Ed ghertner (21 Ergebnisse)
- Hardcover
Anbieter: World of Books (was SecondSale), Montgomery, IL, USAWorld of Books (was SecondSale)
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Ghertner, Ed; Thompson, Del (illustrator).
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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EUR 5,93
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Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Ghertner, Ed; Thompson, Del (illustrator).
- Hardcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
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EUR 5,93
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Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. Ghertner, Ed; Thompson, Del (illustrator).
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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EUR 5,93
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Ghertner, Ed; Thompson, Del (illustrator).
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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EUR 6,52
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Ghertner, Ed; Thompson, Del (illust…rator).
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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EUR 8,85
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Focal Press, Abingdon, UK, 2015
- Softcover
Anbieter: Somerset Books, Glastonbury, Vereinigtes KönigreichSomerset Books
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EUR 14,44
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In den WarenkorbSoft cover. Zustand: Very Good. No Jacket. VG+ / -- Colour and b/w illustrations. Pictorial card covers. Binding is very firm and tight. No inscriptions. Not ex-library.
- Softcover
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes KönigreichPBShop.store UK
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EUR 47,41
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 51,28
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Zustand: New. In.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 56,47
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Paperback. Zustand: Brand New. 1st edition. 216 pages. 9.60x7.40x0.50 inches. In Stock.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 68,87
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Zustand: New. 2010. 1st Edition. Paperback. A guide that is filled with examples of what a composition should look like and examples also of poorly designed layouts. With "Beauty and the Beast" examples and "Simpson" character layouts, it helps readers learn how to develop character layout and background layout as well as streng…then composition styles with a toolset of trick shot examples. Num Pages: 218 pages, 275 colour illustrations, 75 colour line drawings. BIC Classification: UGN. Category: (P) Professional & Vocational. Dimension: 245 x 189 x 13. Weight in Grams: 558. . . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: Speedyhen, Hertfordshire, Vereinigtes KönigreichSpeedyhen
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EUR 42,51
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Zustand: NEW.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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EUR 77,60
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Paperback. Zustand: Brand New. 1st edition. 216 pages. 9.60x7.40x0.50 inches. In Stock.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 53,42
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Zustand: New. Ed is a renowned Layout Artist and Character Layout Artist who has spent over thirty years in film and animation. He has worked at Disney Studios and Disney TV. He has worked on some of the great Disney classics including The Fox and the Hound , Beauty an.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 46,24
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Taschenbuch. Zustand: Neu. Neuware - This essential, hands-on guide is filled with examples ofwhat a composition should look like and example of poorly designed layouts. Spot potential problems before they cost time and money, andadapt creative solutions for your own projects with this invaluable resource for beginner and interm…ediate artists.With Beauty and the Beast examples and Simpson character layouts, readers will learn how to develop character layout and background layout as well as strengthen composition styles witha creativetoolset of trick shot examples andinspirational case studies. A companion website will include further technique based tools,finalized layout and composition examples and tutorials for further artisticskill development.
- Softcover
Anbieter: preigu, Osnabrück, Deutschlandpreigu
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EUR 60,05
EUR 70,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. Layout and Composition for Animation | Ed Ghertner | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2010 | Taylor & Francis Ltd | EAN 9780240814414 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
- Hardcover
Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books
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EUR 273,31
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Zustand: New.
- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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EUR 252,45
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Gebunden. Zustand: New. Ed is a renowned Layout Artist and Character Layout Artist who has spent over thirty years in film and animation. He has worked at Disney Studios and Disney TV. He has worked on some of the great Disney classics including The Fox and the Hound, Beauty an.
Weitere BilderThe New Adventures of Winnie the Pooh: Un-Valentine's Day (Original screenplay and two Treatment scripts for the 1989 television episode)
A.A. Milne, E.H. Shepard (characters); Jim Cummings, Peter Cullen, John Fiedler, Paul Winchell, Ken Sansom (starring); Carter Crocker, Stephen Sustarsic (screenwwriters); Terence Harrison, Ken Kessel, Ed Ghertner (directors)
Verlag: Walt Disney Television, Burbank, CA, 1988
- Softcover
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 199,98
EUR 8,63 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbOne Final Draft script, one Draft script and two Treatment scripts for Season 2 Episode 5 of the 1988-1991 television series. Originally aired October 7, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods…. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this episode, Rabbit tries to cancel Valentine's Day after the disorganization of the celebration the year prior. Set in the fictional Hundred Acre Woods. Final Draft script: White titled self-wrappers, noted as Final on the front wrapper, production No. 4W89-010, dated January 16, 1989, with credits for Screenwriters Carter Crocker and Stephen Sustarsic. With a script distribution list bound before front self-wrapper. Title page integral with front self-wrapper. 40 leaves, with last page of text numbered 37. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script: Title page integral with first page of narrative text, production No. 4W89-010. 19 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, bound with a staple at the top left corner. Treatment script 1: Title page integral with first page of narrative text, production No. 4W89-010. 21 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text, dated 12/28/88, with credits for screenwriter Stephen Sustarsic. 8 leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.
