dylan bob daniel kramer (4 Ergebnisse)

89 (7) pages, with many wholepage photographic illustrations. - Publisher's titled softcover; 4to.(ca. 29 x 20,5 cm). *** [Letztmalig verlängerter, nochmals erweiterter SOMMER-SCHLUSS-VERKAUF (bis Montag, den 29.09.2025) / Ultimately extended SUMMER-END-SALE (until Monday, September 29, 2025): um fast 50% REDUZIERTER PREIS / PRICE-REDUCTION of almost 50%; ursprünglicher Preis / originally EUR 61,50] --- FIRST EDITION, LARGESIZE SOFTCOVER ORIGINAL; supplementary volume with German and French translations od the English-only first edition which then were included in the second edition of 2018. - Frontcover bottom-right with very small pressure mark, else in best condition. 3836547600.

First Edition. Hardcover. First Edition, one of 250 copies (this being No. 11) signed by the publisher on a publisher's label affixed to the front pastedown. Fine, bound in black buckram leather, in publisher's illustrated slipcase. Oversize volume, shipping billed at cost.

Zustand: Near fine. First Edition. Original press photograph featuring Bob Dylan sitting in hte back of a vehicle with Donovan, hidden behind an open issue of MELODY MAKER with the cover story "Dylan Digs Donovan!" Photographer Daniel Kramer had a close association with Dylan, and his photographs were used for three of Dylan's album covers. Glossy black and white print measuring 10" x 8" approx. Image measuring 9.25" x 6" approx. Slightly curling with very minor wear at edges. Near fine.

First edition, signed by Kramer on the dedication page. Through photography and a series of short essays, Kramer reflects on time spent with the folk singer from the summer of 1964 to the end of 1965. Pictures include the recording sessions for Bringing it Back Home, and the infamous Dylan-goes-electric performance at the Newport Folk Festival. Kramer is known for shooting remarkably intimate portraits of the musician, including the album covers of Bringing it Back Home and Highway 65. He writes "the best way to photograph Dylan seemed to be to anticipate the pictures and not to force them. Pictures are always occurring and coming together in the natural environment and course of events. When pictures are made this way, they are often better than the posed variety. Certainly they are more truthful." Large octavo. Photographic illustrations throughout. Original black cloth, spine lettered in silver. With dust jacket. Minor rubbing to ends and corners; jacket unclipped, closed tear to head of front panel, a couple of spots of rubbing: a near-fine copy in very good jacket.