dorleac todd (7 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

22.0 x 16.0cms 432pp b/w & colour illusts very good+ hardback with decortaed boards (no dustwrapper as issued) This book shows how the geermans used art in France: the French artists' junkets to Germany Arno Breker's colossal sculpture; the looting of state and private Jewish art collections; the glorification of Philippe Petain; the demonization of modernists and foreigners etc.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:9780892368914.

Zustand: New. pp. xiii + 431 51 Illus. (30 Col.).

Hardcover. Zustand: Brand New. 1st edition. 416 pages. 9.00x6.50x1.50 inches. In Stock.

Hardcover. Zustand: Very good. Hardcover Octavo. illustrated boards, 431 pp.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: No dust jacket present. First Printing [Stated]. xiii, [1], 431, [3] pages. Foreword by Serge Guilbaut. Illustrations (some in color). Notes. Plates. Appendix. Chronology, Sources and Bibliographic Overview. Index. Originally published in France as L'art de la defaite, 1940-1944, Editions du Seuil, 1993. Decorative cover. Laurence Bertrand Dorléac (born January 14, 1957) is a French art historian specializing in contemporary art, a professor and an author. She was elected president of the Fondation nationale des sciences politiques in May 2021. Laurence Bertrand-Dorléac has a doctorate in art history and archeology from University of Paris 1 Pantheon-Sorbonne, and a doctorate in history from the Instituts d'études politiques in Paris, and has been advising doctoral students since 1995. She taught at the University of Lille from 1993 to 1995. That year, she obtained tenure as professor at the University of Picardy, where she founded the art history department. She now leads the Art et Sociétés and La Lettre Seminaire. She is a researcher at the Centres d'Études de Sciences Po, and was appointed to the Institut Universitaire de France in 1990. Bertrand-Dorléac also founded the art history department and directed the Faculty of Arts at Amiens from 1995-2000. She co-founded with Xavier Douroux, the book series Å'uvres en sociétés with the publishing house du réel, 2007. Currently she is co-director with Thomas Kirchner, of the Centre allemand d'histoire de l'art, specifically the program of art in the world, and art in Paris after 1945, 2014. Art of the Defeat provides an unflinching look at the art scene in France during the German occupation. Beginning with Adolf Hitler's staging of the armistice at Rethondes, the book offers a survey of Nazi and Vichy artistic policies, key events and organizations, and individual acts of collaboration and resistance. Examined in the text are the demonization of foreigners and modernists, the looting of state museums and Jewish collections, the glorification of Philippe Pétain and French national identity, and the official junket by French artists to Germany. The narrative is grounded by archival research and discussion of works by Gérard Ambroselli, Jean Bazaine, Arno Breker, François Cogné, Aristide Maillol, Henri Matisse, Pablo Picasso, and dozens of other artists and artisans. The sum is a pioneering exposé of the deployment of art to hold darkness at bay.