first joshua (24 Ergebnisse)

Zustand: New. . Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: NEW.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Neuware - Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema.In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.

Kartoniert / Broschiert. Zustand: New. Historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s.

Paperback. Zustand: Brand New. 64 pages. 9.00x6.75x0.25 inches. In Stock.

Paperback. Zustand: Brand New. 264 pages. 9.21x6.14x1.00 inches. In Stock.

Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 264 pages. 9.21x6.14x1.00 inches. In Stock.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. First edition of Theodore Roosevelt: Preacher of Righteousness by Senator Josh Hawley. (illustrator). First Edition, First Printing. Octavo, xviii, 318pp. Brown hardcover, title stamped in gilt on spine. First printing, with full number line on copyright page. Bumped top corner, light wear to lower edge of spine. In publisher's dust jacket, shelf wear to both covers, rubbing to top corner, a very good copy. A scarce work from the future Senator Josh Hawley. Josh Hawley is a United States Senator, representing the State of Missouri. He was elected to the Senate in 2018, after serving two years as the Attorney General of Missouri. Hawley clerked for US Supreme Court Chief Justice John Roberts in 2008.

Gebunden. Zustand: New. Historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s.&Uumlber den AutorJoshua First is the Croft Assistant Professor of History and International Studies at the Universit.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. Series: KINO: The Russian and Soviet Cinema Series. Num Pages: 240 pages, 15 bw integrated. BIC Classification: 1DVUK; APF. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 163 x 237 x 23. Weight in Grams: 574. . 2014. Hardcover. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema.In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.

Hardcover. Zustand: Brand New. 251 pages. 9.50x6.50x1.00 inches. In Stock.

Leather bound. Zustand: Very good. First edition of Sir Joshua Reynolds as a Portrait Painter by J. Churton Collins, complete with 20 full-page engravings. (illustrator). First Edition. Folio, [unpaginated]. Full red morocco, title in gilt on spine, six raised bands with decorative gilt compartments. Decorative gilt turn-ins and board edges. Marbled endpapers, all edges gilt. Bound by Francis Bedford of London. A few points of rubbing to boards, wear to top corners. Complete with 20 full-page engravings by Valentine Green, Thomas Watson, F.R. Smith, E. Fisher and others. A beautiful binding.

Cloth. Zustand: Very good. First edition of Sketches and Reminiscences by Joshua Hilary Hudson. (illustrator). First Edition. Octavo, 190pp. Maroon cloth, title in gilt on front cover. No additional printings listed. Solid text block, wear to covers, faint stain to bottom edge of text block, a very good example. Title page starting, but stable. Previous ownership stamp to front endpaper. Includes frontispiece portrait of the author and five photographic plates. (Howes H-764) (Nevins I, 108). This work by Lieut. Colonel Joshua Hudson details the operations of the 26th South Carolina Infantry during the American Civil War. It contains a valuable account of the "Battle of the Crater," during the siege of Petersburg. One of the few accounts by a Confederate eyewitness and participant in the short battle.

Cloth. Zustand: Near fine. From the library of General William T. Sherman, the first edition of Reminiscences of Abraham Lincoln and Notes of a Visit to California by his close friend, Joshua F. Speed. (illustrator). First Edition. Octavo, [2], 67pp, [3]. Brown cloth, title in gilt on spine and front cover. Dark green endpapers. Internally clean, solid text block. Archival tissue reinforcement to hinge of title page. Bookplate of "W.T. Sherman, General" and his son, Philemon T. Sherman, on the front endpaper. (Howes, S-826) (Kentucky, Coleman 2953) (Monaghan 1005) This work by Speed is one of three known copies to enter the public market. Provenance: The Sherman-Fitch Collection, Lot 51424-110, Fleischer's Auction, 2024. This book was acquired by Philemon after his father's death in 1891, at which point the "W.T. Sherman, General" bookplate was added. The second bookplate was added by Sherman's grandson, Tecumseh Sherman Fitch (1908-1969), who inherited the collection in 1942. At the outbreak of the Civil War in 1861, Joshua F. Speed, a close friend of Lincoln since his days in the Illinois Legislature, coordinated Union military activities in Kentucky. This responsibility introduced him to Brig. General William T. Sherman, who commanded the Department of the Cumberland in Louisville. Sherman made numerous requests to Washington for supplies for his troops, but it took an intervention by Speed and his direct connection to Lincoln to make it happen. Sherman was amazed and said to Speed: "How is it that more attention is paid to the request of you, a citizen, than to me, a general in the army? You had better take command here." Speed replied: "The only mistake you made, General, was in not asking for more." The two men continued to exchange letters as Sherman's military career moved forward. Their correspondence is likely why Sherman desired a copy of this short memoir by Speed.