emshwiller john (30 Ergebnisse)

Zustand: Very Good. Reprint. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft Cover. Zustand: Near Fine. Ed Emshwiller (illustrator). 1st Edition. Vintage Paperback PBO. F-277. Beautiful Unread First Printing of this Paperback Original. No month, 1964, $.40 cover price. Square, tight, and clean throughout with some fairly minor edge-wear. Inside cover edges lightly toned. Fresh and bright with no chipping or tears. A very pretty collectable copy at a great price.

Zustand: FINE. Book club edition. An anthology containing stories selected by the authors themselves, each with a personal introduction by the author. SIGNED by Harry Harrison on the title page. Includes All of Us Are Dying by George Clayton Johnson; Old Hundredth by Brian W. Aldiss; Et in Arcadia Ego by Thomas M. Disch; Ullward's Retreat by Jack Vance; The Forgotten Enemy by Arthur C. Clarke; The Fire and the Sword by Frank M. Robinson; Fair by John Brunner; Warrior by Gordon R. Dickson; But Soft What Light by Carol Emshwiller; The Misogynist by James Gunn; Bad Medicine by Robert Sheckley; The Autumn Land by Clifford D. Simak; A Sense of Beauty by Robert Taylor; and The Last Flight of Dr Ain by James Tiptree Jr. and The Man Who Loved the Faioli by Roger Zelazny. Dust jacket art by Paul Lehr. Introduction by Harrison. x, 271 pp. Fine in very good dust jacket.

Zustand: New. In.

Zustand: VERY GOOD. Book club edition. An anthology containing stories selected by the authors themselves, each with a personal introduction by the author. SIGNED by George Clayton Johnson (in red, with a box around his signature) at his story 'All of Us Are Dying' Also includes Old Hundredth by Brian W. Aldiss; Et in Arcadia Ego by Thomas M. Disch; Ullward's Retreat by Jack Vance; The Forgotten Enemy by Arthur C. Clarke; The Fire and the Sword by Frank M. Robinson; Fair by John Brunner; Warrior by Gordon R. Dickson; But Soft What Light by Carol Emshwiller; The Misogynist by James Gunn; Bad Medicine by Robert Sheckley; The Autumn Land by Clifford D. Simak; A Sense of Beauty by Robert Taylor; and The Last Flight of Dr Ain by James Tiptree Jr. and The Man Who Loved the Faioli by Roger Zelazny. Dust jacket art by Paul Lehr. Introduction by Harrison. x, 271 pp. Very good in very good dust jacket.

Paperback. Zustand: Brand New. reprint edition. 412 pages. 7.75x4.75x1.00 inches. In Stock.

paperback. Zustand: Very Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. xxiv, 295 p. ; 25 cm ; ISBN: 0060196203 ; LCCN: 00-25344 ; OCLC: 43540066 ; black cloth with gold lettering, in color dustjacket ; some scuffing to dustjacket, else VG/VG. Book.

Softcover. Zustand: Very Good. Magazine. Cover by EMSH [Ed Emshwiller] and illustrations by Virgil Finlay and Alex Schomburg. 129pp. Pictorial wrappers. Small nicks and tears at the edges, chip at top corner of rear wrap, creases on wraps, very good. This issue features a complete novel by Leigh Brackett, along with contributions from Gordon R. Dickson, Henry Hasse, John R. Marshall, and D.W. Barefoot.

softcover. Schultz & Emshwiller (illustrator). First editionAce D 385 vg+ ( small rip on inside page).

Hardback in Dust Wrapper. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Condition Notes: Gently bruised at the head of the spine and the top corners of the boards with correspondent wear to the dust wrapper; First edition (first printing). Hardback. Dust wrapper over quarter-bound black on red boards with silver titles to the spine; Measures 9½" x 6¼" (1.1 kg); pp (xv) 400; Index; Includes: Black & White photos on individual leaves; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #205309 ||.

