durga s a k (7 Ergebnisse)

Zustand: New. pp. xviii + 165 Illus.

Zustand: New. pp. xiv + 138 Figures.

Zustand: New. pp. xvi + 190 Figures, Illus.

Soft cover. Zustand: Fine.

Hardcover. Zustand: New. This Book Describes How The Discipline Ethnomusicology Is A Study Of Intercultural Musicology. The History Theory And Methodology Of Ethnomusicology, The Emergence Of Ethnomusicology In India, The Intercultural Aspects In The Scholastic And Performing Traditions In The Music's And Theaters In Asia Are Dealt With To High Light That Ethnomusicology Is Primarily A Study Of Intercultural Musiciology. This Is The First Work Written By A Non-western Ethnomusicologist Who Got Her Ph.D In Ethnomusicology From The University In USA On The Discipline Of Ethnomusicology. " The Concept Of Intercultural Musicology Which Dr Durga Articulates In The Work Is A Major Breakthrough And Her Foresight In Introducing The Concept Into The Literature Is Commendable.

Zustand: As New. Contents: Foreword. Preface. Introduction. 1. Understanding ethnomusicology. 2. Ethnomusicology as a methodology. 3. Ethnomusicology and folk music research. 4. Ethnomusicology in India. 5. Western influence upon the musics of Japan, China, India and Indonesia. 6. Intercultural aspects in the classical musics of India. 7. Intercultural aspects in the musics and theatre of South East Asia. 8. Interculturalism in the non-classical musics of South Asia. Bibliography.This work describes how the discipline Ethnomusicology is a study of Intercultural Musicology. The history, theory and methodology of Ethnomusicology, the emergence of Ethnomusicology in India, the Intercultural aspects in the scholastic and performing traditions in the musics and theatre of Asia are dealt with to highlight that Ethnomusicology is oriented more towards Intercultural studies and is a study of Intercultural Musicology. 123 pp.

Hardcover. Zustand: New. 2nd Edition. Contents: Foreword. Introduction. I. Voice : The Musical Instrument: 1. Voice and its greatness. 2. The singing voice. II. The science of voice production: 3. The pitch mechanism. 4. Breathing and the voice. 5. The resonators. 6. The Acoustics of the voice. 7. The psychology of singing. III. The art of voice cultivation: 8. Voice-culture methods of different nations through the ages. 9. Solfa Syllables in Indian and other world music cultures. 10. Acoustical analysis of the Solfa Syllables Sarigamapadani. 11. Indian Music Treaties on Sapthaswaras "Sarigamapadani" and a critical study on Solfa Exercises in Carnatic Music. 12. Vowel exercises and technical forms for voice training. IV. Scientific methods of voice training: 13. Postulates based on biological features. 14. Vocal impurities and remedies. V. Ancients upon voice: 15. Ancient Indian texts on voice. 16. A study upon the Sairagunadoshas mentioned by the Sangita Lakshanakras in terms of modern knowledge of Anatomy and Physiology. 17. The ideal voice. Conclusion. Appendix -- Plates. Glossary. Bibliography. This book is the only book of its kind written on voice-culture for singers in English. Dr. Durga has done extensive research on the scientific methods of voice training in India and USA. She, being a performer herself of Indian Classical Music, has included in the book valuable solutions to eradicate common functional disorders, and detailed analysis of the Physiological, physics and psychological aspects of the voice as musical instrument. "An important maiden work in the field of voice culture for singers and I am sure the book will be useful to all vocalists" -- Dr. M. Balamuralikrishna, famous singer of Indian Classical Music and a multi-faceted personality about the original edition.".