fernando leo (27 Ergebnisse)

Paperback. Zustand: Near Fine. First Edition. 1793; 4to 11" - 13" ; 62 pages.

geheftet. Zustand: sehr guter Zustand. 148 Seiten 180 gr.

Softcover. Zustand: Very Good. This edition. Sl rub to some edges of cover. ; BAR International 1793; 300x210mm; 62 pages.

Taschenbuch. Zustand: Gut. 148 S. Das Taschenbuch stammt aus einer Bibliotheksauflösung. Abgesehen von entsprechenden Kennzeichnungen befindet sich das Buch in einem guten Zustand. Sprache: Deutsch Gewicht in Gramm: 120.

Zustand: Como nuevo. : Este libro es el primero de una serie de volúmenes planificados que se centran en preservar el carácter del desarrollo de la bioética en contextos culturales particulares. La obra reúne relatos de académicos que fueron cruciales para el surgimiento de la bioética en el ámbito cultural iberoamericano. Este trabajo pionero en la historia de la bioética será de gran importancia. La bioética es el producto de desarrollos sociohistóricos muy particulares. EAN: 9781402093500 Tipo: Libros Categoría: Filosofía Título: Ibero-American Bioethics: History and Perspectives Autor: Léo Pessini| Christian Paul de Barchifontaine| Fernando Lolas Stepke Idioma: en Páginas: 422.

Zustand: Very Good. Signed Copy . Inscribed by author on front endpage.

Ohne Stempel, keine An-und Unterstreichungen. Einband mit leichten Gebrausspuren, innen guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Zustand: NEW.

Two vintage black-and-white still photographs from the 1966 Italian film. Features Burt Reynolds on horseback and as a captive. Reynolds' fourth film credit, as a survivor of a massacre out for vengeance, released the same year as director Corbucci's infamous brutal western, "Django." 8 x 10 inches. About Near Fine. Cox US. Grant US.

Soft cover. Zustand: Very Good. slightly shelf-worn.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Vintage studio still photograph of George Hilton from the US release of the 1966 Italian film, here under the title "The Brute and the Beast." "Film Buff's Center" stamp on the verso. Italian Spaghetti-Western starring Franco Nero, early in his career as prospector Tom Corbett, and Hilton as his drunkard half-brother Jeff Corbett who must defend their farm from the greedy gangster Mr. Scott and his psychotic son Junior Scott played by Giuseppe Addobbati and Nino Castelnuovo, respectively. Set in Laramie Town, Texas, shot on location in Lazio, Italy. 8 x 10 inches. Very Good plus, with horizontal crease along bottom margin. Cox "10,000 Ways to Die.".

Zustand: New. KlappentextThis book includes papers from the Symbolism in Rock Art session held at the XV UISPP World Congress, Lisbon, in September 2006.

Encuadernación de tapa blanda. Zustand: Bien. Sin portada. Idioma español. Sumario: Charles A. Mcbride: Afinidades espirituales y estilísticas entre Unamuno y Clarín - Antonio Gómez Moriana: Unamuno en su congoja - José María B. Olarra: Guipuzcoanía de Unamuno - Reseñas de libros por F. Lázaro Carreter , R. Senabre y S. de los Mozos - Bibliografía unamuniana por Leo Ibáñez de García Blanco.

165 pp. Rústica. Buen estado. Idioma: inglés. Ilustrado con 10 figuras fuera de texto.

Paperback. Zustand: Brand New. 2011 edition. 417 pages. 9.25x6.10x0.95 inches. In Stock.

