eva wang (31 Ergebnisse)

Zustand: Very Good. Wang, Eva (illustrator). Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Good. Wang, Eva (illustrator). English ed. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Zustand: Very Good. Wang, Eva (illustrator). Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Wang, Eva (illustrator). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: As New. No Jacket. Wang, Eva (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Wang, Eva (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Wang, Eva (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Mass Market Paperback. Zustand: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Wang, Eva (illustrator). Bilingual. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Good. Wang, Eva (illustrator).

Hardcover. Zustand: Good. No Jacket. Wang, Eva (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 148 pages. 9.00x6.00x0.37 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Like New. Wang, Eva (illustrator). Collectible Bilingual Ed. ( Pan Asian Pubns.1994) in good condition with light wear and markings. Ex- Library.

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Very Good. Wang, Eva (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: New. In shrink wrap.

Zustand: New. 2023. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 464 pages. 11.00x9.00x1.70 inches. In Stock.

Zustand: NEW.

Paperback. Zustand: Brand New. 114 pages. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Rising with its golden roof from the self-inflicted ashes of World War II, right at the center of the remains of Hitler's megalomaniac World Capital Germania, the new concert hall for the Berlin Philharmonic Orchestra has become the symbol of another Germany; a newly democratized nation that sought to reshape itself with the help of cultural experiences. Today, the Philharmonie is the nucleus of Berlin's Kulturforum with five museums, two concert venues and the state library, West Berlin's response during the Cold War to the Museum Island on the east of Berlin. Hans Scharoun's design for the Philharmonie is without precedent. It became the paradigm for numerous concert halls all over the world, but none has ever come close to the Philharmonie's conceptual, compositional, constructional, social and synesthetic experiential integrity. Scharoun (1893-1972) had pursued all his life to project a symbol for new democracy in Germany. Ever since the revolutionary air swept German society after World War I, Scharoun and a number of his friends were dreaming of the new gleaming glass dome on top of a cultural building that would become the alternative to the cathedral. More than four decades later, the purpose-built concert hall for one of the world's most respected orchestras, opened its doors to an avid audience. The Philharmonie's unconventional forms, mostly non-orthogonal planes with a few curves notably as part of the roof and the ceiling met with incredulity and outright rejection. When the designs were published, vociferous commentators were sure that it could not be built. Its apparent irregularity was thought by some to be costly and unnecessary. Yet on completion, the spatial magic and the constructional logic won over most critics. Nevertheless, there are some who remain hostile to the design, considering it to be irrational and overly expressive. With the possibility of publishing the drawings from the Scharoun Archive at the Academy of the Arts, Berlin, anyone with a slightest ability to read drawings will be able to trace the direct approach to the detailing and construction of the Philharmonie's spatially complex, yet highly logical composition. With this fifth O'Neil Ford Monograph, the Archive of the Academy of the Arts, Berlin, the Center for American Architecture and Design together with the O'Neil Ford Chair in Architecture at the University of Texas at Austin document another outstanding example of contemporary architecture. This fifth volume includes three essays and the reproduction of extensive hitherto unpublished archival material, and concludes with a comprehensive selection of photographs.

Dec 04, 2006. Zustand: Sammlerstück; wie neu. Grossformat, illustrierter Hardcover, praktisch ungebraucht.

Agertofts Forlag, Karlslunde 1994. 4to. Upagineret. Gennemillustreret i farve. Orig. kartonbind. Pæn.

Nyt Nordisk Forlag/Arnold Busck, København 2014. Illustreret med fotos i s/h. 262 sider. Heftet med orig. omslag. Velholdt.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. Hoberman; "Film: Tony Pipolo on Lu Chuan's 'City of Life and Death,'" by Tony Pipolo; "Music: Huey Copeland on Alicia Hall Moran," by Huey Copeland; "News: Martin Herbert on Artangel's Twentieth Anniversary," by Martin Herbert; "Top Ten," by Hilary Lloyd; "Summer 2011 Exhibitions: 50 Shows Worldwide"; "Summer 2011 Exhibitions: Joan Kee on Lee Ufan," by Joan Kee; "From the Vault: David J. Roxburgh on 'Gifts of the Sultan,'" by David J. Roxburgh; "News: Michelle Kuo talks with curator Bice Curiger about the upcoming 54th Venice Biennale"; "Open Secret: The Work of Art Between Disclosure and Redaction," by Pamela M. Lee; "Into Thin Air: The Merging of Architecture and the Environment," by Michael Wang; "The Re-enchantment of the world: Pino Pascali's Late Works," by Mark Godfrey; "Close-Up: Potential Energy: Ina Blom on Cerith Wyn Evans's S=U=P=E=R=S=T=R=U=C=T=U=R=E ("Trace me back to some loud, shallow, chill, underlying motive's overspill.")," by Ina Blom; "Funny Games: An Interview with John Smith," by Stuart Comer; "1000 Words: Charles Atlas and Mika Tajima," by Suzanne Hudson "The Ultimate Ken Jacobs," by P. Adams Sitney; "Openings: José Antonio Vega Macotela," by Chus Martínez. Reviews by Martin Herbert, Rachel Haidu, Tim Griffin, Ara H. Merjian, Suzanne Herbert, Robert Pincus-Witten, Jeffrey Kastner, Frances Richard, Johanna Burton, Joshua Decter, David Frankel, David Velasco, Alexander Scrimgeour, Donald Kuspit, Eva Díaz, Michael Wilson, Brian Sholis, Emily Hall, Alan Gilbert, Lauren O'Neill-Butler, Nuit Banai, Matthew Biro, Michelle Grabner, Ivy Cooper, Nick Stillman, Gwen Allen, Sarah Lehrer-Graiwer, Michael Ned Holte, Catherine Taft, Gilda Williams, Barry Schwabsky, Anthony Byrt, Lillian Davies, Claire Moulène, Jurriaan Benschop, Astrid Wege, Ida Panicelli, Filippo Romeo, Brigitte Huck, Markéta Stará, Olivier Mignon, Ronald Jones, Pablo Llorca, Martí Peran, Adriano Pedrosa, Zehra Jumabhoy, Julia Friedman. Cover: Trevor Paglen.