fisher marcus (28 Ergebnisse)

1986. Anthropological theory. University of Chicago Press. Very good paperback 204p.

Paperback. Zustand: Brand New. illustrated edition. 224 pages. 8.00x5.25x0.75 inches. In Stock.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good Jacket. Number written on the fly leaf. Previous owner's personal rubber stamp. Hardcover. Posted within 1 working day. 1st class tracked post to the UK, Airmail with tracking worldwide. Robust recyclable packaging. Picture is the actual item.

Hardback. Zustand: Very Good. Revised and Reset Edition. Octavo Size [approx 15.5 x 22.8cm]. Very Good condition in Very Good Dustjacket. DJ protected in our clear archival purpose-made plastic sleeve. A nice copy. 224 pages. Short critical accounts of the life and work of outstanding writers for children. Robust, professional packaging and tracking provided for all parcels.

Zustand: New. This study progresses chronologically from abolitionist newspapers to the impact and implications of the Internet, to reveal how the black press content and its very form changed with evolving historical and cultural conditions in America.&Uumlber.

Zustand: New. In.

Zustand: New. In.

kart. Zustand: Gut. 1. Aufl. 191 S. : Ill. ; 19 cm Datumseintrag, sonst guter, sauberer Zustand, wohl ungelesen Sprache: Deutsch Gewicht in Gramm: 226.

Taschenbuch. Zustand: Neu. Software Verification and Validation | An Engineering and Scientific Approach | Marcus S. Fisher | Taschenbuch | x | Englisch | 2010 | Springer | EAN 9781441941008 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Zustand: New. Idioma/Language: Inglés. This book fills the critical need for an in-depth technical reference providing the methods and techniques for building and maintaining confidence in many varities of system software. The intent is to help develop reliable answers to such critical questions as: 1) Are we building the right software for the need? and 2) Are we building the software right? Software Verification and Validation: An Engineering and Scientific Approach is structured for research scientists and practitioners in industry. The book is also suitable as a secondary textbook for advanced-level students in computer science and engineering. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The World is lacking an in-depth technical book describing the meth ods and techniques used to provide confidence in our system software. Not only is the U.S. government more focused on software safety in to day's market, but private industry and academia are as well. The methods and techniques that provide such confidence are commonly called software verification and validation. Software Verification and Validation: An Engineering and Scientific Approach, a professional book, fills the critical need for an in-depth tech nical reference providing the methods and techniques for building and maintaining confidence in many varieties of system software. The intent of this volume is to help develop reliable answers to such critical questions as: 1) Are we building the right software for the need 2) Are we building the software right Software Verification and Validation: An Engineering and Scientific Approach is structured for research scientists and practitioners in industry.

