Ellen sutherland (21 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English. Sutherland, Ellen S. (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Softcover. Zustand: Very Good. Illustrated by K. Addo-Osafo. Foreword by Ellen Greer Sangster. Octavo. 233pp. Binding a bit cocked and textblock with a very slight ripple, bottom corners bumped, very good.

dvd. Zustand: Gut. Auflage: Standard Version. Mit altersbedingten Lager- und Gebrauchsspuren. W2-DVD-4 Sprache: Englisch Gewicht in Gramm: 73.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: gut. Italian, French, English, and Spanish Drawings and Watercolors : Sixteenth through Eighteenth Centuries In englischer Sprache. pages.

Hardcover, 367 pages, ENG. edition, 310 x 240 x 35 mm, Over 30 years "young" but in Perfect Condition !, illustrated dustjacket, almost 300 illustrations and plates in colour / b/w; index; bibliography ISBN 9781555950576. First Edition. Fine cloth copy in an equally fine dw. Particularly well preserved; tight, bright titled, clean, and surprisingly sharp cornered. Abundantly illustrated with 32 full page color and numerous black and white plates. Complete with essays by Victor Carlson, Kathleen Erwin, Ann Sutherland harris, George Knox et. Ali. And an introduction by Ellen Sharp; Subjects: Detroit Institute of Arts --Catalogs --Drawing, European --Drawing --Michigan --Detroit. Series: The Collections of the Detroit Institute of Arts 2130 g.…

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York ha. …

Archive of five vintage, oversize, double weight photographs from the 1970 film, four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso, all photographs with his stamp. All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself, with one showing the director on the set with a clapboard and crew members in front of him, while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success, while ruminating on his past, present, and possible futures. One photograph 11 x 11 inches, four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine.…

Vintage reference photograph from the 1970 film, showing Donald Sutherland watching a fantasy version of himself on a camera crane. Handwritten snipe affixed to the verso. From the archive of film historian and author Joel Finler. Heavily influenced by Federico Fellini's "8 1/2" (1963), about an aging film director agonizing over his next project, loosely based on director Paul Mazursky's own experiences after the success of "Bob and Carol and Ted and Alice" (1969). Shot on location in Los Angeles. 8 x 10 inches. About Very Good plus, with a small tear on the top edge, repaired with paper tape.…