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Verlag: Carcanet Press, 1995
ISBN 10: 085635001XISBN 13: 9780856350016
Buch
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Torino: Einaudi, 1968
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch Erstausgabe
Paperback. Zustand: Very Good. Series: Collezione di Poesia. 101p slim white paperback, cover a little dusty, edges show foxing, no names or stamps, original, Russian and Italian text on facing pages, Yesenin = Esenin Language: Italian.
Verlag: Izdatel'stvo Malysh, Moskva, 1964
Anbieter: Eastleach Books, Newbury, BER, Vereinigtes Königreich
Zustand: Very Good. reprint. Cloth spined boards, dj, VG/G+. 72pp, colour illustrations throughout, dustjacket yellowed, otherwise a nice copy. Selected poetical works of the Russian lyric poet Sergei Alexandrovich Yesenin [ 1895 - 1925 ]. He is one of the most popular and well-known Russian poets of the 20th century.
Verlag: Tel-Aviv : ha-Menorah, 1970., 1970
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USA
Verbandsmitglied: IOBA
Zustand: Good. Prompt shipment, with tracking. we ship in CLEAN SECURE BOXES NEW BOXES In Yiddish. Parts of glassine dust jacket glued to pastedowns, else very good.
Verlag: Carcanet Press, 1973
ISBN 10: 0902145487ISBN 13: 9780902145481
Anbieter: Saint Georges English Bookshop, Berlin, Deutschland
Buch
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Privately owned, unmarked text, unbroken spine, light edge wear to jacket, Ships airmail from Berlin Bookshop bxn92.
Verlag: Wai-te-ata Press, Wellington, 1970
Anbieter: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australien
Erstausgabe
Paperback. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. Wellington, Wai-te-ata Press, 1970. Octavo; plain card covers; a fine copy with the fine dustwrapper. 'These translations from Esenin were printed by several student hands at the Wai-te-ata Press, Department of English, Victoria University of Wellington. The cover was designed by Robin White' (dustwrapper blurb).
Verlag: Hub Publications, 1979
ISBN 10: 0905049810ISBN 13: 9780905049816
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
Buch
paperback. Zustand: Very Good. Hub Publications, Youlgrave, Derbyshire, 1979. Condition: Very Good. Clean copy - tight paperback binding with clear and complete text. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Verlag: Al'fa-kniga, 2009
ISBN 10: 5992204431ISBN 13: 9785992204438
Anbieter: medimops, Berlin, Deutschland
Buch
Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Berlin: Izdatel'stvo Skify, 1920. Octavo (20 × 14 cm). Original printed wrappers; [7], 8?80 pp. A very good, apparently unread copy; tiny stain to front free end paper and light soil to lower spine extremity. One of the first publications of this Socialist Revolutionary-allied publishing house, founded in 1920 by Evgenii Lundberg (1883-1965). This collection contains three works by Ivanov-Razumnik, Andrei Belyi, and Sergei Esenin and is structured around Esenin's mythopoetic fantasy world "Inoniia," the image of a new world that develops in his poems about the Russian Revolution, a genre that also applies to Bely's "Khristos Voskrese." Ivanov-Razumnik's introductory essay synthesizes these respondes to the Revolution (and also considers Blok's "The Twelve"). Along with "Triptikh" (issued by the same publishing house), this was the first book-length appearance of Esenin's work in the emigre publishing world. Scarce in such excellent condition.
Verlag: Riga Gramatu Draugs, 1928
Anbieter: Schürmann und Kiewning GbR, Naumburg, Deutschland
Buch
20 cm, Fadenheftung. Zustand: Gut. 143 S. Umschlag leicht gebräunt, an den Kanten geringfügig berieben. Eine der ersten posthum Veröffentlichungen. ru Gewicht in Gramm: 300.