Hardcover. Zustand: Brand New. 1st edition. 172 pages. 10.00x6.75x0.50 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The World is lacking an in-depth technical book describing the meth ods and techniques used to provide confidence in our system software. Not only is the U.S. government more focused on software safety in to day's market, but private industry and academia are as well. The methods and techniques that provide such confidence are commonly called software verification and validation. Software Verification and Validation: An Engineering and Scientific Approach, a professional book, fills the critical need for an in-depth tech nical reference providing the methods and techniques for building and maintaining confidence in many varieties of system software. The intent of this volume is to help develop reliable answers to such critical questions as: 1) Are we building the right software for the need 2) Are we building the software right Software Verification and Validation: An Engineering and Scientific Approach is structured for research scientists and practitioners in industry.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. Reviews by Lisa Liebmann, Ronny H. Cohen, Kate Linker, Thomas Lawson, John Howell, Glenn O'Brien, Richard Armstrong, Barbara Kruger, Charles Hagen, Donald Kuspit, Jeanne Silverthorne, Michael Bonesteel, Carol Donnell-Kotrozo, Howard Singerman, Melinda Wortz, Suzaan Boettger, Robert Artkins, Susan C. Larsen, Ida Panicelli, Barbara Maestri, Aurora Garcia, Denys Zacharopoulos, Gérald Van Der Kaap, Max Wechsler, Annelie Pohlen, and Stuart Morgan. Cover: Joan Miró.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "About Garry Winogrand," by Ben Lifson; "Astral America," by Jean Baudrillard; "Once Upon a Time in Amerika: Straub/Huillet/Kafka," by J. Hoberman; "De Chirico in America, 1935-37: His Metaphysics of Fashion," by Maurizio Fagiolo dell'Arco; "Signs: A Conversation with Luis Jimenez," by Amy Baker Sandback; "Waiting for Dr. Coltello," a project by Coosje van Bruggen, Frank O. Gehry, and Claes Oldenburg; "Books: David Hayman on 'Larva,"; "Jacksonism," by Greil Marcus; "Forum: Generation in Vitro," by Thomas Lawson. "The 41st Venice Biennale": "Hubris on the Lagoon," by Denys Zacharopoulos; "Fritto Misto," by Ida Panicelli; "A Few Highlights but No Festival," by Annelie Pohlen; "On the Couch: The Vienna Secession," by Ingrid Rein; "Closed Quotes," by Paul Groot; "'Quartetto,'" by Lars Nittve; "Tangled Nets," by Lisa Liebmann; "The One that Got Away," by Pier Luigi Tazzi. Reviews by Thomas Lawson, Pier Luigi Tazzi, Donald Kuspit, Patricia C. Phillips, Thomas McEvilley, Barbara Kruger, Ronny Cohen, John Howell, Jeanne Silverthorne, Jean Fisher, John Yau, Glenn O'Brien, Judith Russi, and Annelie Pohlen. Cover: Claes Oldenburg.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art at the Museum of Modern Art in 1984," by Thomas McEvilley; "Sign on a Truck," by Jenny Holzer; "Campaign 1984," by Alison Gardner Pratt; "Terry Winters' Earthly Anecdotes," by Prudence Carlson; "Naming Pictures: Conversations between Lee Krasner and John Bernard Myers," by John Bernard Myers; "In the American Grain: Robert Helm," by James Ivory; "Tracking Some Angles: A Talk with Alain Resnais," by Frederic Tuten; "Poets and Art: John Ashbery, Tony Towle, Ann Lauterbach, and Barry Schwabsky interviewed by John Yau; with poems by Michael Brownstein, Ashbery, Towle, Lauterbach, Schwabsky, and Rene Ricard"; "Hilton Kramer: An Appreciation," by Thomas Lawson; "Books: Lionel Lambourne on 'The Collected Letters of William Morris,'" by Lionel Lambourne; "Forum: Philosophy and Art: Elective Affinities in and Arranged Marriage," by Donald Kuspit; "Bruce Springsteen: In Your Heart You Know He's Right," by Greil Marcus. Reviews by Thomas McEvilley, Donald Kuspit, John Yau, Jeanne Silverthorne, Patricia C. Phillips, Jean Fisher, Ida Panicelli, John Howell, Barbara Kruger, Ronny Cohen, Nancy Stapen, Judith Russi Kirshner, Michael Bonesteel, Ed Hill, Suzanne Bloom, Hal Fischer, Charles Hagen, Linda Burnham, John Brumfield, Ingrid Rein, Annelie Pohlen, Max Wechsler, and Stuart Morgan. Cover: Mask from Sulka, New Britain.