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Verlag: Random House UK, 1998
ISBN 10: 0749310367ISBN 13: 9780749310363
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 5,47
Verlag: Mandarin, 1998
ISBN 10: 074931687XISBN 13: 9780749316877
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 5,47
Verlag: Mandarin, 1988
ISBN 10: 0413537706ISBN 13: 9780413537706
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
Buch
Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.
Verlag: Random House (c.1963), New York, 1963
Anbieter: ReadInk, ABAA/IOBA, Los Angeles, CA, USA
Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good dj. Fireside BCE. [moderate shelfwear, light bumping to several corners, agency stamp on front pastedown (hidden by jacket flap); jacket shows wear and minor wrinkling along top edge, wear at several corners, minor soiling to front panel, tiny tears at top of spine and bottom of rear panel]. (B&W photographs) Two Oxford men (Bennett and Moore) teamed up with two Cambridge men (Cook and Miller) in this "satirical review which treats calmly and ruthlessly of the hydrogen bomb, the end of the world, religion on television, capital punishment, race relations and the emerging African nations. It is funny on all subjects." (Walter Kerr).
Verlag: London: Methuen & Co., 1971
Anbieter: Picture This (ABA, ILAB, IVPDA), Sunningdale, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. 2nd Edition. Second impression, 1971 of book originally published in the same year. Tall thin volume, 13cm x 25cm. pp95. Laminated hard covers (without jacket as issued). Illustrated with photographs of Cook and Moore in character. In Very Good condition, spine browned, light spotting to edges of page block and some spotting to rear end papers.
Verlag: SAMUEL FRENCH TRADE, 2017
ISBN 10: 057364022XISBN 13: 9780573640223
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Zustand: Good. Good condition. Good dust jacket. In protective mylar cover. (plays, theater, scripts, comedy) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Dust jacket in good condition. Book club edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 0.55.
Verlag: Methuen, London, 1987
ISBN 10: 0413146707ISBN 13: 9780413146700
Anbieter: San Francisco Book Company, Paris, Frankreich
Buch
Paperback. Zustand: Good. Paperback Octavo. wraps, 159 pp, front cover partially loose Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.
Verlag: Souvenir Press, London, 1963
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Erstausgabe
First UK Edition. Fine in a Very Good plus dust jacket. Jacket spine lightly faded, nicking to the edges, and light soil.
Anbieter: Patrik Andersson, Antikvariat., Lund, Schweden
Erstausgabe
New York; Random House, 1963. First edition. [viii] + 88 pp. + 2 photo plates. Publisher's black and blue cloth with gilt title on spine, blue top edge, blue dustjacket lettered in darker blue and lilac. Jacket slightly faded at spine. A fine copy. The show is regarded as a forerunner to and an inspiration for several British satirical programmes, for example Monty Python. From the library of Carl Olov Sommar.
Verlag: London: Souvenir Press, 1963, 1963
Anbieter: Adrian Harrington Ltd, PBFA, ABA, ILAB, Royal Tunbridge Wells, KENT, Vereinigtes Königreich
Erstausgabe
[Humour] FIRST EDITION. Octavo (20 x 13cm), pp.96. Publisher's dark blue cloth, orange titles to spine, photographic dust-jacket with printed price of 13s. 6d. With six double sided black and white photographic plates. Light spotting to edges. Wrapper slightly edge worn, some marking to rear panel, orange text to spine marginally sunned. Near fine.
Verlag: The interview appeared in the July and August numbers of 'Crescendo' magazine London, 1966
Anbieter: Richard M. Ford Ltd, London, Vereinigtes Königreich
Manuskript / Papierantiquität
The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews "The Genuine Dud"' was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'. 8pp, 4to. On leaves of blue and yellow paper. The typescript appears to correspond to the published version, other than a few minor stylistic changes and the correction of a few errors, such as 'Maudlen' to 'Magdalen'. TWO: Carbon typescript of second part of interview, titled 'More Music and Moore Part Two of the Les Tomkins interview with "The Genuine Dud"'. 8pp, 4to. With ink notes indicating that one short passage should be moved, and the correction of a typing error. THREE: Carbon of typed letter from 'Les' to 'Victor', i.e. Victor Graham, the magazine's editor. 1p, 12mo. In what is a covering note to Item One Tomkins writes: 'This is about half of it. The remainder is equally good. He talks about working with the bands of Vic Lewis and Johnny Dankworth, the hostility he encountered, his development as an accompanist; speaks of Tony Coe as "the perfect hornman for our Trio"; Peterson's accompaniments; his experience in the States; his high regard for Pete and Chris, detailing their qualities; the fun he had at the Establishment, and how he misses it; his plans for using jazz more extensively in films; Beyond the Fringe; humour in music; putting jazz across to a wider public; shyness of musicians; the ego of Miles Davis; his dislike of the atmosphere of listening to jazz; his desire to work with a big band of his own.' He ends by asking when the second half should be used. FOUR: Carbon typescript, titled 'ROUND & ABOUT'. 2pp, 4to. Mostly taken up with a gig review, beginning: 'Sonny Rollins, unavoidably detained, missed the first two days of his engagement. On the Monday, this resulted in a welcome one-night stand being played by the Dudley Moore Trio.' Comparing the gig with a previous engagement at Ronnie Scott's, the review comments on Moore's 'microphone prescence today' ('hilarity caused by the funny voices he is expected to adopt between tunes'), and his 'accomplished' and 'irresistibly groovy' piano playing. Moore 'brought off a "first" at the club - with his falsetto singing of an old English madrigal'. Two other reports: the first one a short item on Sonny Rollins' music for the film 'Alfie'; the second on Tubby Hayes being 'well in evidence on the London scene again', with details of his 'new quartet'. The material comes from an archive of typescripts by Tomkins of his Crescendo contributions, including interviews with Louis Armstrong, Sonny Rollins, Bud Freeman, Stan Tracey, Erroll Garner, Stan Kenton, Quincy Jones, Joe Turner, Tubby Hayes, Stan Getz.
Verlag: N.p., N.p., 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Early Draft script for the 1965 British comedy film. Based on the 1889 novel by Robert Louis Stevenson and Lloyd Osbourne. In 1818, the parents of 20 boys establish a tontine, a fund to go to the last surviving boy. It is now 1882 and only 2 elderly brothers are left, Joseph (Ralph Richardson), protected by his nephews (Peter Cook and Dudley Moore) determined to keep him alive, and Masterman (John Mills) in ill health and poverty, protected by his perpetually confused grandson (Michael Caine). Shot on location in Surrey, England. Yellow untitled wrappers with die-cut title window in the British style. Title page present, dated May 21, 1965, with credits for screenwriters Larry Gelbart and Burt Shevelove. 127 leaves, with last page of text numbered 125. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads.