dorwin john (12 Ergebnisse)

1971. Journals, Native Americans, North America. Indiana Historical Society, Prehistory Research Series, Vol IV, Number IV, very good paperback.

1966, Journals, North America, Indiana Historical Society, Vol. IV, Number III, pp.141 -188, very good paperback, previousowner's name on half title page.

Zustand: New. In.

[unpaginated]; 25.5 x 20.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated and with an essay by Douglas Blau. Artists include Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. Hannau, Stanford Gifford, William Cameron Menzies, Ricahrd Bergh, Winslow Homer, Joseph M. Newman, Stanley Kubrick, Hugh Ferriss, Arnold Genthe, Mark Innerst, Eugene Medard, Eugene Chaperon, Joseph Wright of Derby, David Deutsch, Thomas Eakins, Charles West Cope, Charles Lewis Fusell, C.E. Swaye, Thomas Anshutz, George Pal, Virgil Mirano, Howard Hawkes, Jack Conway, Charles H. Stephens, Johann Zoffany, John Ferguson Weir, Walter Dorwin Teague, Thomas Cole, Jan Christiaensz, Virgil Mirano, Jack Goldstein, Komar & Melamid, William L. Sonntag, Hubert Robert, Bonfils, Elihu Vedder, Edwin Dickinson, William Bradford, Jospeh Mallord, William Turner, Frederic Edwin Church, Michael Zwack, Arnold Böcklin, Alain Resnais, Karl Friedrich Schinkel, George Caleb Bingham, Thomas Wilmer Dewing, Joseph Hirsch, Fernand Khnopff, James Rosenquist, Giuseppe Pellizza Da Volpedo, Chuck Rogers, Angelo Morbelli, Gustave Caillebotte, Michele Zalopany, Edward Hopper, John Singer Sargent, and Rembrandt van Rijn. Includes an image index. Fair. Water damage to top right corner of second half of the catalogue with light staining and rippling; final four pages are stuck together and previous page was also stuck but has been separated resulting in surface tearing of page. Rubbing of cover edges. 7 mm. tear and bumping to spine and 2 mm. tear to bottom edge of spine. Sold "as-is." Due to the size of this item, additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. 1st Edition. Prehistory Research Series, Volume IV, Number IV, October 1971, 195-411. Bibliography; b/w plates. Former library volume with customary labels and markings; contents textually unmarked, clean, tight. The Bowen site is located north of Indianapolis in northern Marion County, Indiana, on the White River.

Zustand: Good. Rydell, Harold (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. Rydell, Harold (illustrator). minnesota archive editions edition. 400 pages. 10.25x6.75x0.91 inches. In Stock.

First Edition. Fine cloth copy in a very good, slightly edge-nicked and dust-toned dust-wrapper; not price-clipped, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; vi, 382 pages : illustrations, maps, facsimiles ; 27 cm. Notes; The book and dust jacket designed by Walter Dorwin Teague. Includes bibliographical references (pages 343-372). Contents; Foreword / by James F. Bell -- The line we shall follow -- Diet makes the man -- The grinding of wild grains begins -- Gain cultivation begins -- Farming and milling tools appear-and bread -- The grain empires -- Milling becomes a business -- Water turns the millstones -- Man masters the winds for milling -- Man's new power resources -- Milling comes to America -- Oliver Evans invents the automatic mill -- Westward ho! -- Automatic miling and the purifier start a revolution in American milling -- Rollers and gradual reduction advance the milling revolution -- The automatic all-roller gradual-reduction mill completes the revolution -- The business side of milling gains importance -- The modern mill and its flour -- The new era of organization and research -- Looking forward.Subjects; Flour mills History. Food-Processing Industry history. Grain Milling History. Milling machinery. Mills and mill-work History. 3 Kg.

1st edition. Ex college library - stamps, remains of labels, etc.; Page fore-edge lightly foxed; wear to cloth at head & foot of spine. Dust jacket tatty & discoloured Used - Acceptable. Ex lib hardback in dust jacket.

Zustand: Good. 4to Original wrappers. 56 pp. + inserts. Elaborate graphic design and production throughout. Very good.Includes:A New Approach To Fashion Photography.Book-Plates and Trade-Marks Designed by A. Szoeke.Patterns with Pictures by Thurman Rotan!These Packages by Roy Sheldon. Work by Gustav Jensen, Egmont Arens, Joseph Sinel, Walter Dorwin Teague, Lucian Bernhard, Ruth Bernhard, Etc.White On BlackAnd Now: Good Design for the Gasoline Pump. Work by Joseph Sinel.Tractors From The AirTypography's New Dimension by Frederic Dannay"Eyes" . . . A Photograph by Frederick BradleyFour Views of the Hattie Carnegie Shop. Interior Design by Howe and Lescaze, Architects. Gorgeous.Cigar Boxes from Germany by J. A. Healey.Gallery by Burford Lorimer. Bert Chambers, Arthur Gerlach, Byron Muser, and Helen Dryden Short illustrated biographies with facsimile signatures.Modern Displays that Dramatize the Product. Work by Kay Of Austria.Full-page drawing by Raymond Bret-Koch.Provenance : Estate of CCAC/CCA professor Steve Reoutt, who passed away May 14, 2008. He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12 years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community.".

Minneapolis, University of Minnesota Press, 1952. 26x18 cm. XIII+382 p. Tela editorial. Ilustr. b/n. por Harold Ryder. Anotaciones tinta en pág. 5. Muy buen estado. Primera edición. (Ref. PS. 305-L).

No Binding. Zustand: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.