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. Between the Lines; Behind the Dots," by Carol Squiers; "Speaker to Speaker: The Critic Disarmed," by Greil Marcus; "Like Art: Galateas for Postmodern Pygmalions - Spokesmodels," by Glenn O'Brien; "Remote Control: Why Ask for the Moon When We Have the Stars," by Barbara Kruger; "Curies' Children: The Light Upon Gives Way to the Light Within," by Vilem Flusser; "Surrealism in Mexico: The Blossoming of the Surreal from an Ancient Southern Soil," by Serge Fauchereau; "An Ad for Felix: Pictures from an Ideal World," by Rene Ricard; "The Pachinko Experience: Tokyo, Minneapolis - Our Kinda Town. At the Walker Art Center," by John Howell; "Tiger in the House: 'Let Dogma Eat Dogma,' Say a Few Smart Cats. Aren't We Good Enough to Join Fine Photography Too?" by Sam Wagstaff; "Vectors of Viewer Response: What a Richard Serra Does," by Kenneth Baker; "Medardo Rosso: The Best-Kept Secret at the Foundation of the Avant-garde," by Jole de Sanna; "Goethe Would Have Wondered: Five Visits to the 42nd Venice Biennale," by Shigeo Anzai, Pier Luigi Tazzi, Ida Panicelli, Paul Groot, Annelie Pohlen; "Albrecht Dürer Would Have Come Too," by Pier Luigi Tazzi, with Photography by Shigeo Anzai; "Sculpture in Review," by Max Wechsler, Pier Luigi Tazzi, Paul Groot, and Annelie Pohlen. Reviews by Ida Panicelli, John Howell, Max Wechsler, Ingrid Rein, Jean Fisher, Donald Kuspit, Carlo McCormick, John Yau, Jeanne Silverthorne, Ronny Cohen, Patricia C. Phillips, Nancy Stapen, Colin Westerbeck, Ed Hill, Suzanne Bloom, Susan Freudenheim, Bill Berkson, Susan C. Larsen, Colin Gardner, Aurora García, Ingrid Rein, Helmut Draxler, Denys Zacharopoulos, and Stuart Morgan. Cover: Satoru Tsuda.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. Reviews by Lisa Liebmann, Ronny H. Cohen, Kate Linker, Thomas Lawson, John Howell, Glenn O'Brien, Richard Armstrong, Barbara Kruger, Charles Hagen, Donald Kuspit, Jeanne Silverthorne, Michael Bonesteel, Carol Donnell-Kotrozo, Howard Singerman, Melinda Wortz, Suzaan Boettger, Robert Artkins, Susan C. Larsen, Ida Panicelli, Barbara Maestri, Aurora Garcia, Denys Zacharopoulos, Gérald Van Der Kaap, Max Wechsler, Annelie Pohlen, and Stuart Morgan. Cover: Joan Miró.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Germano Celant on Sculpture and painting in Emilio Vedova s studio in Venice. GROUND UP Herbert Muschamp on Architecture without architecture critics: ideal for the architects. TURNED OUT William Wilson on Richard Avedon, Sam Shepard, Joan Didion, and the pull of the American West. MODERN LIFE Carter Ratcliff on Utopianism become survivalism the quantum mechanics of body-building, in the West and in the East. LIKE ART Glenn O Brien on The new ads and their gift of art. Easel does it. BACKDROP Stuart Morgan on Photographs of the last resort, by Martin Parr. SPEAKER TO SPEAKER Greil Marcus on Charles Manson, Elvis Costello, and the LA sign system. BOOKS Frederic Tuten on Julian Barnes' Flaubert s Parrot. Feathers fly. COLUMNS FEATURES REVIEWS BACK TO THE FUTURE Donald Kuspit PARADISE GAINED Max Wechsler THE NEW ISAMU NOGUCHI GARDEN MUSEUM Shigeo Anzai A REFLECTION ON POST-MODERNISM Kate Linker A TALE OF THE GERMAN JEW Jean Fisher BILL BRANDT S DOCUMENTARY FICTIONS Charles Hagen THE ARROW IN THE MIND Italo Calvino PROJECT FOR ARTFORUM Glen Baxter COLUMNS FEATURES REVIEWS NEW YORK Glenn O Brien on Dennis Smith Glenn O Brien on David Kapp Glenn O Brien on Brion Gysin Jeanne Silverthorne