Ferranti hugh (32 Ergebnisse)

paperback. Zustand: Fine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 295 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New.

Zustand: New. In English.

Zustand: New. In English.

Black and white photographic illustrations, xviii + 295pp, index. Paperback. New. "This collection of essays on the music of migrant minorities in and from Japan examines the central role music plays in the ongoing adjustment, conciliation and transformation of newcomers and "hosts" alike. It is the first academic text to address music activities across a range of migrant groups in Japan-particularly those of Tokyo and its neighbouring areas. It is also the first to juxtapose such communities with those of Japanese emigrants as ethnic minorities elsewhere. It presents both archival and fieldwork-based case studies that highlight music in the dynamics of encounter and attempted identity making, under a unifying framework of migration. A radical change in policy with the 2019 introduction of a new "Specified Skilled Worker" visa category marked the beginning of Japan's "new immigration era" (imin gannen). The authors in this volume interrogate and shed light on the bureaucratically disseminated slogan of tabunka kyosei, rendered in English as "multicultural coexistence". The concept itself and the many problems of realizing this ideal are examined through ethnography-based accounts of current minorities, including South Indians, Brazilians, Nepalis, Filipinos, Iranians and Ainu domestic migrants, and in light of comparative historical accounts of California and Australia. This volume will be of interest to ethnomusicologists, students of the cultures of migrant communities, and those engaged with cultural change and diversity in Japan and East Asia." (Publisher's description).…

Black and white illustrations, xii + 320pp, appendices, bibliography, index, a very good hardback copy. This work is an exposition of the traditions of Japanese blind singers who accompanied themeselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901-1996), a man widely portrayed as the last such "living relic" of the medieval bards called biwa h?shi.…

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 336 pages. 8.25x5.50x0.75 inches. In Stock.

Soft cover. Zustand: New. 1st Edition. Summary:This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. It is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres.…

Paperback. Zustand: Brand New. 295 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New. pp. 332.

Zustand: New.

Zustand: New. In English.

Zustand: New. Examines the traditions of Japanese blind singers who accompanied themselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901-1996), a man widely portrayed as the last such living relic of the medieval bards called biwa hoshi. The aut.

Taschenbuch. Zustand: Neu. Neuware - Hugh de Ferranti is the author of many articles on the biwa traditions and has co-produced a collection of archive recordings of performances by Yamashika Yoshiyuki, with English and Japanese documentation (Rites and Tales with Biwa: Yamashika Yoshiyuki, Blind Musician of Kyushu; Japan Traditional Cultures Foundation 2007). He is currently Associate Professor in the Department of Music at the University of New England, Armidale, New South Wales, Australia.…

Zustand: New. This work is an exposition of the traditions of Japanese blind singers who accompanied themeselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901-1996), a man widely portrayed as the last such "living relic" of the medieval bards called biwa hshi. Series: Cornell East Asia. Num Pages: 320 pages, illustrations. BIC Classification: BG. Category: (G) General (US: Trade). . . 2009. Hardcover. Hardcover. . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Zustand: New.

Hardcover. Zustand: Brand New. hardcover edition. 336 pages. 8.70x6.50x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 332 pages. 9.21x6.14x0.79 inches. In Stock.

Zustand: New. Editor(s): Tokita, Alison; Ferranti, Hugh de. Series: SOAS Musicology Series. Num Pages: 332 pages. BIC Classification: AVG. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 234 x 156. Weight in Grams: 612. . 2016. Paperback. . . . . Books ship from the US and Ireland.…

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware.

Gebunden. Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 332 | Sprache: Englisch | Produktart: Bücher | This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. Modernity as experienced in this locale, with its particular historical, geographic and demographic character, and its established traditions of music and performance, gave rise to configurations of the new, the traditional and the hybrid that were distinct from their Tokyo counterparts. The Taisho and early Showa periods, from 1912 to the early 1940s, saw profound changes in Japanese musical life. Consumption of both traditional Japanese and Western music was transformed as public concert performances, music journalism, and music marketing permeated daily life. The new bourgeoisie saw Western music, particularly the piano and its repertoire, as the symbol of a desirable and increasingly affordable modernity. Orchestras and opera troupes were established, which in turn created a need for professional conductors, and both jazz and a range of hybrid popular music styles became viable bases for musical livelihood. Recording technology proliferated; by the early 1930s, record players and SP discs were no longer luxury commodities, radio broadcasts reached all levels of society, and 'talkies' with music soundtracks were avidly consumed. With the perceived need for music that suited 'modern life', the seeds for the pre-eminent position of Euro-American music in post-Second-World war Japan were sown. At the same time many indigenous musical genres continued to thrive, but were hardly immune to the effects of modernization; in exploring new musical media and techniques drawn from Western music, performer-composers initiated profound changes in composition and performance practice within traditional genres. This volume is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres, questions the common perception of their being wholly separate domains.…

Zustand: New. In English.