dyck sir anthony pieter jode (3 Ergebnisse)

Zustand: Good. Engraving on laid paper with letters watermark (Mauquoy-Hendrickx 337). 24.6 x 16.5 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark. Minor surface soiling. Short tear at lower right sheet corner."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Zustand: Good. Large format engraving. of Henrietta Maria (1609-1669), Queen of Charles I. 53 x 40.4 cm. Mounted on a supprt sheet. Tear in lower left corner. Ink annotation lower right margin dated 1669.New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (391.IV)Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (61.II)O'Donoghue 1908-25 / Catalogue of Engraved British Portraits preserved in the Department of Prints and Drawings in the British Museum (10)In."Sir Anthony Van Dyck stands out as the solitary great etcher of the school. Portrait etching had scarcely had an existence before his time, and in his work it suddenly appears at the highest point ever reached in the art" (Hind, p. 165). "The plan of this publication took shape after Van Dyck returned from Italy (1626) and before he went to England (1632). He made careful preparatory drawings in chalk and brush for the publication. He directed and revised the work of the engravers, the best of the Rubens circle; he collaborated with his etching needle in some of the plates and himself etched the most beautiful set, mainly portraits of artists. One of the most brilliant in human characterization is the portrait of Peter Brueghel the Younger, son of the great Peasant Brueghel. It is remarkable that the etching appeared in this sketchy form in the book, proving that the master regarded it as finished. All interest is focussed on the wonderful had. The first edition was published in Antwerp in 1635-1636. Yet it was not complete, and the title-page did not appear before the Gillis Hendricx edition of 1645, engraved by Jacob Neels" (Benesch, Artistic and Intellectual Trends, p. 32.) Hofer, Baroque Book Illustrations 132.

Portrait of Andries Colijns de Nole (1590-1638), half-length turned to the left but looking over his shoulder to right, with mid-length hair, a moustache and beard, wearing a frilled ruff and buttoned doublet, his right hand resting on a sculpted bust of Laocoön, his left gesturing towards it at the level of his abdomen; sixth state with initials of Gillis Hendricx burnished; after Anthony van DyckFrom the set Icones Principum Virorum (1635). [NL] Portret van de beeldhouwer Andreas Colijns de Nole, ten halven lijve. Met zijn rechterhand leunt hij op een marmeren beeld. In de marge de naam en het beroep van de geportretteerde. Gemaakt door Pieter de Jode II (1606-1674), naar Sir Anthony van Dyck. Engraving on laid paper, cut within plate mark; total: 241 x 164 mm, state VI/6; traces of glue on the four corners, on verso, otherwise in great condition. New Hollstein 78.