Buch. Zustand: Neu. Neuware -This book is the first in a series of planned volumes focused on preserving the character of the development of bioethics in particular cultural contexts. As the first of these volumes, Leo Pessini, Christian de Paul de Barchifontaine, and Fernando Lolas Stepke¿s work has succeeded well. It has brought together accounts by sch- ars who were crucial to the emergence of bioethics in the Ibero-American cultural domain. This trail-blazing work in the history of bioethics will be of enduring s- nificance. I am deeply in their debt for having shouldered this far from easy task. Bioethics is the product of very particular socio-historical developments. Most prominent among them have been (1) the secularization of the dominant culture of North America, Western Europe, and now Central and South America as well, (2) a deflation of the status and authority of physicians as moral authorities able to guide their own profession, and (3) the salience of a post-traditional animus that gives c- tral place to persons as isolated atomic sources of moral authority. Bioethics initially took shape in North America as a post-Christian, post-professional, post-traditional social movement. This bioethics sought to establish a moral discourse for the public forum, a moral practice able to give practical guidance in hospitals and other insti- tions, and a body of undergirding and justifying theoretical reflections.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 420 pp. Englisch.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 420 | Sprache: Englisch | Produktart: Bücher | This book is the first in a series of planned volumes focused on preserving the character of the development of bioethics in particular cultural contexts. As the first of these volumes, Leo Pessini, Christian de Paul de Barchifontaine, and Fernando Lolas Stepke¿s work has succeeded well. It has brought together accounts by sch- ars who were crucial to the emergence of bioethics in the Ibero-American cultural domain. This trail-blazing work in the history of bioethics will be of enduring s- nificance. I am deeply in their debt for having shouldered this far from easy task. Bioethics is the product of very particular socio-historical developments. Most prominent among them have been (1) the secularization of the dominant culture of North America, Western Europe, and now Central and South America as well, (2) a deflation of the status and authority of physicians as moral authorities able to guide their own profession, and (3) the salience of a post-traditional animus that gives c- tral place to persons as isolated atomic sources of moral authority. Bioethics initially took shape in North America as a post-Christian, post-professional, post-traditional social movement. This bioethics sought to establish a moral discourse for the public forum, a moral practice able to give practical guidance in hospitals and other insti- tions, and a body of undergirding and justifying theoretical reflections.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is the first in a series of planned volumes focused on preserving the character of the development of bioethics in particular cultural contexts. As the first of these volumes, Leo Pessini, Christian de Paul de Barchifontaine, and Fernando Lolas Stepke's work has succeeded well. It has brought together accounts by sch- ars who were crucial to the emergence of bioethics in the Ibero-American cultural domain. This trail-blazing work in the history of bioethics will be of enduring s- nificance. I am deeply in their debt for having shouldered this far from easy task. Bioethics is the product of very particular socio-historical developments. Most prominent among them have been (1) the secularization of the dominant culture of North America, Western Europe, and now Central and South America as well, (2) a deflation of the status and authority of physicians as moral authorities able to guide their own profession, and (3) the salience of a post-traditional animus that gives c- tral place to persons as isolated atomic sources of moral authority. Bioethics initially took shape in North America as a post-Christian, post-professional, post-traditional social movement. This bioethics sought to establish a moral discourse for the public forum, a moral practice able to give practical guidance in hospitals and other insti- tions, and a body of undergirding and justifying theoretical reflections.

Hardcover. Zustand: Brand New. 1st edition. 397 pages. 9.25x6.50x1.25 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is the first in a series of planned volumes focused on preserving the character of the development of bioethics in particular cultural contexts. As the first of these volumes, Leo Pessini, Christian de Paul de Barchifontaine, and Fernando Lolas Stepke's work has succeeded well. It has brought together accounts by sch- ars who were crucial to the emergence of bioethics in the Ibero-American cultural domain. This trail-blazing work in the history of bioethics will be of enduring s- nificance. I am deeply in their debt for having shouldered this far from easy task. Bioethics is the product of very particular socio-historical developments. Most prominent among them have been (1) the secularization of the dominant culture of North America, Western Europe, and now Central and South America as well, (2) a deflation of the status and authority of physicians as moral authorities able to guide their own profession, and (3) the salience of a post-traditional animus that gives c- tral place to persons as isolated atomic sources of moral authority. Bioethics initially took shape in North America as a post-Christian, post-professional, post-traditional social movement. This bioethics sought to establish a moral discourse for the public forum, a moral practice able to give practical guidance in hospitals and other insti- tions, and a body of undergirding and justifying theoretical reflections.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 420 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Edición Limitada /Limited Edition Deluxe Box Set American A contiene una selección de 80 fotografías de un lote 3000 negativos. Las fotografías fueron adquiridas en una subasta y pertenecían a diferentes diarios locales y regionales de los Estados Unido.

Zustand: New. Seit 2004 befasst sich die Front Deutscher Aepfel auf satirische Art und Weise mit Nazis und Nationalismus. Mit ueberspitztem Humor schafft es die Apfelfront, den Rechten einen Spiegel vorzuhalten und sie laecherlich zu machen. Sie kopiert das Auftreten ihre.

Paperback. Zustand: Very Good. Paperback. In Portuguese. Elephant Folio. One of 3,000 copies. In this Portuguse language reproduction of illustrated historical documents from 1557, Hans Staden (1525 - 1576), a Europen explorer and soldier, describes his experiences as a prisoner living among cannibals of Brazil. Issued unbound in 10 gigantic folded leaves with horrifying engravings of cannibalism. The pages are all housed inside a paper stiff white illustrated paper folder, which is housed inside of a large stiff paper slipcase with olive green spine panel titled in white and black and white illustrated side panels. The pages are clean and bright. Minor browning to spine panel and edges of folder along with a few scuff marks to front panel. Wear, rubbing, chipping, and short tears to edges of slipcase. Browning to edges of panels of slipcase. A fascinating piece that can be appreciated for the images alone (even if one is unable to read the text). 40 pages. Size: about 23 x 15 inches. SOAMER/122623.

Vintage borderless reference photograph from the 1966 film, showing actor Franco Nero crouching in the pose that would later be used for the Italian poster for the film. With manuscript annotations regarding layout and stamps to the verso. One of the few Westerns made by Fulci, starring Nero and released the same year as "Django." Also released as "God Forgives, I Don't!" Set on the US-Mexico border, shot on location in Lazio, Italy and Madrid, Spain. 8 x 10 inches. Very Good plus overall. Pitts 1113. Cox, 10,000 Ways to Die. Blue Underground.