Felibien avaux andre (13 Ergebnisse)

Zustand: Good. Decorative wrappers in matching slipcase. 144 pp. Facsimile reprint of 1669 edition. Text in French. Printed Sources of Western Art. Theodore Besterman, editor. Lectures on "The Perfect Painting," each covering a practical principal such as composition, color, and light. The Academy's schools were the first to use live models. (Graesse II, 561). As new.…

Taschenbuch. Zustand: Neu. Neuware - Ce recueil des conférences de l'Académie royale de peinture et de sculpture est une source précieuse d'information sur l'histoire de l'art français. Les conférences donnent aux artistes des conseils pratiques sur la peinture et la sculpture ainsi que sur la façon de représenter les formes et les couleurs. C'est un must pour tous les passionnés d'art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Portland, [1972]. [46],144 pp. Softcover. In slipcase. (The printed sources of western art - vol. 8).Reprint of the edition: Paris, Frederic Leonard, 1669.

boxed soft cover. Zustand: Fine. First Thus. Bound in purple decorated card in similarly decorated box with facs. of 1669 original t.p. to front, former fine, box clean but all edges slightly rubbed. series t.p. (The Printed Sources of Western Art, General Editor: Theodore Besterman 8) + (1, notes on author and pagination)+ facs. original t.p. (as on box) with central engraved panel and publisher given as Frederic Leonard, Paris 'Avec Privilege du Roy+ (38, prelims with dec. headpiece to Preface+144 with illuminated initials and ec. head- and tail-pieces to each of the seven 'Conferences'; clean, tight and unmarked. 16 cm x 23 cm (box).…

Buch. Zustand: Neu. Neuware - Ce recueil des conférences de l'Académie royale de peinture et de sculpture est une source précieuse d'information sur l'histoire de l'art français. Les conférences donnent aux artistes des conseils pratiques sur la peinture et la sculpture ainsi que sur la façon de représenter les formes et les couleurs. C'est un must pour tous les passionnés d'art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 246 | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Zustand: Very good. paperback Octavo in slipcase. illustrated wraps, illustrated cardboard slipcase, 144 pp.

Zustand: Gut. The Printed Sources of Western Art, 8. 144 S. Okart. im Oschuber. Sehr guter Zustand. Faksimile-Druck der Ausgabe von 1669. Sprache: Deutsch Gewicht in Gramm: 2500.

Hardcover. Zustand: Very Good. Second Edition. Hardback. Small 8vo. 16 by 9 cms. 112 + 8 page index, 2 ill., 5 large folding plans, title page in red and black. rebound in later full maroon leather, recent looking, lettered gilt at the spine with 5 raised bands. Title page and one page at prelims very slightly chipped at edges not affecting text else vg+ with very clean text and plates. By an architect who had worked on the reconstruction of two villas (the Laurentine and Tuscan) that Pliny the Younger describes in detail in his letters in his letters (2nd century AD).…

