Verlag: Indiana University Press, 1970
ISBN 10: 0253127408 ISBN 13: 9780253127402
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Zweitausendeins 0.
Anbieter: Antiquariat Armebooks, Frankfurt am Main, Deutschland
Hardcover. Zustand: Gut. Seiten; DVD - 9-82-5-L6 6F-WADC-7EWH Sprache: Deutsch Gewicht in Gramm: 500.
Verlag: Paris, L'Avant-Scène, 1988
Anbieter: Antiquariat Uhlmann, Zürich, Schweiz
Erstausgabe
Brosch. 4°, 186 S., Abb. (meist auf Tafeln). Einband etw. gebrauchsspurig, Deckel etw. knickspurig, Papier min. gebräunt. (= L'Avant-Scène Cinéma, Nr. 367/377, Januar/Februar 1988). «[D]écoupage plan à plan».
Verlag: Image, 2005
Anbieter: Versand-Antiquariat Konrad von Agris e.K., Aachen, Deutschland
DVD. Zustand: Wie neu. 1 DVD Altersfreigabe FSK ab 18 Jahre . Als Versandart wählen wir immer eine schnelle Option (in Deutschland Brief oder DHL-Paket, ins Ausland Warenpost oder DHL-Paket). Preis inkl. MwSt. Sprache: Englisch Gewicht in Gramm: 971.
Verlag: Cahiers Du Cinéma, 1997
ISBN 10: 2866421833 ISBN 13: 9782866421830
Anbieter: RECYCLIVRE, Paris, Frankreich
Zustand: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Anbieter: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Niederlande
Lanham, Fairleigh Dickinson Univ. Press, 2019.301 pp. B./w. ills. Orig. hardcover.
Verlag: Mailand, Poligono Società editrice, 1948
Anbieter: Antiquariat Uhlmann, Zürich, Schweiz
Erstausgabe
Brosch. Gr.8°, 179 S. mit zahlr. Abb. u. 4 Plänen auf ca. 80 Tafeln, 3 Bl. Einband unfrisch, etw. berieben u. randknittrig, gebrauchsspurig, Blattränder etw. gebräunt. EA dieser Ausgabe. (= Biblioteca cinematografica; Seconda serie, [Bd.] 3). Mit einem Vorwort von Aldo Buzzi (S. 7 - 14) und der «sceneggiatura desunta del montaggio» (mit französischsprachigen Dialogen und italienischsprachigen Beschrieben); im Anhang Pläne der Schauplätze. Exemplar von Fritz Güttinger (von diesem Prägeexlibris in Schmutztitel).
Verlag: POLIGONO SOCIETÀ EDITRICE IN MILANO, Milano, Italia, 1948
Erstausgabe
Cubierta impresa. Zustand: VERY GOOD. Sin Sobrecubierta. Veronesi .L (illustrator). First Edition. Vampyr, de Carl Th. Dreyer, Edición toma por toma con reproducción fotografica , de la famosa pelicula. Seconda Serie A cura di aldo Buzzi: Sceneggiature. A cura di aldo Buzzi e bianca Lattuada. La edición de Poligono Societá Editrice de Milano, tienen un concepto moderno y particular gracias al artista encargado del diseño de laa portadas Luigi Veronesi, quién, de importante actividad plástica y en la industria gráfica de pre y post guerra. Con influencias directas del Bauhaus, y el Constructivismo. SCENA EDIZIONE scena di un film di Carl Theodor Dreyer, per giocare tutte le inquadrature. Seconda Serie A cura di aldo Buzzi: Sceneggiature. A cura di aldo Buzzi e bianca Lattuada. Poligono di Milano Societa Editrice hanno un concetto moderno e particolare grazie all'artista che ha disegnato la copertina laa Luigi Veronesi, che, di importanti attività artistica nel settore della stampa e della guerra pre e post. Direttamente influenzato dal Bauhaus e Costruttivismo. 17 x 24 Cms. 188 Pps.
Anbieter: Libreria Oreste Gozzini snc, Firenze, FI, Italien
Milano, Poligono Società Editrice, 1948, in-8, brossura editoriale illustrata, pp. 179, [7]. Con illustrazioni n.t. "Biblioteca cinematografica. Seconda serie, a cura di Aldo Buzzi: sceneggiature". Testo in lingua italiana. Vampyr - Il vampiro (Vampyr - Der Traum des Allan Grey) è un film del 1932 diretto da Carl Theodor Dreyer. Conosciuto anche come La strana avventura di David (o Allan) Gray, si tratta del primo film sonoro di Dreyer sebbene gli attori ricorrano poco al parlato. Il film si inserisce nell'ipotetica trilogia da cui ha avuto origine l'intera cinematografia sui vampiri. Anche se successivo al Dracula di Tod Browning e al Nosferatu di Murnau, Dreyer non ne subisce l'influenza ma, al contrario, traccia delle proprie convinzioni stilistiche e di contenuto che si discostano dalle opere precedenti. Una su tutte, la fonte di ispirazione che non è più il romanzo di Bram Stoker, bensì le novelle di Joseph Sheridan Le Fanu. Ex-libris. Bell'esemplare.
Verlag: Palladium Hellerup, Denmark, 1943
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage black-and-white double weight photograph from the Danish release of the 1943 film. With the Palladium logo at the bottom left corner of the recto, and a typewritten snipe specific to the film's premiere at the historic Academy Cinema in Bristol, UK, describing the film as "a drama of fear and superstition in the 17th century." Based on the 1909 play "Anne Pedersdotter" by Hans Wiers-Jenssen. 8 x 10 inches. Fine. Criterion Collection 125.
Verlag: N.p., N.p., 1928
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage double weight photograph from the set of the 1928 film. Shown are Dreyer and his crew, including cinematographer Rudolph Mate, setting up a ground shot of one of the film's French clergymen. A rare photograph of the director at work on his masterpiece. The film was shot on one huge concrete set modeled on medieval architecture in order to realistically portray the Rouen prison where Joan was held. The film is known for its cinematography and use of close-ups. Dreyer also didn't allow the actors to wear make-up and used lighting designs that made the actors look more grotesque. The latter element is evident in this photograph, as one of the crew is holding up a board to reflect light onto the actor, and a hole has been dug in order to get a ground-up perspective. 9 x 7 inches. In an archival mat. Very Good to Near Fine, with a small stain on the verso.
Verlag: Studio Soulat-Boussus, Paris, 1928
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage double weight photograph from the set of the 1928 film. Shot by Jean Soulat and Mauric Boussus of Studio Soulat-Boussus in Paris, with respective stamps on the verso. An excessively rare photograph from Dreyer's masterpiece, capturing Maria Falconetti in what one could accurately described as "in character." Franconetti became a stage actress in Paris in 1918, and had appeared in only one other film. For this role, today still considered one of the most astonishing performances ever committed to celluloid, director Dreyer reputedly pushed her to the brink of emotional collapse. It was to be her final film role, after which she returned to producing and starring in light stage comedies, including work at the Comedie-Francais in Paris. In 1946, having fled to South America during World War II, and having suffered a lifetime of mental illness, she committed suicide in Brazil. 6.5 x 8.75 inches. In an archival mat. Fine.