Ellison curtis (34 Ergebnisse)

Paperback. Zustand: Very Good. Revised. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Revised. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Revised. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Zustand: Used-Very Good. Revised. Some shelf wear. Else clean copy.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 272 pages. 9.00x6.25x1.00 inches. In Stock.

Zustand: New. pp. 272.

Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Periodical. Zustand: Very Good+. (Vol. 3, No. 1). [modest wear along the spine and a few tiny scuff marks on the front cover, otherwise a nice clean copy]. (B&W photographs) An exceptional issue of this exceptional film publication, which took a couple of years from its inception in 1962 to really find its footing, but by this time (under the still-fresh editorship of future screenwriter-director Curtis Hanson, who had just succeeded founding editor/publisher James Silke one issue prior to this one) had really begun to settle into its groove. I mean, really: if the mix of elements and contributors in this issue isn't indicative of how well this magazine was in tune with the mid-Sixties movie zeitgeist, I don't know what else I can say. Two contributors in particular were on the cusp of bigger and better things (as was the editor himself): Robert Towne, here penning an article about the comparable screen appeal of Humphrey Bogart and cover boy Jean-Paul Belmondo; and Harlan Ellison, who contributed three film pieces. Two are film reviews -- of Franklin Schaffner's THE WAR LORD ("categorically the single most boring film I have ever almost seen") and Arthur Penn's MICKEY ONE ("an example of consummate directorial artistry") -- and are juicy enough, but the real prize is the third: a pre-review of THE OSCAR, then in production, for which Ellison himself had written the screenplay. The film itself would not crash and burn -- er, be released -- until about six months later, and it was one of the resounding turkeys of its year, but one can forgive young Harlan for being, shall we say, cautiously optimistic: "A great deal of love and vitality and honest has been poured into this film. As the last weeks of shooting near, it seems highly probable that these factors will show up on the screen. Time will tell." (Oh yeah, it did that.) A paired set of interviews (both conducted by Hanson) were themed around character actors ascending to stardom, and featured James Coburn (who was just about to hit it big with OUR MAN FLINT) and Charles Bronson (whose superstardom was still a few years in the future). There's a nice nod to the cinema past (mostly) in the form of a six-page photo feature, "Beauty," featuring achingly beautiful headshots of about three dozen actresses. There are interviews with the directors of two current war-themed films, James B. Harris (THE BEDFORD INCIDENT) and Bryan Forbes (KING RAT), and photo-illustrated reports on an Italian-made sci-fi thriller, THE TENTH VICTIM, and Cornel Wilde's Africa-set adventure THE NAKED PREY. The magazine even manages to pay some attention to independently-produced short films, devoting a whole page to James Frawley's J-24, including a short interview with the filmmaker.…

Periodical. Zustand: Near Fine. (Vol. 3, No. 2). [very nice clean copy, virtually newsstand-fresh with just a touch of wear along the spine]. (B&W photographs) Includes an original essay by Harlan Ellison, "Three Faces of Fear; a Theory of Film Horror from the Works of Val Lewton." Also -- an interview with Richard Attenborough; a joint interview with the then-married Rod Steiger and Claire Bloom; a profile, with photos, of actress Samantha Eggar (also on the cover); a short article on director Terence Young; short article about the numerous films then being made on location in Spain; reviews of THUNDERBALL (Terence Young), A PATCH OF BLUE (Guy Green),DR. ZHIVAGO (David Lean), THE BATTLE OF THE BULGE (Ken Annakin), OTHELLO ( with Laurence Olivier), VIVA MARIA (Louis Malle), THE FLIGHT OF THE PHOENIX (Robert Aldrich), THE SPY WHO CAME IN FROM THE COLD (Martin Ritt) and others. On the inside back cover is an ad captioned "What Sort of Man Reads Cinema?" (parodying the then-current Playboy ad line), with a photo of Luis Bunuel reading an issue of the magazine.…

Zustand: New. 1995. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Paperback. Zustand: Brand New. 295 pages. 8.25x5.25x0.75 inches. In Stock.

Paperback. Zustand: Brand New. revised edition. 356 pages. 9.25x6.25x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - In the twentieth century, Appalachian migrants seeking economic opportunities relocated to southwestern Ohio, bringing their music with them. Between 1947 and 1989, they created an internationally renowned capital for the thriving bluegrass music genre, centered on the industrial region of Cincinnati, Dayton, Hamilton, Middletown, and Springfield. Fred Bartenstein and Curtis W. Ellison edit a collection of eyewitness narratives and in-depth analyses that explore southwestern Ohio's bluegrass musicians, radio broadcasters, recording studios, record labels, and performance venues, along with the music's contributions to religious activities, community development, and public education. As the bluegrass scene grew, southwestern Ohio's distinctive sounds reached new fans and influenced those everywhere who continue to play, produce, and love roots music. Revelatory and multifaceted, Industrial Strength Bluegrass shares the inspiring story of a bluegrass hotbed and the people who created it. Contributors: Fred Bartenstein, Curtis W. Ellison, Jon Hartley Fox, Rick Good, Lily Isaacs, Ben Krakauer, Mac McDivitt, Nathan McGee, Daniel Mullins, Joe Mullins, Larry Nager, Phillip J. Obermiller, Bobby Osborne, and Neil V. Rosenberg.…

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorEdited by Fred Bartenstein and Curtis W. EllisonInhaltsverzeichnisForeword: Industrial Strength Bluegrass Neil V. Rosenberg Notes from the Editors Acknowledgments A Southwes.

Zustand: New. 2009. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. In English.