eric abbott (25 Ergebnisse)

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Very Good. Beast: A New Beginning: A Dark Ethology This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Fair. Acceptable condition. Acceptable dust jacket. Dust jacket price clipped. Dampstained. From the library of Charles Edward Roberts, owner and founder of Wonder Book & Video. With his custom bookplate on front endpage. (Church History) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. A little very light fading to the green dust jacket.

hardcover. Profusely illustrated. 264pp. Folio, leather-backed cloth, chipped d.w. PA: The Annenberg School Press, 1972. Very good.

Soft. Zustand: Good+. Reprinted . Good+. Used. Light foxing to extremeties. 96pp.

1st edition. Signed by Walter Annenberg (author of the dedication). Very good copy in the original gilt-blocked buckram-backed cloth-covered boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; 264 p. : illus. ; 38 cm. Notes; Includes index. Contents; Annenberg, W. Dedication.--Abbot, E. Foreword.--Betjeman, J. Prologue.--Rowse, A. L. The Abbey in the history of the nation.--Zarnecki, G. The art and architecture.--Pope-Hennessy, J. The tombs and monuments.--Clark, K. Epilogue. Subjects; Westminster Abbey. Abbeys England London History. Abbeys. Westminster Abbey : history. Architecture, Gothic. Church architecture England. Westminster Abbey architectural features. 1 Kg.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Owner's name. The dustwrapper is protected by a layer of clear, non adhesive plastic.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2950grams, ISBN:0297995359.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2550grams, ISBN:0297995359.

Hardcover. Zustand: New. In shrink wrap.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Zustand: Brand New. 1st edition. 240 pages. 8.01x5.44x0.63 inches. In Stock.

Zustand: Good. Light wear & fading to the softcover. Tanned textblock edge. Content is in very good, clean condition.

Gebunden. Zustand: New.

Hardcover. Zustand: Fine. No Jacket. 160 p. : ill. (part col.) ports., maps ; 28 cm. ; LCCN: 64-15242 ; LC: DA911; Dewey: 914.15 ; OCLC: 401119 ; pictorial color boards ; no dustjacket ; Contents : An island isolation -- An elusive, unmistakable character -- The bitter years -- The troubles -- Devotion to the church -- Masters of language -- The norther Irish -- The farmer's hard struggle -- The advancing middle class -- Ourselves no longer alone. ; "Many of us are Irish. Many more have a sympathy with Ireland defined by history and religion. The beauty and charm of Ireland and its people are evident in the pictures here." ; FINE. Book.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Not Stated (illustrator). First edition. A bright first edition of this substantial survey of the Westminster Abbey, offering essays from John Betjeman, John Pope-Hennessy and others. First edition.With the original unclipped dust wrapper.A copiously illustrated celebration of the Westminster Abbey, produced and published under the assistance of Walter Annenberg and the Annenberg School for Communication at the University of Pennsylvania.Comprising the writings of Dean Eric Abbott (foreword), John Betjeman (prologue), John Pope-Hennessy ('The Tombs and Monuments'), A. L. Rowse ('The Abbey in the history of the Nation'), George Zarnecki ('The Art and Architecture') and Kenneth Clark (epilogue).With in-text and full-page photographs and illustrations throughout, many of which are in colour. In the original cloth binding. With the original unclipped dust wrapper. Externally, excellent, with minor marks to the red cloth. Dust wrapper is very smart, with mild edge wear. Internally, firmly bound with bright and clean pages. Near Fine. book.

Zustand: Very Good. Nguyen, Eric; Abbott, Wes (illustrator). Very Good condition.

Softcover. Zustand: Fair. Nguyen, Eric; Abbott, Wes (illustrator). Leichte Risse; Deformation der Bindung. The smash PlayStation 3 video game explodes into comics, written by inFamous game writer William Harms (Impaler) and illustrated by Eric Nguyen (Halo: Helljumper, Strange Girl). While delivering a mysterious package, bike courier Cole MacGrath is caught in a massive explosion that gives him electric superpowers. As his world collapses around him, Cole must defend himself and his city from government forces that'll stop at nothing to capture him.

Hardcover. Zustand: Brand New. 368 pages. 9.25x6.00x1.00 inches. In Stock.

