Edwin burnett (11 Ergebnisse)
Sprache: Englisch
Verlag: Harper & brothers, 1943
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In den WarenkorbHardcover. Zustand: Very Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show very minor shelving wear. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day.
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Gebunden. Zustand: New.
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work,… as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Verlag: On letterhead of 4 East Heath Road Hampstead N.W.3. 14 August, 1951
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In den WarenkorbJoad's rise and fall are admirably described in Jason Tomes' entry on him in the Oxford DNB. The present letter was written after the disgrace which followed his 1948 conviction for fare-dodging. Not only was Joad dropped from the programme which had made him a nationwide celebrity, 'The Brains Trust', as a result, but his well-…founded hopes of a peerage were dashed. It is interesting to note from the present letter that Joad continued to work for the BBC after his disgrace. The letter is 2pp, landscape 12mo. In fair condition, aged and creased, with two punch-holes at head. The letter has one autograph emendation (the typed 'thought' replaced by 'been thinking'). It begins: 'Dear Mr. Burnett, | I enclose herewith the second pair of talks. With regard to Talk IV, I think after yesterday's experience that this may be a bit too long, and I have thought of methods of shortening it.' He explains, with reference to the text, what he proposes to do, ending 'I suggest, then, that these paragraphs could be cut out, which will give me a bit more time to read slowly.' From the papers of BBC producer Hugh Burnett, best-remembered for creating the television programme 'Face To Face', in which prominent men were interviewed by John Freeman.
[Augustus John, OM RA, celebrated Welsh painter.] Producer Hugh Burnett's copy of the typed transcript of John's BBC TV interview with John Freeman in the series 'Face to Face', with proof and typographical marks for publication.
Augustus John [Augustus Edwin John] (1878-1961), OM RA, celebrated Welsh painter [John Freeman (1915-2014), Labour MP and interviewer on 'Face to Face'; Hugh Burnett (1924-2011), BBC TV producer]
Verlag: Without date or place but BBC TV interview on 15 May ; and this transcript produced for inclusion in version published in London in 1964, 1960
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In den WarenkorbThe present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hu…gh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together. In fair condition, lightly aged, with a few pin holes at top right of the leaves. An energetic, zesty interview. 'I'm a Welshman', John declares, 'a bad Welshman'. A passage regarding John's childhood conveys the general tone: 'I can remember one thing in an early school in Tenby. I'd practically idolized one of the masters, as schoolboys are apt to do, I think, and he betrayed me and held me up before the whole school, denounced me as a liar, d'you see, and the fact was I was completely innocent. I made a mistake, I know, a formal matter, but instead of protesting I succumbed before the class. I never forgave that man and I'm very glad to be able to report that soon after he blew his brains out, you see - in a railway train. I think I must have put something on him.' Further on he describes his affinity with gypsies: 'I was told to avoid them, by my nurses. I was always fascinated by them as a child, seeing them in the markets at Haverfordwest, strange foreign people. And then when I got to Liverpool I fell in with a great friend we made, John Samson, who was a student of Romany, and we went about a lot together. There I learnt the fine dialect spoken by one tribe in the north.' There are two interesting deletions. First, John's identification of the hospital at which his first wife died in France as being in the 'Boulevard Arago' has been scored through in black ink. Second, the passage 'Oh you got it from there? I thought I'd disguised it sufficiently.' has been typed through with crosses before the passage 'Certainly I'm interested in women. In beauty, I should think. If it's beauty, it's love. In my case! You've got to get excited before you can do anything, and beauty is a great excitant.'.
