etching (435 Ergebnisse)

Zustand: Good. Frontispiece etching by G. Mercier. (illustrator). Cameo Edition, small cameo affixed to front cover. 278 pages, index. Top edge gilt. Last few leaves unopened. Some wear and soiling to covers, ends chipped and corners frayed. Front hinge loosening. Early pages spotted. Dark green cloth boards, gilt-stamped spine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very good. First Edition. 8 1/2 x 11 inches. Limited to 3000 copies. Condition is Very Good; spine lightly toned, bookplate of Theodore P. Walker on front pastedown, text and illustrations are very clean and unmarked, binding is tight. STK.

Hardcover. Zustand: Good. No Jacket. Etching and Drawings by Randy Jones (illustrator). Hbk, 136p., ill. Head and tail of spine rubbed o/w a clean unmarked copy in very good condition. The slipcase is scuffed but still in pretty good condition. [Pugilism - Boxing] p551 / m8090.

Small 4to; stiff covers; softcover; 3 pages of French text and 16 separate full page color etchings; lightly sunned but still suitable for framing.

Hardcover. Zustand: Very Good. 1st Edition. 21 Pp. Red Cloth, Top Edge Gilt, Printed Paper Spine Label.One Of 1000 Numbered Copies. Lightly Used, Browning To Spine Label, No Marks Or Tears.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGift inscription front free endpaper else very good. Poetry.

Hardcover. Zustand: Very good +. Zustand des Schutzumschlags: good. first edition. 6 x 9 in. Paper boards. Limited edition #113/200. Condition is VERY GOOD+ ; covers partly sunned, else like near new. Etching perfect. Glassine DJ is GOOD ; torn in places. Poet. Stax.

Hardcover. Zustand: Very Good +. Frontispiece Etching By William Strang, Two Plates (illustrator). 1st Edition. Xx, 366 Pp. 32 Pp Methuen Catalog At Rear Dated September 1895. 1895 Date On Title Page. Pinkish-Beige Cloth, Gilt Lettering On Spine, Elaborate Gilt Design On Front Cover Incorporating Initials Of Rlds And Sc, Top Edge Gilt, Deckled Edges. Light Wear, Gilt Brilliant, No Fraying.

Hardcover. Zustand: Very Good +. Frontispiece Etching By William Strang, Two Plates (illustrator). 1st Edition. Xx, 366 Pp. 32 Pp Methuen Catalog At Rear Dated September 1895. 1895 Date On Title Page. Pinkish-Beige Cloth, Gilt Lettering On Spine, Elaborate Gilt Design On Front Cover Incorporating Initials Of Rlds And Sc, Top Edge Gilt, Deckled Edges. Light Wear, Gilt Brilliant, No Fraying. This Copy Very Nicely Inscribed From Claude To Violet With A Quote, Dated "3/12/95".

Printed Boards. Zustand: Very Good. First Edition, Ninth Thousand. 64 Pp + 64 Pp Catalogue At End. Yellow Wrappers. Ninth Thousand Stated. Clean, No Names, But With Emphasis Marks And A Few Comments Throughout, Apparently By Jack Okey, From Whose Library This Book Came. Title Page Partly Toen Along Spine Edge, Light Wear And Dust. John Clark "Jack" Okey (June 3, 1889 - January 8, 1963) Was An American Art Director. He Was Raised In Los Angeles And Attended The Harvard School For Boys. After Leaving, He Was Given Instruction In Art By His Uncle, The California Artist, J. Bond Francisco. While He Was In His Early 20S, He Traveled To Paris With His Friend Stanton Macdonald Wright, And Spent Several Years There Studying Art. Around The Time Of His Marriage In 1913, He Became Involved In The Nascent Film Industry In The Los Angeles Area And Was Involved In The Design And Construction Of Some Of The Earliest Studios There. He Continued In The Film Industry As An Art Director Until His Retirement In 1959. In The Mid-1930S He Spent Several Years In England Working For Alexander Korda, Designing Studios For Him. After His Return To The United States, He Spent The Remainder Of His Active Career Working For Rko. He Was Nominated For Two Academy Awards For Art Direction, 1929 And 1944, But His Best Known Film Is "It'S A Wonderful Life".

Zustand: Good. Vouwvel met ets in omslag; ter gelegenheid van de jaarwisseling 1982.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1886, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1887, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1888, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1886, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie Circa 1886-1888, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Near Fine. 1st Edition. 18" X 12 7/8" One Of A Series Of High Quality Productions Published By Gebbie In 1887, With Tissue Guard And With The Explanatory Text Page.

No Binding. Zustand: Fine. Original Art Work. Original Etching 6 3/4" X 4 1/8", On Much Larger Sheet, Nicely Mounted And Matted, Ready For Framing. Signed by Illustrator(s).

No Binding. Zustand: Fine. 1st Edition. 17" X 11 3/4" Overall. With The Printed Sheet Describing The Painting And Etching.