55 pp.; 38.3 x 27.4 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; August 5-11, 1981 issue of SoHo News. Issue edited by John Leese. Cover stories include: "Killer Lit," John Lombardi on Norman Mailer and Jack Henry Abbott; "Abbie Hoffman from the Belly of the Book;" "NY Sports Apartheid," by Eric Nadler; "I Pumped the Dalai Lama," by John Perreault "What Killed Jane Bowles?" by Margo Jefferso. Additional art reporting includes "Artful Dodger," Gerald Marzorati on Jim Melchert's departure from the NEA. Cover photo of Jack Henry Abbott and Norman Mailer by Jill Krementz. Good. Folded in two. Light yellowing of paper from age. and light wear to page edges, including a 1.7 cm. dog-ear to upper right corner. Contents clean and unmarked.

31.5 x 31.4 cm.; edition size unknown; unsigned and unnumbered Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. LeRoy, Chris Nelson, Willie Klein, Mitch Corber, Mark Abbott, Dan Graham, Michael Shamberg, Anne Demarinis, Thurston Moore, Andy Blinx, Don Hunerberg, Vikky Alexander, John Howell, Salvatore Principato, Nigel Rollings, Peggy Katz, Eric Bogosian, Herr Lugus, Amy Taubin, Remko Scha, Susan Russell, Bill Buchen, Verge Piersol, David Hofstra, Lynne Tillman, D. Brown, Sandra Seymour, Phill Niblock, Barbara Kruger, John Rehberger, Paul McMahon, Nancy Radloff, Bruce Tovsky, Martha Wilson, Ned Sublette, Glenn Branca, Gail Vachon, B. Conan Piersol, Gregory Sandow, Stephan Wischerth, Bob George, Judy Rifka, David Garland, Mark Bingham, Michael Byron, Glenda Hydler, Susan Fisher, Laurie Spiegel, Barbara Ess, Kiki Smith, Shelley Hirsch, Peter Gordon, Arleen Schloss, Tod Jorgensen, David Rosenbloom, Doug Snyder, Jon Rubin, Steve Stain, Thomas Lawson, Harry Spitz, Rhys Chatham, David Linton, Isa Genzken, Daile Kaplan, Kim Gordon, Miranda, Sally A. White, Joseph Nechvatal, Steven Harvey, Sammy Marshall Harvey, Brian Doherty, Rudolph Grey, Richard Morrison, and Zev. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Light yellowing of verso from adhesives. Still in factory shrink-wrap, opened to sleeve cut. Dusting to plastic wrapping. Light scuff on side 1. Otherwise Fine. Due to the fragility of this item additional shipping charges will be required for international orders.

