavia, the Masters of Zweder van Culenburg, the Masters of the Gold Scrolls, Willem Vrelant, Guillaume tile Roy and Jean Poyer. Some are richly illustrated; others are more modest. Each manuscript is wholly unique, offering a captivating glimpse into the lives and preoccupations of their owners, the concerns and contributions of their illuminators.The introduction by Christopher de Hamel, Donnelley Fellow Librarian at Corpus Christi College, Cambridge, underscores the intimacy'of Books of Hours as a genre. A team of distinguished scholars have contributed to the essays, bringing up-to-date research to the project that helps situate each manuscript in the most recent scholarship. Comparative photographs of manuscripts in institutions place these twelve Horae in their broader artistic and cultural contexts.Accompanying an exhibition held at Les Enluminures, New York, 2-25 May 2012.…

Soft cover. Zustand: Fine. 4to (28 cm), 88 pp. Laminated wrappers (minor shelf wear). A richly illustrated dealer's catalogue issued by the manuscript specialists Les Enluminures (Paris and Chicago) to mark the tenth anniversary of their textmanuscripts project. Conceived as the first in a projected series devoted to textual manuscripts, the volume presents thirty-two manuscript books from the Gothic and Renaissance periods, selected in large part for the survival of their original bindings. The catalogue is organised into five thematic sections: medieval bindings; leather and vellum blind-stamped bindings; textile bindings; Renaissance bindings; and reused, recycled, and rebound structures. Each section foregrounds the binding not merely as protective covering but as a primary source for the study of book production, use, and transmission. Sandra Hindman's introduction articulates a methodological framework informed by the "archaeology of the medieval book," associated with François Delaissé, and by Mirjam Foot's pioneering studies of binding structures. The entries themselves provide close technical descriptions of sewing structures, board attachment, pastedowns, and other physical evidence, using bindings as evidence for patterns of readership, circulation, and repair. The catalogue includes a separate price list for the thirty-two items offered for sale, ranging from pedagogical manuscripts such as a grammar manual to a Book of Hours associated with the circle of Jean Markant. A significant contribution to the material study of manuscripts, bridging scholarly codicology and the contemporary antiquarian market.…

Couverture souple. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Edition originale. An Intimate Art : 12 Books of Hours for 2012 edited by Sandra Hindman and Ariane Bergeron-Foote. Paris 2012 Pages 208 ills. in colour 300 x 195 mm. paper Euro 125,00.-Language : english text.

Couverture souple. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. prima edizione. Picturing Piety: The Book of Hours. Text by Roger S. Wieck with Sandra Hindman and Ariane Bergeron-Foote 273 pp., fully illustrated, in English with abstracts in French The catalogue provides pictures and descriptions of 26 Books of Hours from the late Middle Ages and Renaissance acquired by Les Enluminures. Size: 300 x195 mm.…

Paperback. Zustand: New. 1st.

Couverture souple. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Edition originale. France 1500 The pictorial arts at the Dawn of the Renaissance,by Sandra Hindman and Ariane Bergeron-Foote.Chicago/Paris 2010 Pages 166 ills. in colour 30 cm. Relié - Language : english text.

Couverture souple. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Edition originale. Binding and the Archaelogy of the Medieval and Renaissance Book edited by Sandra Hindma and Ariane Bergeron-Foote.Paris 2012 Les Enluminures Pages 87 ills.in colour quarto paper - Language : English text.

Couverture souple. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Edition originale. FLOWERING OF MEDIEVAL FRENCH LITERATURE Text by Sandra Hindman and Ariane Bergeron-Foote 256 pp., fully illustrated, in English This catalogue brings together a group of sixteen manuscripts all written in the French language and mostly illuminated. Because many of these manuscripts are virtually unknown and previously unpublished, first-hand study of them offers a special opportunity to reassess certain approaches to late medieval French literature. London 2014 Pages 252 ills.,in color - Language : English Text Size: 195 x300mm.…