flanagan ben (6 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. pp. 139 46 Illus.

Paperback. Zustand: Brand New. 480 pages. French language. 9.06x7.40x1.10 inches. In Stock.

Hardcover. Zustand: Fine. 1st Edition. No. 1-4, Winter to Autumn, 1950. HC, Orig. Red cloth and gilt stamping to spine. B/W photography, ads, illustrations and collected writings from celebrated authors. 4to. xxiv++ (ea. quarter differs in roman numeral pages), 332pp + 4 page Index to all 4 quarters. Fine, Clean, with no markings or writings, never read. Mint Interior with near fine exterior; spine is sunned. Includes stories, poems and other writings by J. Frank Dobie, William Goyen, James Pipes, Boyd McDonald, John B. Jackson, William Burford, W.M. Frohock, Arthur Marvin Shaw, Herschell Brickell, Ted Robins, Joseph Leach, John Rosenfield, William A. Owens, Peter Viereck, Ben Jeffrey, Robert G. Payne, Vernon Young, John T. Flanagan, Jordan Mason, Esther McCoy, T.M. Pearce, Clarence K. Streit, Charlie Masters, Wilson Owen Henderson, Ruth M. Sanders, Umphrey Lee Jr., Joseph Ross and many more. Hard to find in such nice condition. RARE. Collectible. BR Box 152.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Q & A Peter Bowen on Sundance Film Festival GADGET LOVE R. U. Sirius on Bill Gates The Road Ahead AMERICAN MYTHS J. Hoberman on the Remaking of the President MUSIC Mark Van de Walle on the Mountain Goats MUSIC Bruce Hainley on Yoko Ono/IMA MUSIC Evelyn McDonnell on the Raincoats MUSIC Charles Aaron on Brand New Blues HOT LIST Mark Van de Walle on Celluloid Sites LETTER Georgia Lobacheff on Brazil LETTER Carlos Basualdo on Cannibal Culture LETTER Jan Fjeld on Brazilian Rap HOTLIST Mark Van de Walle on Celluloid Sites TOP TEN Howard Hampton s Real Life Rock COLUMNS FEATURES REVIEWS BOB S THING Flanagan s Wake Dennis Cooper Excerpts from Flanagan s Pain Journal Bob Flanagan Rack Talk Deborah Drier interviews Bob Flanagan and Sheree Rose DREAM TEAM: THE BROTHERS QUAY Thyrza Nichols Goodeve talks with the Brothers Quay FLASH TRACK: MARIO SORRENTI PHOTOGRAPHS THE BERNADETTE CORPORATION Olivier Zahm LIKE A ROLLING STONE: GABRIEL OROZCO Jean-Pierre Criqui OPENINGS: GRAZIA TODERI Giorgio Verzotti COLUMNS FEATURES REVIEWS Molly Nesbit on Chris Marker NEW YORK James Meyer on Jo Baer Ben Lifson on John Coplans Ben Lifson on Richard Poussette-Dart Mark Van de Walle on Jessica Stockholder Faye Hirsch on Alice Neel Barry Schwabsky on Lucio Fontana Barry Schwabsky on Cathy de Monchaux Bruce Hainley on Francesco Clemente Bruce Hainley on Fantasy and Reality: Drawings from the Sunny Crawford von Bülow Collection Jean-Pierre Criqui on Tony Smith Donald Kuspit on André Masson Joshua Decter on Liisa Roberts Jenifer P. Borum on Red Grooms Marek Bartelik on Shooting the Moon Ingrid Schaffner on Robin Tewes Ernest Pascucci on City Speculations WASHINGTON, D.C. Howard Risatti on Painting Outside of Painting PITTSBURGH David Carrier on David Humphrey CHICAGO James Yood on Buzz Spector SAN FRANCISCO Maria Porges on Charles Goldman LOS ANGELES Andrew Perchuk on Udomsak Krisanamis Laura U. Marks on Photography and Beyond in Japan: Space, Time, and Memory BUENO AIRES Carlos Basualdo on Gladys Nistor MADRID Juan Vicente Aliaga on ZAJ MILAN Marco Meneguzzo on Rudolf Stingel Anthony Iannacci on Richard Wilson PARIS Jérôme Sans on Douglas Gordon LYON Miriam Rosen on Biennale de Lyon KREFELD Giorgio Verzotti on Jan Vercruysse FRANKFURT Noemi Smolik on Andreas Slominski/Ayse Erkmen ANTWERP Giorgio Verzotti on Ettore Spalletti LONDON/CAMDEN Martin Maloney on Matt Collishaw LONDON James Hall on Tracey Emin.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.