Zustand: Good. 2 vols. 278, 244pp with hors texte plates. Complete with 8 issues. Original symbolist paper covered boards with later half goatskin spine and corners. 20 x 26cm. With 11 handcolored folding plates printed by Pellerin à Epinal (several with repaired tears); original lithographs and woodcuts by Whistler, Jarry, Bernard et al. Lacking the print by Rousseau. See complete list below.________________________Vol 1: 1894. 278 pp?.N°1 : comprising a leaf bearing a title and a miniature by Filiger printed in mauve, a Head of a Martyr by R.G. (Rémy de Gourmont), a drawing by Émile Bernard printed in blue, forty old images and vignettes; on large folio Épinal folding images printed in colors (620 x 380 mm and 615 x 395 mm): Jesus sur la Croix? - - N°2 : with a woodcut in red by Armand Séguin (1869 ? 1903) Les Bretonnes [ Breton women] , an original print by E. Forbes-Robertson (Adam and Eve), numerous woodcuts, of which two from Indochina printed on 2 ll. of folded China paper, lithograph ?L'Annonciation? signed R.G. (Rémy de Gourmont) printed in black, an original lithograph by Alfred Jarry (Caesar-Antichrist), ?Bedouin?, an unpublished drawing by Emile Bernard and two folding Épinal images: Le miroir du P?echeur des Pyramides (400 x 580 mm) and Bonne Bière de Mars (420 x 509 mm. Lacking: an original lithograph by Douanier Rousseau (War) ?.-- - N° 3 :. Numerous illustrations in text and hors texte, among them:, La Madeleine, after a woodcut printed in dark orange by Paul Gauguin, ?The Bishop?, an original woodcut in dark green by Georges d'Espagnat, an original woodcut in black by Alice Feurgard, an original drawing printed in blue by Emile Bernard, an original drawing printed in dark green by Jossot, an original woodcut in bistre by M. Delcourt,; an Épinal folding image printed in colors , Saint Claude? - - - N° 4 :. Numerous illustrations to text and hors texte, including: an original sketch cut onto mahogany wood. ?Sainte Gertrude? by Alain Jans (Alfred Jarry),;a woodcut ?La Peur? in black by Georges d'Espagnat, an original drawing printed in black by Roderie O'Conor,; an original drawing printed in blue by Émile Bernard, a folded woodcut (very pale, 455 x 198 mm), two folding Épinal images printed in colors : Saint Nicolas and Notre-Dame des Sept Douleurs?.Volume II. Issues 5-8. 224 pages?.- N°5 : . Numerous illustrations to text and hors texte, including: an unpublished original print and folding plate by Jean-Baptiste Auguste Clésinger of Two Bulls printed in black (281 x 430 mm), an original unpublished lithograph by James Abbott McNeill Whistler on China paper between silk paper guards: ?Girl With Bowl,? Stratis & Tedeschi, 118; Way, 82; Levy 121; first bearing a title, folding facsimile of a vernacular colored image entitled Le vrai portrait du Juif-Errant?[A true portrait of the Wandering Jew?] (485 x 304 mm), folded fragment of an enormous former engraving (368 x 305 mm). Printed by Lefevre-Corbinière?.- - N° 6 :. Numerous illustrations to text and hors texte, including a folding Épinal image in colors (Les 3 Chemins de l'Etnernité). ?.- - - N° 7 : . Numerous illustrations to text and hors texte, including an original woodcut of Jesus on the cross with Crying Woman, by Émile Bernard printed in red on strong grey tinted paper; (previous page with clean tear) a folding Épinal image in colors showing St. Blaise et St. Guerinand and a color lithograph: L'Arche de Noé. (Noah's Ark from the 12cth Century? - - - N° 8 : . Numerous illustrations to text and hors texte, including: L'Annonciaiton by Emile Bernard; a color Epinal folding plate of Napoleon 1er; a vernacular image of a procession in colors in the form of a folding banner (280 x 475 mm; triangle),; an original woodcut?Les Pendus? by Georges D'Espagnat and a red woodcut: Santo Cristo , with Christ wearing a skirt?.From the Van Gogh Museum:At the fin de siècle, printmakers often turned to primitive art forms and popular visual culture for sources of inspiration.In this vein, the French Symbolist writers Alfred Jarry and Remy de Gourmont founded L'Ymagier, an ambitious art review. Here, they presented the works of contemporary printmakers next to examples of medieval woodcuts and popular prints known as Épinal.L'Ymagier's interest in religious Épinal and medieval woodcuts was rooted in a fervent desire to achieve a more authentic form of modern art. For Jarry, archetypal Christian symbols, such as the Passion and the Virgin Mary, possessed universal meaning of continued importance to contemporary artists.This interest in the past was shared by the artists of the School of Pont-Aven, who looked to the traditions and rituals of the Breton peasants for creative inspiration.L'Ymagier helped to revive contemporary interest in the woodcut technique for artists like Edvard Munch and Emil Nolde.Juliet Simpson:Remy de Gourmont's and Alfred Jarry's journal, L'Ymagier, published in eight issues between October 1894 and January 1896. In attempting to create a 'book of symbols' structured explicitly around the image, notably the popular image, the L'Ymagier project develops the verbal-visual problematic exemplified by the Symbolist 'illustration'. It also raises some very fundamental questions about artistic homologies in general, which test Symbolist theories of synthesis to their limits. As I hope to show, Gourmont's and Jarry's appropriation of the popular image as the inspiration ror L'Ymagier becomes a strategy for destabilizing hierarchies or images and texts (including Symbolist ones), which has both radical aesthetic and political implications.Bolliger, Dokumentations-Bibliothek Zur Kunst Des 20. Jahrhunderts, II, 243; VI, 829;Library of Congress Control Number41040620.