Weitere BilderThe New Adventures of Winnie the Pooh: All's Well That Ends Wishing Well (Two original screenplays and eight Treatment scripts for Season 2 Episode 4 of the 1989 television episode, some annotated)
A.A. Milne, E.H. Shepard (characters); Jim Cummings, Peter Cullen, John Fiedler, Paul Winchell, Ken Sansom (starring); Stephen Sustarsic, Carter Crocker, Marley Clark (screenwriters); Terence Harrison, Ken Kessel, Ed Ghertner (directors)
Verlag: Walt Disney Television, Burbank, CA, 1988
- Softcover
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 288,86
EUR 8,63 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbOne Draft script, one Second Draft script, and eight Treatment scripts for Season 2 Episode 4 of the 1988-1991 television series. Originally aired September 30, 1989 on ABC. Five of the Treatment scripts are under the working title, "Land of Lost Wishes," one Treatment script under the working title, "Land of Forgotten Wishes,"…and the remaining two Treatment scripts with no title. Based on the books by A.A. Milne and E.H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this episode, Winnie the Pooh tries to gift the moon to Tigger for his birthday. Set in the fictional Hundred Acre Woods. Second Draft script: White titled self-wrappers, lacking rear wrapper, noted as Second Draft on the front wrapper, production No. 4W88-160, dated December 20, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 37 leaves, with last page of text numbered 36. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Bound with a staple at the top left corner. Draft script: White titled self-wrappers, lacking rear wrappers, production No. 4W88-160, dated December 14, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 40 leaves, with last page of text numbered 39. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script 1: No title page. 11 leaves, with last page of text numbered 11. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text. 3 leaves, with last page of text numbered 3. Mimeograph duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 3: Title page integral with first page of narrative text, production No. 4W88-160. 24 leaves, with last page of text of numbered 24. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 4: Title page integral with first page of narrative text, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 5: Title page integral with first page of narrative text, dated 10/3/88, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at top left corner. Treatment script 6: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 5 leaves, with last page of text numbered 5. Xerogrpahic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 7: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 8: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 4 leaves, with last page of text numbered 4. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.
Weitere BilderThe New Adventures of Winnie the Pooh: Me and My Shadow / To Catch a Hiccup (Three original screenplays and four treatment scripts for the 1989 television episode)
A.A. Milne, E.H. Shepard (characters); Jim Cummings, Peter Cullen, John Fiedler, Paul Winchell, Ken Sansom (starring); Stephen Sustarsic (screenwriter); Kal Geurs, Ed Ghertner (directors)
Verlag: Walt Disney Television, Burbank, CA, 1988
- Softcover
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USARoyal Books, Inc., ABAA
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EUR 333,30
EUR 8,63 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbOne Final Draft script for "To Catch a Hiccup", and one Final Draft script, one Draft script, and four treatment scripts for "Me and My Shadow", together presented as Season 2 Episode 1 of the 1988-1991 television series. Originally aired September 9, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this childre…n's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this episode, Piglet 'loses' his shadow in one segment and in the next the gang tries to rid him of hiccups. Set in the fictional Hundred Acre Woods. Final script "To Catch a Hiccup": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-151, dated December 1, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 22 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Final script "Me and My Shadow": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-131, dated October 24, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 19 leaves, with last page of text numbered 19. Xerographic, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script "Me and My Shadow": Title page integral with first page of narrative text, production No. 4W88-131. 19 leaves, with last page of text numbered 19. Xerograophic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 1: White titled self-wrappers, lacking rear wrapper, production No. 4W88-131, dated September 14, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 2: Title page integral with first page of narrative text, production No. 4W88-131. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 3: Title page integral with first page of narrative text, production No. 4W88-131. 13 leaves, with last page of text numbered 13. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner. Treatment script "Me and My Shadow" 4: Title page integral with first page of narrative text, production No. 4W88-131, dated 9/9/88, with credits for screenwriter Stephen Sustarsic. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner.