Hardcover. This is the story of two Wall Street Journal beat reporters -- one covering the energy industry just after the chaotic California electricity crisis; the other chasing stock swindlers. Together these journalists were ideally placed to uncover one of the great cons of the century. Here is a story about the fall of a great company, and the practice of journalism, marked by skill, luck, and determination.24 Days is the gripping, untold chronicle of the investigative process -- often haphazard but imbued with insight and commitment -- that broke through Enron's stonewalling and exposed its inner workings, setting in motion a chain of events that shook the public's trust in big business, Wall Street, and the accounting profession.In August 2001, Jeffrey Skilling unexpectedly resigned from his job as CEO of Enron after only six months in the top job. While Smith -- who had been covering the California energy crisis -- was away, the Wall Street Journal Los Angeles bureau chief drafted Emshwiller to interview Skilling. During a rambling conversation, Emshwiller stumbles onto an unlikely admission from the corporate prodigy, which partly confirms the journalists' suspicions that Skilling didn't quit for 'personal reasons.' This odd revelation raised ominous questions about Enron's much-bragged-about success.The two reporters pick and pull at the mystery, and with the help of confidential sources, who understood Enron's inner workings, expose an audacious scheme: Andrew Fastow's off-balance-sheet partnerships that hid Enron's failings and inflated its value by billions of dollars. Refusing to be put off by Enron's arrogant dismissal of anyone who questioned the company's practices, Smith and Emshwiller relied on their instincts and common sense to shine a light into Enron's 'black box' finances.Climaxing in the brief period after Enron released disastrous earnings in October 2001, 24 Days gives a reporter's-eye view of the tug-of-war between journalists and a giant corporation. Each day, a new story uncovered another fact. Each day, the company issued denials. When the doubts and questions reached critical mass and momentum, the stock market cast its final vote of no confidence.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Limited edition. Signed by the author and editor. Publisher's original illustrated boards with titles in white and yellow to the upper board and in white to the spine, in the Jaime Bishop illustrated dustwrapper and navy cloth solander box. Textured endpapers. Black satin bookmark. A fine copy, the binding square and firm, bright and fresh, with just a touch of rubbing to the head of the spine. The contents are clean throughout, and without previous owners' inscriptions and stamps. Complete with the fine dustwrapper, which is without fading, loss, or tears. Not price-clipped (£50.00 to the lower rear panel). Housed in the fine, structurally sound solander box. Issued in an edition of 200 copies, from which this example is numbered 78 and signed by the authors Paul DiFilippo, Jessica Reisman, Barry N. Malzberg, Jack Slay Jr., Howard Waldrop, A. M. Dellamonica, Robert Silverberg, Carol Emshwiller, Lisa Tuttle, John Kessel, Jeff VanderMeer, and the editors Michael Bishop and Steven Utley, in black and blue ink on the limitation page. A collection of 16 science fiction and horror short works, including the 2002 Locus Award-nominated novelette 'Neutrino Drag' by Paul Di Filippo and the 2018 Retro Hugo Award-nominated short story 'Mimic' by Donald A. Wollheim. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. Signed by Author(s).

[2] pp.; 87.2 x 56.2 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. Artists included Shuya Abe, John Alpert, Eric Anderson, Oliver Andrews, Eleanor Antin, Ay-o, Claudio Badal, Shridhar Bapat, Fred Barzak, Gregory Battcock, Bill Birch, Frank Braynard, Dennis Brennan, Brenda Bufalino, John Cage, Domenick Capobianco, Jackie Cassen, Laura Cavestany, Joel Chadabe, Rhys Chatham, Emanuel Ghent, Dick Higgins, Ralph Hocking, Wayne Hycle, Glenda Hydler, Takahiko Iimura, Iris, Sylvia Johnson, Joe Jones, Allan Kaprow, Alison Knowles, Kenneth C. Knowlton, Shigeko Kubota, Joanne Kyger, Gilles Larrain, Standish Lawder, Francis Lee, Rick Lefrak, John Lennon, Carl Linder, Anna Lockwood, Alvin Lucier, Mary Lucier, Stanley Lunetta, Ernest Lurker, Christo, Shirley Clarke, Beverly Conrad, Tony Conrad, Philip Corner, Bob Cowan, Doug Davis, Henny DeKnegt, Storm de Hirsch, Bill Denner, Dimitri Devyatkin, Ken Dewey, Robert Diamond, Hans Joachim Dietrich, Eugene Dolgoff, Juan Downey, Franklin Drake, Jean Dupuy, Tom Drysdale, Ed Emshwiller, Jeni Engel, William Etra, Ralston Farina, Wolfgang Feelish, Peter Frank, Si Fried, John Fulop, Jeff Garrett, Davidson Gigliotti, Frank Gillette, Amy Greenfield, Donna Grob, Alex Gross, Walter Gutman, James Harithas, Harlem Drummers & Dancers Park East H.S., Gary Harris, Dermot Harvey, Ron Hays, Jackson MacLow, Marta Minujin, Max Neuhaus, Hermann Nitsch, Pauline Oliveros, Yoko Ono, Nam June Paik, Lil Picard, Otto Piene, Carolee Schneemann, Rudi Stern, Aldo Tambellini, Elsa Tambellini, Stan Van Der Beek, Jud Yalkut, Ben Vautier, Video Freex and others. Very Good. Mailed copy with mailing marks and wear, folded in sixteen for mailing. Stamps (on recto) have been postmarked and there is a return address, however no indication of to whom it was mailed. Two 7 mm pen marks on recto with a 3 mm. tear to center of one of the folds and 1 cm. of adhesive staining to poster edge. Otherwise clean and unmarked.

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.