elderfield robert (17 Ergebnisse)

Hardcover. Zustand: Fair. Aus Bibliothek aussortiert; Leichte Rillen / Abschürfungen / Risse / Knicke; Farbtonänderung.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 585 pages. Published in conjunction an exhibition that ran February 26 through May 17, 2009. Features essays by Roberta Bernstein, Yve-Alain Bois, Jean-Francois Chevrier, John Elderfield, John Goldin, Christopher Green, Jennie Hirsh, Joop M. Joosten, Anabelle Kienle, Albert Kostenevich, Carolyn Lanchner, Mark D. Mitchell, Joseph J. Rishel, Katherine Sachs, Richard Shiff, Robert Storr, and Michael R. Taylor. Includes 483 color and 85 black and white illustrations of works by a wide range of artists from the likes of Cezanne, Picasso, Leger, Braque, Gorky and others. A fine copy in cloth boards in a near fine dust jacket with some slight rumpling to the base of the front panel. This is a heavy and oversized book and will require extra shipping.

First Edition. First edition. Softcover. 276 pages. Exhibition catalog for a show that ran January 28 through April 29, 2007 at the National Gallery of Art in Washington and then traveled to Basel for additional dates. Preface by Jeffrey Weiss. Essays by John Elderfield, Robert Morris, and Carol Mancusi-Ungaro. Includes numerous color illustrations and an extensive chronology. A fine copy in French style wrappers.

Paperback. Zustand: Brand New. 596 pages. 8.75x6.00x1.75 inches. In Stock.

Soft cover. Zustand: Fine. The present volume includes the vast majority of significant essays on Bridget Riley written since 1999. This was a particularly fruitful period in the reception of her work, as the discourse broadened and her reputation as one of the most important painters of her generation solidified. The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Rileys career. 599 p. : col. ill ; 23 cm. Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

No jacket. Zustand: Très bon. Ancien livre de bibliothèque. Sans jaquette. Couverture différente. Edition 1950. Tome 1. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Different cover. Edition 1950. Volume 1. Ammareal gives back up to 15% of this item's net price to charity organizations.

No jacket. Zustand: Très bon. Ancien livre de bibliothèque. Sans jaquette. Couverture différente. Edition 1957. Tome 6. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Different cover. Edition 1957. Volume 6. Ammareal gives back up to 15% of this item's net price to charity organizations.

No jacket. Zustand: Très bon. Ancien livre de bibliothèque. Sans jaquette. Couverture différente. Edition 1951. Tome 2. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Different cover. Edition 1951. Volume 2. Ammareal gives back up to 15% of this item's net price to charity organizations.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 276 pages 250 illustrations 170 in color. Director's Foreword by Earl A. Powell III. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC January 28-April 29, 2007. Chronology. Book.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. Cover: Mel Bochner. Good. Edge wear including bumping and rubbing with a 5 mm. tear to top edge of recto near spine and a 2 mm. tear to right side edge of recto. Scratching of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

94 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los AngeIssue edited by John Coplans. Essays "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. Champa; "Problems of Representation," by Jerrold Lanes; "Meaning in the Art of Duchamp, Part II," by Willis Domingo; "'This Is Not Here' (A Report on the Yoko Ono Retrospective at Syracuse) by Emily Wasserman; "Los Angeles: Barbara Munger," by Jane Livingston; "Los Angeles: The Market Street Program," by Peter Plagens and "New York reviews," by Robert Pincus-Witten, Joseph Masheck, Kenneth Baker, Lizzie Borden. Cover: Josef Albers. Good. Dusting and rubbing of covers, edge wear, handling wear and light creasing. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. This extensive exhibition, which took over both floors of the Royal Scottish Academy, was the first museum survey of Bridget Riley's work to be held in the UK for 16 years, and the largest exhibition of her work to be shown in Scotland. Spanning over 70 years of work, it focused on the origins of Riley's practice and traced pivotal moments across her acclaimed career. It featured very early paintings and drawings, many of which were being exhibited for the first time, iconic black-and-white paintings of the 1960s, Riley's expansive explorations into colour, wall paintings and works made this year, as well as studies that reveal Riley's working methods. Catalogue of an exhibition held at the Scottish National Gallery, Edinburgh, 15 June - 22 September 2019; and at Hayward Gallery, London, 23 October 2019 - 26 January 2020. 279 pages : illustrations (chiefly colour), portraits (some colour) ; 28 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Cloth. Zustand: Wie neu. 571 S. Chemistry Guter Zustand/ Good Ex-Library. Cover shows mild wear. ha1081122 Sprache: Englisch Gewicht in Gramm: 1050.

Cloth. Zustand: Wie neu. 462 S. Chemistry Physics Guter Zustand/ Good With figures. Ex-Library. gebraucht; gut Guter Zustand/ Good With figures. Ex-Library. ha1068232 Sprache: Englisch Gewicht in Gramm: 800.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 376 Seiten, 395 Abb. Leinen mit Schutzumschlag - Neben großformatigen, ganzseitigen Reproduktionen der Kunstwerke bietet das Buch eine Chronologie des Hauses und eine Vielzahl von begleitenden, erläuternden Texten führender Kunsthistoriker, die teilweise erstmals in deutscher Sprache vorgelegt wurden.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by John Coplans. Essays "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," Joseph Masheck. Reviews by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, Carter Ratcliff. Cover: Mel Bochner.

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Dark blue cloth with a dust jacket wrapped in mylar. A nice clean copy with no previous owners' names or other defacements. 10.75 x 13.25 in (27 x 33.5 cm).