Verlag: Nakanune for Blagov, Berlin,, 1923
Anbieter: PY Rare Books, London, Vereinigtes Königreich
Buch Erstausgabe
My best poems - in Isadora Duncan's company --- First edition of this important collection, considered by Esenin as "the most characteristic and what I consider [my] best", and conceived in Europe in company of Isadora Duncan, his newlywed wife. With the first publication of Esenin's famous and provocative cycle Moscow of the Taverns, censored in the USSR, which banned this edition. At the end of March 1923, Sergei Esenin (1895-1925) handed over the manuscript written in 1922-23 to the Berlin publisher I. T. Blagov. Quiclly released in June, these 'scandalous' poems include in particular for the first time four uncensored poems of his daring and popular cycle Moskva Kabatskaia [Moscow of the Taverns]: "Da! Teper resheno! Bez vozvrata" ["Yes! It's settled! Now and forever"], "Snova poiut zdes, derutsia i plachiut" ["They are drinking here again, brawling, sobbing"], "Syp, garmonika! Skuka, skuka" ["Shoot, accordion! Boredom, O boredom"], and "Poi zhe poi na prokliatoi gitare" ["Sing, sing with the damned guitar"]. Printed without any separation from each other, the poems were dedicated to Esenin's friend, the poet Aleksandr Kusikov. The themes of hooliganism and desperate drunkenness in this cycle were deeply autobiographical. During Esenin's life in Russia and travels in Europe, he was the subject of continuous scandals and sometimes even criminal cases involving debauchery and fights. Upon his return to Russia, he developed his Moskva Kabatskaia into a separate work and made four attempts to publish this "problematic" work (Bubnov). The collection was eventually issued in 1924 with omissions and without several poems, including the aforementioned "Poi zhe poi na prokliatoi gitare" ["Sing, sing with the damned guitar"]. Our first edition also includes Esenin's other famous poems "Ispoved khuligana" ["Hooligan's Confession"], "Ne zhaleiu, ne zovu, ne plachu" ["I don't pity, don't call, don't cry"], "Pesn o sobake" ["A Song About a Dog"], and a chapter "Uralskii katorzhnik" ["The Ural Convict"] from the poem "Pugachev" (1922). "I feel like a master of Russian poetry and therefore I am pulling words of all shades into the poetic speech, there are no unclean words. There are only unclean ideas. The embarrassment of my bold word lies not to me, but to the reader or listener", Esenin wrote in the preface, foreseeing the critics' uneasy reaction to his use of 'vulgar' and 'base' vocabulary. Scarce outside Russia: we couldn't trace any example being offered at auction in recent decades. Provenance: Physical description:Octavo (18.5 x 12.8 cm). 57 incl. first blank and title, [2] pp. Near contemporary half burgundy cloth over beige boards, dar red morocco label to upper board lettered in gilt; kept in modern grey cloth solander case with red lettering on spine. Condition:Upper board with light mark along the outer edge; lightly browned throughout; a very good, attractive example. Bibliography:Missing in the Rozanov and the Lesman collections, who both had the 1924 Soviet edition of 'Moscow of the Taverns'. Bubnov S. A., "Kniga stikhov S. A. Esenina "Moskva Kabatskaia" v vospriiatii sovremennikov poeta", Izvestiia Saratovskogo Universiteta // Filologiia. Zhurnalistika, vyp. 3, T. 14, 2014.
Anbieter: Penka Rare Books and Archives, ILAB, Berlin, Deutschland
Erstausgabe
Berlin: Izd. I. T. Blagova (Tipografiia "Nakanune"), [1923]. Octavo (18 × 12.5 cm). Original publisher's wrappers printed in red; 57, [1] pp. Very good, save for small nick to lower spine extremity (see scans); empty first leaf detached; text toned due to stock. First edition of the rarest book of poems by Sergei Esenin (1895?1925), one of the most popular Russian lyric poets of the twentieth century. Esenin submitted the book to I. T. Blagov for publication in Berlin while en route to America with his third wife, the dancer Isadora Duncan. The collection ?marked a transition to a darker theme of drunkenness and imminent death,? a tendency continued in his subsequent critically acclaimed collection "Moskva kabatskaia" (Moscow Taverns, 1924). Four poems, including ?Da! Teper? resheno! Bez vozvrata?,? ?Snova p?iut zdes?, derutsia i plachut,? ?Syp?, garmonika! skuka? skuka?,? ?Poi zhe, poi! Na prokliatoi gitare?? appeared for the first time in this collection. Esenin faced many difficulties during and after the trip. He and Duncan were initially denied entry into the United States on accusations of intent to spread Bolshevik propaganda. Esenin was in turn arrested and interrogated several times on his return to the USSR. This collection was famously banned from being imported into the Soviet Union (Turchinskii, p. 190). Perhaps sensing the problems his book would face, Esenin wrote a short preface in Berlin that began with the words: ?I feel myself to be a lord in Russian poetry and for this reason I drag all manner of language into poetry, there is no such thing as unclean language. There are only unclean notions.? Known as a ?peasant poet,? Esenin was born to a peasant family in the Ryazan region. He claimed to have begun writing poetry at the age of nine, inspired by folk songs and ditties. In 1914, equipped with a teacher?s diploma he moved to Moscow and worked at a printing house while trying to continue his education, unsuccessfully due to lack of funds. A year later he went to St. Petersburg, where he met major poets of the Russian Silver Age, Alexander Blok and Andrei Bely who were instrumental in his subsequent career and Nikolai Klyuev, another ?peasant poet? with whom he formed a deep friendship. Esenin supported the 1917 Revolution and the rise of Bolshevism, but never joined the party, claiming to be further left of it. He had progressively more run-ins with the state toward the end of his life and was found dead in one of the rooms of Hotel Angleterre, at the age of 30, having left as a suicide note the poem ?Do svidania, moi drug, do svidania,? written in his own blood. Nevertheless, rumors that his suicide was in fact a murder continue to circulate. The poet published nearly two dozen collections of poems in his ten years of poetic activity, with this collection being the most scarce in the trade. We cannot trace any auction records in the West. A copy in comparable condition reportedly sold for $12,000 in Moscow (March 3, 2016, Litfond Auction no. 9). This edition was famously forbidden from being imported by Soviet authorities.