fernand hertenberger (4 Ergebnisse)

rigide. Zustand: Très bon. 2 vol. in-8 rel. plein chagrin bordeaux, dos ornés à 5 nerfs, couv. cons., ill. deux tons, Le Livre du Bibliophile, Georges Briffaut éditeur, Paris, 1929 et 1931, 332 pp. et 284 pp. Très bel exemplaire. Poids de 2,3 Kg Langue: Français.

Caja Editorial. Zustand: Excelente. Fernand Hertenberger (illustrator). Primera edición. 29 x 24 cm. 105 pp. en muy buen papel de hilo. Ilustrado con 12 muy bellos grabados al aguafuerte originales, en lámina y entre el texto. También letras capitales decoradas con grabados a la madera de Claude Hertenberger. Edición total de 350 ejemplares. (nº264). =Illustré de 12 gravures à l'Eau-forte de Hertenberger tirées en taille douce par Adam. Et bois gravés par Claude Hertemberger. Tirage sur vélin de Lana à la forme. Celui-ci spécialement imprimé pour Prosper Gauthier.

Buena Media Piel. Zustand: Excelente. Fernand Hertenberger (1882-1970) (illustrator). Primera edición. 28,5 x 20 cm. 177 pp. en buen papel de hilo. Ilustrado con 15 magníficos aguafuertes originales. Edición de 350 ejemplares en papel Hollande (nº40) Bien encuadernado por Cambras a media piel. Lomera con nervios. Corte superior dorado. 177 pp. sur papier filigrane de bonne qualité. Illustré de 15 superbes gravures originales. Édition de 350 exemplaires sur papier Hollande (nº40) Bien relié par Cambras en demi-cuir. Dos avec des nerfs. Bord supérieur doré.

Softcover. Zustand: g+ to vg. Limited edition. 1/395. Folio (12 1/2 x 8 1/2"). [4], 113, [3]pp. Original glassine over printed dust-jacket and blind wrappers. Engraved frontispiece. Title page in red and black lettering. Decorative initials. Book housed in its original cloth covered slipcase. Originally published in 1832 in the newspaper "Le Constitutionnel," Balzac's novella "Le Colonel Chabert" is included in his series of novels known as "La Comédie Humaine" which depicts and parodies French society in the period of the Restoration (1815-1830) and the July Monarchy (1830-1848). "Colonel Chabert" opens with a peculiar scene: "a soldier who is known to have died in battle unexpectedly returns to the office of a lawyer to reclaim his property. Disfigured and unrecognizable, the stranger insists that he is actually the famous colonel and asks the lawyer to help him to obtain a form of legal recognition that will restore to him his lawful identity, his property, and his wife. In this strange reincarnation of his own dead self, the character appealing to the lawyer hopes to become legally, and therefore, humanly, alive. Unfolding from this haunting encounter, Balzac's story dramatizes the attempt by a man who is legally dead to come alive before the law and the capacity and limits of the law to respond to this attempt at legal resuscitation. Set in postrevolutionary France during the Restoration, this ghostly return of a Napoleonic soldier clearly echoes the historic repetitions that were taking place during this period: the return to the prerevolutionary past during the Restoration, itself ruptured by the return of Napoleon during the Hundred Days; and the protracted waves of revolutionary socioeconomic shocks to France in the wake of the French Revolution." (For more information, see: Cathy Caruth's "The Claims of the Dead") This work is splendidly illustrated with one engraving and ten tissue-guarded Eaux-Fortes by French artist Fernand Hertenberger (1882-1970). One of 395 copies on Vélin d'Arches, of which this is No. 152. Minor shelf wear and soiling to slipcase. Previous owner's Ex-Libris to front free endpaper (Victor Thiriaux). Text in French. Slipcase in overall good+, glassine, dust-jacket, wrappers and interior in very good condition.