on Mimmo Paladino Ronny Cohen on Luigi Ontani Barbara Kruger on Recoding Blackness: The Visual Rhetoric of Black Independent Film" Thomas McEvilley on Nicolas Moufarrege Charles Hagen on Tina Barney Patricia C. Phillips on Javier Bellosillo Patricia C. Phillips on Battery Park City Fine Arts Program John Howell on Perry Hoberman Jean Fisher on Barbara Ess Ida Panicelli on Komar and Melamid Donald Kuspit on Sue Coe HOUSTON Thomas McEvilley on Michael Heizer Ed Hill and Suzanne Bloom on Derek Boshier LOS ANGELES Susan C. Larsen on Raul Guerrero Melinda Wortz on Allen Ruppersberg LONDON Stuart Morgan on The Saatchi Collection PARIS Denys Zacharopoulos on Nouvelle Biennale de Paris Alexandra Anderson on Jean Le Gac ZURICH Max Wechsler on Mario Merz BARCELONA Gloria Moure on Rafael Canogar MADRID Aurora Garcia on María Gómez BREMEN/KARLSRUHE Annelie Pohlen on Volker Tannert STOCKHOLM Steven Henry Madoff on Olle Kåks.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. BILL WOODROW: MATERIAL TRUTHS Mark Francis IN THE HEART OF THE TINMAN: AN ESSAY ON JOHN CHAMBERLAIN Duncan Smith A PROJECT FOR ARTFORUM by Pontus Hultén and Jean Tinguely FREEING DANCE FROM THE WEB: ON COLLABORATION, TRISHA BROWN'S SET AND RESET AND LUCINDA CHILDS' AVAILABLE LIGHT Thomas McEvilley TWO SIDES OF THE BRAIN: MOLISSA FENLEY S HEMISPHERES RoseLee Goldberg UP ROCKING, LOCKING, OLD STYLE, 1990 MOVES Michael Holman SELECTED FUNK LESSONS: A PROJECT FOR ARTFORUM by Adrian Piper A USE FOR BEAUTY Kenneth Baker EXECUTIONER S SONG Greil Marcus FORUM Kate Linker COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Dorothea Tanning Donald Kuspit on Follies Donald Kuspit on Chris Burden Lisa Liebmann on Troels Wörsel Jeanne Silverthorne on Michael David Jeanne Silverthorne on Rosemarie Castro Jeanne Silverthorne on Mary Beth Edelson Jeanne Silverthorne on Kazuko Jean Fisher on Richard Prince Jean Fisher on Francis Picabia Jean Fisher on Joseph Nechvatal Thomas Lawson on New Expressions Thomas Lawson on Kiely Jenkins Ronny Cohen on Ron Nagle Ronny Cohen on Donald Lipski Charles Hagen on Lee Friedlander Charles Hagen on Hamish Fulton Richard Armstrong on Ira Richer Richard Armstrong on George Schneeman Thomas McEvilley on Underdog Barbara Kruger on Sharon Greytak John Howell on The Way Of How BOSTON Nancy Stapen on Magdalena Abakanowicz HOUSTON Ed Hill and Suzanne Bloom on American Still Life 1945 1983 CHICAGO Michael Bonesteel on Ed Paschke LOS ANGELES Robert L. Pincus on Jeffrey Vallance SAN FRANCISCO Suzaan Boettger on Clay Jensen STOCKHOLM Lars Nittve on Ibid AMSTERDAM Gerald Van Der Kaap on Winfred Evers BONN AND STUTTGART Annelie Pohlen on Klaus Mettig COLOGNE Annelie Pohlen on Ina Barfuss Annelie Pohlen on Werner Buttner Annelie Pohlen on Thomas Virnich PARIS Gerard-Georges Lemaire on Sandro Chia SAN SEBASTIAN Michael Tarantino on The San Sebastian International Video Festival MADRID Aurora Garcia on Sigfrido Martín Begué ROME Pier Luigi Tazzi on Michelangelo Antonioni.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "About Garry Winogrand," by Ben Lifson; "Astral America," by Jean Baudrillard; "Once Upon a Time in Amerika: Straub/Huillet/Kafka," by J. Hoberman; "De Chirico in America, 1935-37: His Metaphysics of Fashion," by Maurizio Fagiolo dell'Arco; "Signs: A Conversation with Luis Jimenez," by Amy Baker Sandback; "Waiting for Dr. Coltello," a project by Coosje van Bruggen, Frank O. Gehry, and Claes Oldenburg; "Books: David Hayman on 'Larva,"; "Jacksonism," by Greil Marcus; "Forum: Generation in Vitro," by Thomas Lawson. "The 41st Venice Biennale": "Hubris on the Lagoon," by Denys Zacharopoulos; "Fritto Misto," by Ida Panicelli; "A Few Highlights but No Festival," by Annelie Pohlen; "On the Couch: The Vienna Secession," by Ingrid Rein; "Closed Quotes," by Paul Groot; "'Quartetto,'" by Lars Nittve; "Tangled Nets," by Lisa Liebmann; "The One that Got Away," by Pier Luigi Tazzi. Reviews by Thomas Lawson, Pier Luigi Tazzi, Donald Kuspit, Patricia C. Phillips, Thomas McEvilley, Barbara Kruger, Ronny Cohen, John Howell, Jeanne Silverthorne, Jean Fisher, John Yau, Glenn O'Brien, Judith Russi, and Annelie Pohlen. Cover: Claes Oldenburg.