Hardcover. Zustand: Very Good. large folio. pp. 1 p.l., 82. large engraved title vignette with royal coat of arms, additional engraved title, 2 engraved section titles, 8 double-page engraved plates of tapestries, & 32 emblematic half-page engravings by Sébastien Leclerc & other artists after Jacques Bailly & Charles Le Brun. 2 engraved headpieces, 1 engraved tailpiece & 2 engraved initials. contemporary blind-paneled vellum with central arabesque ornament in blind on each cover (vellum bit soiled & rubbed, upper cover bowed, small tear to spine, some light browning & spotting, minor marginal hole on title). Second Edition. The Tapisseries du Roy, first published in Paris in 1670, describes in detail the two series of tapestries commissioned by Louis XIV on the two themes of the four elements (fire, water, air, earth) and the four seasons. The central panels were designed by court painter Charles Le Brun [1619-1690], while the emblematic roundels in the borders at each corner are based on miniature paintings by Jacques Bailly (1629-1679). The latter are also shown enlarged in the 32 emblematic engravings. These tapestries, meant to extol the virtues and accomplishments of the King, are the first set to be wholly designed and executed at the Manufacture Royale de Tapisserie des Gobelins, established in 1660 by Jean-Baptiste Colbert on behalf of Louis XIV. Le Brun served as director and chief designer there from 1663-1690. "Charles Le Brun was the most important and influential designer during the reign of the French king, Louis XIV. His work in the Baroque style permeated design and decoration in almost every medium; for nearly thirty years he personally designed or supervised the production of most of the paintings, sculptures, and decorative objects commissioned by the French court." (John Paul Getty Museum website) "Mythological allegories in the main scenes, showing gods with attributes representing the seasons and the elements, are linked to moralistic devices in the borders, drawing a correspondence between the allegories and the king's personal virtues: in the Elements, magnanimity and valor, piety and goodness; in the Seasons, various aspects of the magnificence of the king in action. The elements and the seasons are related to the iconography of Apollo and the sun - the celestial body associated with the French monarchy since Charles V - which were also being developed in ceiling paintings in the grand apartments of the Louvre and Versailles at this time. The use of heraldic devices was meant to symbolise good government, embodied by Louis XIV and the absolute monarchy he established. The two tapestry series directly celebrated the king, for whom a miniature painted version was prepared for his private pleasure. Subsequently, the images were widely disseminated, through Andre Felibien's descriptions of them (1656 and 1667) and through engravings by Sebastien Leclerc (1670-1671)." (P.-F. Bertrand "Tapestry Production at the Gobelins during the Reign of Louis XIV, 1661-1715" in "Tapestry in the Baroque: Threads of Splendour", pp. 346-247). Berlin Kat. 1671 [vide LE BRUN]. Landwehr, Romantic Emblem Books, 286. Praz 334.…

Zustand: Good. 4to. 18,5 x 25,5 cm. (24)-795 pages. 65 full page plates, complete. Contemporary mottled calf with gilt spine. A few pages with marginal waterstains. 3 books followed by the dictionary. OCLC Number: 40142259 ; The Fowler Architectural Collection, no. 118; Cicognara, no. 502.[FÉLIBIEN (André)] : Des principes de l'architecture, de la sculpture, de la peinture, et des autres arts qui en dépendent. Avec un dictionnaire des termes propres à chacun de ces arts. Paris, Jean-Baptiste Coignard, 1676. Un volume.18,5 par 25,5 cm. (24)-795 pages. 65 planches à pleine page, gravées sur cuivre, (complet). Plein veau brun d'époque, dos; 5 nerfs, caissons décorés. Restaurations anciennes faite avec talent. Des feuillets brunis, mouillure claire sur une partie de l'ouvrage, quelques fines galeries de ver toujours dans les marges. Nombreuses mais discrètes annotations au crayon dans les marges.Édition originale de ce livre important.La première partie de l'ouvrage est divisée en trois livres consacrés respectivement à l'architecture, à la sculpture et à la peinture. Elle est illustrée de 65 planches à pleine page gravées sur cuivre. L'ouvrage est un ancêtre de la Grande Encyclopédie, pour ce qui concerne les arts du bâtiment.La seconde partie contient un dictionnaire des termes propres à ces arts, très détaillé.André Félibien (1619-1695), sieur des Avaux et de Javercy, était historiographe du roi et secrétaire de l'Académie royale d'architecture.Un exemplaire correct d'un ouvrage recherché. Expertise par Lionel BRABANT et Amaury BONNETAIN.…

Zustand: Gut. Printed Sources of Western Art 8. 144 S. Okart. Oschuber. Sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 2200.

16. Amsterdam, Estienne Roger, 1706, in-8°, 112 + 8 nn pp, index, 2 ill., 4 folding plans, title page in red and black, leather, gilt and raised spine, speckled edges, several conemporary handwritten ex-libris on the first fly-leaf. Bound with; id., Conférences de l'Académie Royale de Peinture et de Sculpture, Amsterdam, Estienne Roger, 1706, 205 pp. Bound with; Catalogue des Livres de Musique nouvellement imprimez à Amsterdam chez Estienne Roger.22 pp. Contemporary full calf, raised gilt back with title label, sprinkled edges, spine and some worming at the lower cover of the binding expertly restored, one of the folding plates with a tear, but on the whole a fine/good copy. The author (1619 - 1695), an architect, was historiographer to the French King. The second book on the Academy was first published in Paris in 1669. It is famous for being the first account of a school for painting where for the first time in western art live models were used. The early 18th-century music catalogue printed at the end of these lectures is very remarkable because it is so extensive. It mentions approx. 360 music publications.…