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Verlag: Oxford University Press, USA, 2006
ISBN 10: 0199290261ISBN 13: 9780199290260
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Like New. illustrated edition. 2006. Hardcover. Cloth. 8vo. vi & 258 pp. Fine. Dust Jacket is Like New.
Verlag: Oxford University Press, USA, 2006
ISBN 10: 0199290261ISBN 13: 9780199290260
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Very Good. 2006. illustrated edition. Hardcover. Very Good.
Verlag: Liverpool University Press, 2015
ISBN 10: 1781382697ISBN 13: 9781781382691
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Very Good. 2016. Paperback. Pap. A little shelf-wear; clean internals. Very Good.
Verlag: Liverpool University Press 2015-09-14, Liverpool, 2015
ISBN 10: 1781382697ISBN 13: 9781781382691
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: LIVERPOOL UNIV PR, 2016
ISBN 10: 1781382697ISBN 13: 9781781382691
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New. Über den AutorEmma Cayley is Senior Lecturer in French and Head of Modern Languages at the University of Exeter. Susan Powell holds a Chair in Medieval Texts and Culture in the School of Languages and Social Sciences at the Universi.
Verlag: Oxford University Press, USA Nov 2006, 2006
ISBN 10: 0199290261ISBN 13: 9780199290260
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Neuware - In early humanist France two debating traditions converge: one literary and vernacular, one intellectual and conducted mainly via Latin epistles. Debate and Dialogue demonstrates how the two fuse in the vernacular verse debates of Alain Chartier, secretary and notary at the court of CharlesVI, and later, Charles VII. In spite of considerable contemporary praise for Chartier, his work has remained largely neglected by modern critics. This study shows how Chartier participates in a movement that invests a vernacular poetic with moral and political significance, inspiring such socialengagements as the fifteenth-century poetic exchange known as the Querelle de la Belle Dame sans mercy. Emma Cayley sets Chartier in the context of a late-medieval debating climate through the use of a new model of participatory poetics which she terms the collaborative debating community. This is a dynamic and generative social grouping based on Brian Stock's model of the textual community, as wellas Pierre Bourdieu's sociological categories of field, habitus, and capital. This dialectical model takes account of the socio-cultural context of literary production, and suggests the fundamentally competitive yet collaborative nature of late-medieval poetry. Cayley draws an analogy here betweenliterary debates and game-playing, engaging with the game theory of Johan Huizinga and Roger Caillois, and discusses the manuscript context of such literary debates as the materialization of this poetic game. The collaborative debating community postulated affords unique insights into the dynamicsof late-medieval compositional and reading practices.