faure walker james (19 Ergebnisse)

Hardback. Zustand: Fine.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Zustand: Fine. 1st Edition. Qto., 114 pages, colour illustrated. A Fine copy.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Not price-clipped ($24.99 price intact). Published by Prentice Hall, 2006. Octavo. Black cloth boards stamped in gold with photographic endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new. 320 pages. ISBN: 9780131739024. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Paperback. Zustand: Brand New. 114 pages. 10.79x9.45x0.39 inches. In Stock.

Bi-monthly softcover. stapled. illustrated throughout. covers by Bill Woodrow pp72 see images for content. Condition As New Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

SOFTCOVER. Zustand: As New. 1st Edition. Large Octavo size (8vo) in colour printed stiff card covers, 42pp on stiff art paper. From the symposium held at the National Gallery, London on March 22nd 2006 . [CONDITION: NEW unused copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: As New. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 114pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Zustand: Fine. No Jacket. Periodical softcover b&w ills throughout pp71. Second of two issues on art in Britain in the 1950s. Condition Fine clean, tight and bright, sharp corners and edges. Slight fade to left hand edge of front cover.

Soft cover. Zustand: Fine. No Jacket. Periodical softcover b&w ills throughout pp71. First of two issues on art in Britain in the 1950s. Condition Fine clean, tight and bright, sharp corners and edges.

Softcover. Zustand: Good. This book was from an artist's studio collection: the cover has picked up some marks, but there is no problem with the internal pages. This slim booklet is a little bowed.

SOFTCOVER. Zustand: Fine. 1st Edition. Quarto size (4to) journal in paper wrappers . [CONDITION: A well preserved almost AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: Fine. 1st Edition. Quarto size (4to) journal in paper wrappers . [CONDITION: Covers slightly tanned, signs of small price sticker else FINE, an otherwise well preserved clean and tight copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. Zustand: Very Good. Thin stapled booklet with some external wear.

Zustand: very good +. Matthew Arnatt, David Batchelor, Kate Bush, Alex Coles, Tommaso Corvi-Mora, Sacha Craddock, Alexia Defert, Emma Dexter, Dustin Ericksen, James Faure Walker, Dan Fox, Mark Gisbourne, Penny Govett, Mark Harris, Charles Harrison, Matthew Higgs, Susan Hiller, Peter Lewis, David Mollin, Niru Ratnam, Andrew Renton, John Roberts, John Russell, Julian Stallabrass, Gilda Williams, Andrew Wilson, 100 Reviews Backwards, Alberta Press, Edmonton, 2002. 198x130 mm. 172pp. A collection of art critic's reveiws from 1987-2002, organised by Matthew Collings and Cornelia Grasse. Various UK galleries' and museums' shows are covered, including Matt's Gallery, Flowers East, Anthony Wilkinson Fine Art, Tate Modern, Camden Arts Centre, The Showroom and City Racing. Artists reviewed include Liam Gillick, Bathan Huws, Yves Klein, Damien Hirst, Bruce Nauman, Sarah Lucas, Bridget Riley, Sam Taylor-Wood, various group shows etc. Condition: very good +.

Softcover. Zustand: Near Fine. A broken run of 15 issues. Numbers 7, 9, 12-14, 16, 19-26, and 36. Quarto's. Illustrated wrappers. A bit of wear along the edges, very near fine. A nice grouping of this British contemporary art magazine edited by critic and painter James Faure Walker.

251 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. Wilson; "A/S Mowi: industrial fish farming;" "Man's Impact on life in inland waters," by H.A. Hawkes; "Recipes," by Henri de Toulouse-Lautrec, Marcello Salvadori; and X-ray of a flounder" and reviews by Clive Phillpot, Malcolm LeGrice, John Walker, Liesbeth Corstius, Keith Albarn, Günther Wirth, R.C. Kenedy, David Troostwyck, Tony Rothon, Judy Marle, Paul Rosenbloom, Fenella Crichton, Christopher Fox, James Faure Walker, Robert Corbett, and Frank Whitford. Cover specifically designed for this issue by James Sneath. Also includes a ten page artist project by Hamish Fulton presented by Robert Self, presumably paid for as an advertisement in the magazine and not presented as editorial content. Good. Bumping of corners with creasing. 5.7 cm. area of writing in pencil on recto. 4 mm. tear to bottom right corner of verso and two 8 mm. tears across spine. Yellowing of pages. Contents clean and unmarked.