Fenton daniel (22 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. 1st Edition (Unstated). 290 pages; Scuff marks to exterior edge of pages. Scratches to exterior edge of pages. Foxing to the exterior edge of pages. Good overall condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Fine. 1st Edition. 290 Pp. Very29.3 X 25.5 X 2.7 Cm, A Very Large And Very Heavy Softcover Book. Fine. No Marks.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition. Oblong hardcover. 290 pages. Published in conjunction with a an exhibition that ran October 17, 2004 through January 2, 2995 in Washington, D.C. and then went on to three other locations for additional dates. Text by Gordon Baldwin, Malcolm Daniel, Sarah Greenough, Richard Pare, Pam Roberts, and Roger Taylor. Includes 174 illustrations with 96 in quadratone. A tight near fine copy with some slight bumping to the corners in a near fine dust jacket. Terrific book on this important 19th century photographer. …

Soft cover. Zustand: Very Good. **Veteran-Owned, Family-Run, Small Business in the Pacific Northwest**.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. An excellent copy of this on Judaism in practice, which is one book in the series "Princeton Readings in Religion." Binding is solid, sturdy, and square. Interior is crisp, clean, and free of marks. Dust jacket has some light overall scuffing, and is a little worn along the top and bottom edges. Front cover has two small marks at the top near the spine. DJ is now protected in brodart. Overall a great copy of this text.…

Zustand: Fair. Acceptable condition. April 1955 Revised edition. (hollies, illex, holly, breeding, landscape gardening ) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Erste Auflage. 24,5 x 29,3 cm. XIV, 290 S. Illustrierter OKarton. Minimalste Stauchung Buchdeckel recto. Sonst sehr gutes Exemplar. Durchgehend mit schwarz-weißen bzw. sepiafarbenen Abbildungen versehen. Katalogpublikation zur Ausstellung "All the Mighty World: The Photographs of Roger Fenton, 1852-1860", in der National Gallery of Art, Washington,vom 17. OKtober 2004 bis zum 2. Januar 2005; The J. Paul Getty Museum, Los Angeles, vom 1. Februar bis zum 24. April 2005; The Metropolitan Museum of Art, New York, vom 24. Mai bis zum 21. August 2005 und der Tate Britain, London, vom 21. September 2005 bis zum 2. Januar 2006. Texte in englischer Sprache. …

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…

Softcover. Zustand: gut. 2004. All the mighty world. The Photographs of Roger Fenton, 1852 - 1860. With contributions by Richard Pare, Pam Roberts, and Roger Taylor. In englischer Sprache. pages.

Diss. New Haven 1921. 56 pages. Pamphlet. Stamped.[#106294].