No Binding. Zustand: Fine. Original Art Work. Original Etching. Sheet 31.2 X 25.2 Cm., Image 22.5 X 17. 6 Cm. Signed And Titles In Pencil Beneath The Image. George Rupert Avery, 1887-1965. Born In England. Renowned For His Etchings And Photo Engravings. Later Esident Of Los Angeles, California Where He Worked As A Photo Engraver For Metropolitan Photo Engravers. Source: Edan Hughes, "Artists In California, 1786-1940". Signed by Illustrator(s).

Single Sheet. Zustand: Good. Etching By Wenceslas Hollar (illustrator). Original Etching. Image 19.3 X 13.8 Cm, Trimmed To Margins At Left And Bottom Cropped At Top And Right. Original Engraving By Hollar. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

Single Sheet. Zustand: Very Good. No Jacket. William RAWSON (illustrator). First Edition. OLD EAST INDIA WHARF, LONDON BRIDGE, AN ETCHING BY WILIAM RAWSON, 1878 VERY GOOD CONDITION, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE.

Single Sheet. Zustand: Very Good. No Jacket. Thomas GIRTIN (illustrator). First Edition. RIEVAULX ABBEY, AN ETCHING BY W W MCCARTY, 1877 AFTER THE PAINTING BY THOMAS GIRTIN VERY GOOD CONDITION, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE.

Single Sheet. Zustand: Very Good. No Jacket. First Edition. BARNARD CASTLE, A FINE ETCHING, CIRCA 1780 , HAND COLOURED, COLOURING NOT CONTEMORARY BUT DELICATELY AND SKILLFULLY EXECUTED, VERY GOOD CONDITION, MEASURES 6 X 4 INCHES, 15 X 10 CMS, MOUNTED AND READY TO FRAME, WE PACK VERY WELL, SPLENDID VALUE.

Hardcover. Zustand: Very Good. The Etching Club (illustrator). publishers red leather boards with gilt decoration to perimeter rubbing to spine hinges and corners, clean condition, pen name front end-paper, title page with illustration, gilt page edges, 46pp, illustrated throughout, pages nice and clean and very good condition.

No Binding. Zustand: Very Good. . (illustrator). First Edition. Engraving 12" X 8 5/8". To Lines Of Narrow Losses At Right Edge, Well Outside The Image. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Edward William Cooke Ra Frs Fzs Fsa Fgs (1811 - 1880) Was An English Landscape And Marine Painter, Engraver, And Gardener. Cooke Was The Son Of Well-Known Line Engraver George Cooke; His Uncle, William Bernard Cooke (1778-1855), Was Also A Line Engraver Of Note, And Edward Was Raised In The Company Of Artists. He Was A Precocious Draughtsman And A Skilled Engraver From An Early Age, Displayed An Equal Preference For Marine Subjects (Particularlyl In Sailing Ships) And Published His "Shipping And Craft" - A Series Of Accomplished Engravings - When He Was 18, In 1829. He Benefited From The Advice Of Many Of His Father's Associates, Notably Clarkson Stanfield (Whose Principal Marine Follower He Became) And David Roberts. Cooke Began Painting In Oils In 1833, Took Formal Lessons From James Stark In 1834 And First Exhibited At The Royal Academy And British Institution In 1835, By Which Time His Style Was Essentially Formed. He Went On To Travel And Paint With Great Industry At Home And Abroad, Indulging His Love Of The 17Th-Century Dutch Marine Artists With A Visit To The Netherlands In 1837. He Returned Regularly Over The Next 23 Years, Studying The Effects Of The Coastal Landscape And Light, As Well As The Works Of The Country's Old Masters, Resulting In Highly Successful Paintings. These Included 'Beaching A Pink At Scheveningen' (National Maritime Museum, London), Which He Exhibited In 1855 At The Royal Academy, Of Which He Was An Associate From 1851. He Went On To Travel In Scandinavia, Spain, North Africa And, Above All, To Venice. In 1858, He Was Elected Into The National Academy Of Design As An Honorary Academician. Cooke Was "Particularly Attracted By The Isle Of Wight, And On His Formative Visit Of 1835 He Made A Thorough Study Of Its Fishing Boats And Lobster Pots; Above All He Delighted In The Beaches Strewn With Rocks Of Various Kinds, Fishing Tackle, Breakwaters And Small Timber-Propped Jetties." He Also Had Serious Natural History And Geological Interests, Being A Fellow Of The Linnean Society, Fellow Of The Geological Society And Fellow Of The Zoological Society, And Of The Society Of Antiquaries. In The 1840S He Helped His Friend, The Horticulturist, James Bateman Fit Out And Design The Gardens At Biddulph Grange In Staffordshire, In Particular The Orchids And Rhododendrons. His Geological Interests In Particular Led To His Election As Fellow Of The Royal Society In 1863 And He Became A Royal Academician The Following Year.

Single Sheet. Zustand: Good. Etching By Wenceslas Hollar (illustrator). Original Etching. Image 24.4 X 16.5 Cm, Trimmed To Margins, Left And Top Severely Cropped. Original Engraving By Hollar. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.