edge henry (22 Ergebnisse)

Zustand: Good. Edge, Bill Henry (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Theosophical Manual No. VI; 55 pages. Paperback in very good condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

trade paperback. Zustand: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED12mo; 71 pages; good trade paperback; tips bumped; scuff and faint stain to cover; foxing top edge with some tanning top edge; clean pages; prompt shipping with tracking.

Third Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 105 pages; Description: 105 p. ; 16 cm. Subjects: Evolution -- Theosophy. Series: Theosophical manual no. VI. 3 Kg.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Good. Type: Book N.B. Light rubbing to edges and corners of covers and spine. Very light crease to rear cover.

Paperback. Zustand: Very Good. Type: Book.

Paperback. Zustand: Good. Type: Book N.B. Fading to spine and edges of covers.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 308 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

1st edition. Previous owner's signature. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Physical description: viii, 296 pages; (8º). Subject: English literature Fiction Miscellaneous. Irish Fiction 19th century. Irish Fiction 20th century. Genre: Fiction. 3 Kg.

Two parts in one vol. 8vo. xii, [13]-335, [1] pp. Title & leaves with red borders throughout. Text mostly in Latin and English, with some Greek. Original full dark green gilt-stamped morocco, raised bands, all edges gilt, "Bound by Dodd", Cambridge; rubbed. Foxed. Armorial bookplate of Thomas Sebastian Bayley, M.A. "Finem Respice". With an erotic fore-edge painting showing a bedroom scene, the young man wearing only his shirt, lying in bed, the nude lady-lover stroking his erect penis and taking some pleasure as his feet play between her legs. Painted for Harrington's, London, [by their house artist] ca. 1995. / The text is compiled by Drury, with numerous poetic contributions from various sources. Includes "A Song of Sixpence." (p. 113). Among the English selections are contributions by Samuel Rogers, Gray, Burns, Shakespeare, Tennyson, Gammer Gurton [unknown], Sheridan, Byron, Andrew Marvel, Ben Jonson, Cowper, Milton, Congreve, Prior, Colton, etc. "In 1838 [Drury] became classical lecturer at Caius, but, having been ordained, he left Cambridge in 1839 to take sole charge of Alderley, Gloucestershire, a curacy which he exchanged the following year for that of Bromham, Wiltshire. Drury, together with some friends, projected and published the Arundines Cami, a collection of translations into Latin and Greek verse by several Cambridge men. The first edition was published in a beautiful form in 1841, and four subsequent editions appeared during Drury's lifetime; a sixth, after his death, was edited by (his son-in-law) Mr. H. J. Hodgson in 1865. These successive editions contained several new pieces." [Wikipedia]. See: "Sudden Death of the Archdeacon of Wilts and Chaplain to the House of Commons", The Times (London), Tuesday, 27 Jan 1863, p. 8. PROVENANCE: Thomas Sebastian Bayley, M.A. [fl.ca.1855, Lancashire].

2 volumes. 8vo. xv, [1], 501, [1]; xii, 491, [1] pp. 2 frontispieces; both frontispieces are foxed or stained. Original dark maroon blind- and gilt-stamped morocco, all edges gilt, cream endleaves; joints rubbed. Early small (oxidized, silvery-looking?) bookplate/label of I.M. Galton, Eton. Very good. With two fore-edge paintings by Don Noble: Westminster Hall [&] Hampton Court. Very finely painted â" this book seems like it was a book that Noble liked to paint on as his detail is sharper on this set. The paintings are not signed, but Noble's style and choice of colors is clearly recognizable. In addition, there is a short penciled note (2 markings) in his hand: / HANDWRITING OF DON NOBLE: Not clearly written: )ffu [or perhaps DHo, or if one's imagination is working DNo is stylistically possible, representing a moniker or artist's signature. Whatever he wrote, it is his handwriting / 2 vB [i.e. 2 vols. But looks like a "B"]. / William Roscoe was "a champion of freedom for all, a poet, writer, scholar, patron of the Arts, lawyer, banker, bibliophile, and botanist." â" John Moores University, Liverpool. / Sold by Harrington's with their cost-marks, end-paper annotations. Probably commissioned by or represented by that firm just after it was painted. Don Noble either sold the set to Harrington's or they commissioned him to paint on this set (which is what I would guess is correct). The period of execution being approximately 1980s-1990s. By evidence of Harrington's (the father, not the 2 sons) buying pattern at auction, I note that the firm purchased auctioned lots of leather-bound books and commissioned (or assigned) various books for making a new fore-edge painting.

8vo. xxxviii, 682 pp. Index to subjects. Original full brown morocco stamped in darker brown, gilt corner devices, four raised bands, a.e.g.; light edge wear, corners showing, some scuffs to outer edges. Early ownership signature of Gerald Beach. With a fore-edge painting (estimated date of painting: 1985) showing two trappers in the woods (one holding a captured and killed ferret or similar creature). Painted by/for Harrington's, London, ca.1990s.

Longman, Hurst, Rees, Orme and Brown. 1819. Eighth edition. A VERY FINE, BRIGHT AND DETAILED FORE-EDGE depicting a cathedral with twin towers to entrance and a tree lined scene with people. Bound in full red textured calf, decorated gilt borders, wear to edges, joints and head and tail of spine, upper board slightly marked and rubbed. All edges gilt. Inner dentelles. Illustrated with engravings. Ownership inscription. A clean and sound copy of a very collectable volume.

First edition. First edition. Illustrated. xvi, 445 pp. 1 vols. 8vo. With a later fore-edge painting of trout fishing on the Chateaugay Lake, Franklin County, New York. Van Winkle, p. 32 In publisher's presentation pebbled green gilt morocco, with emblematic gilt tooling, a.e.g., a few scuffs to covers. With inscription to Francis Gilbert Dyke Acland on leaving Eton 1861 Illustrated. xvi, 445 pp. 1 vols. 8vo.