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Max Beckmann is Still in Exile," by Kenneth Baker; "Climbing Up a Ramp to Discover German Art," by Annelie Pohlen; "Steven Campbell: The Case of the Waggling Leg," by Stuart Morgan; "Eluding Definition," by Kate Linker; "A.More Store"; "Little Richard from A to Zeeza," by Greil Marcus. Book reviews by Alexandra Anderson, Jack Flam, Anthony Korner, Donald Kuspit, Lisa Liebmann, Greil Marcus, Nicholas Moufarrege, Amy Baker Sandback, Frederic Tuten, Martha Wilson, John Yau, and Stuart Morgan. Reviews by Glenn O'Brien, Donald Kuspit, Kate Linker, Stuart Morgan, Jeanne Silverthorne, Patricia C. Phillips, Ronny Cohen, Charles Hagen, Jean Fisher, John Howell, David Carrier, Judith Russi Kirshner, Howard Singerman, Susan C. Larsen, Suzaan Boettger, Luciana Rogozinski, Ida Panicelli, Max Wechsler, and Denys Zacharopoulos. Cover: Max Beckmann.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. Hoberman; "Bagpipes on the Shore: On Packing One's Bags with Visual Expectations, and on Traveling Light," by Carter Ratcliff; "The World of Photography: A Crash Course in a Pictorial Field, A Project for Artforum," by Michael Smith and William Wegman; "Under Midwestern Eyes: Silos of the Heart," by Buzz Spector; "A Blossoming of Cells: Michelle Stuart's Polyvalent Panoramas," by Patricia C. Phillips; "A Double Portrait of Cecil Beaton: Edwardian Modernism," by Max Kozloff. Reviews by Stuart Morgan, Patricia C. Phillips, John Howell, Ida Panicelli, Jeanne Silverthorne, Jean Fisher, Donald Kuspit, Carlo McCormick, Ronny Cohen, John Yau, Kate Linker, Charles Hagen, Barbara Kruger, Martha Clarke, Glenn Harper, Susan Freudenheim, Colin Westerbeck, Bill Berkson, Colin Gardner, Linda Burnham, Ida Panicelli, Max Wechsler, Denys Zacharopoulos, Helmut Draxler, Ingrid Rein, Annelie Pohlen, and Wolfgang Max Faust. Cover: Michelle Stuart.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. Security Check for Image Hostages: Read This or Else," by Carter Ratcliff; "Ground Up: Architects take Leave of their Senses; Arata Isozaki Takes his Along," by Herbert Muschamp; "The Cave. The Celluloid Cannot Hold: Did you See Who Alexis Kissed Last Night?" by Wolfram Schutte; "Speaker to Speaker. The Slits, 1977: Why They Still Don't Make Sense," by Greil Marcus; "Books. Wiping up After Bataille: The Perils of Intellectual Sanitation," by Donald Kuspit; "Slant: Art Jockeying in the Sistine Disco," by Glenn O'Brien; "A Brush with the Real: Bertraind Lavier Painting in the Light of Everyday," by Germano Celant; "The World and Its Traditions or the Tradition of the World: Lothar Baumgarten Inspects the Values Declared by Customs," by Denys Zacharopoulos; "Vernon Fisher at Home on the Ranges: The Critics and the Sparrows," by Susan Freudenheim; "Japant-Garde Japanorama: The Art of Mutual Misunderstanding," by J. Hoberman; "Non-uments: The All-Consuming Quakes of Gordon Matta-Clark," by Judith Russi Kirshner; "Project: With a Note by Manuel J. Borja," by Antoni Tapies; "Misty Channels: Stephen McKenna's Arcadias, Allegories, and Dead Nudes," by Lisa Liebmann; "Project: The Raw and the Coiffed," by Cinzia Ruggeri. Reviews by Thomas McEvilley, Donald Kuspit, Glenn O'Brien, Lisa Liebmann, Jean Fisher, John Howell, Ronny Cohen, Charles Hagen, Patricia C. Phillips, Jeanne Silverthorne, Suzaan Boettger, Scott MacDonald, Stuart Morgan, Annelie Pohlen, Ingrid Rein, Lars Nittve, Paul Groot, Alexandra Anderson, Aurora Garcia, and Gloria Moure. Cover: Stephen McKenna.