Verlag: Di Donna
ISBN 10: 1733764054 ISBN 13: 9781733764056
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Anbieter: Marcus Campbell Art Books, London, Vereinigtes Königreich
Erstausgabe
EUR 47,22
Anzahl: 1 verfügbar
In den WarenkorbFirst Edition. 28 x 24 cm 96 pp with colour illustrations throughout. Hbk, a fine copy.
Verlag: New York: Di Donna., 2018
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. 113 pp. Hard cover. Near Fine. Illustrated paper covered boards. Color plates throughout.ISBN: 9780984044795 0984044795.Collection from San Francisco Museum of Modern Art.
Sprache: Englisch
Verlag: Di Donna Galleries, New York, 2015
ISBN 10: 0984044760 ISBN 13: 9780984044764
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes Königreich
EUR 82,64
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Oversized hardcover with decorated blue, plush cloth boards, no dust jacket, in very good condition. Published on the occasion of the exhibition 'Fields of Dream: The Surrealist Landscape' at Di Donna Gallery, New York, from 29 October to 18 December 2015. Colour and black and white plates throughout. Typed and signed letter from the gallery owner, Emmanuel Di Donna tipped in. Boards are lightly marked. Content is as unread. LW. Used.
Verlag: Da Donna Galleries in collaboration with Timothy Baum, New York, 2023
ISBN 10: 1733764038 ISBN 13: 9781733764032
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Oblong hardcover. 163 pages. Exhibition catalog for a show that ran April 26 through June 2, 2023. Features texts by Emmanuel Di Donna and Timothy Baum. Includes 70 black and white images and captions/checklist. A fine copy in black cloth boards with image affixed to the front cover. No dust jacket as issued. A nicely printed and designed catalog.
Sprache: Englisch
Verlag: Di Donna Galleries, New York,, 2013
ISBN 10: 0984044760 ISBN 13: 9780984044764
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe Signiert
EUR 88,55
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Fine. First Edition. Hardback. 4to. pp 100. Original publishers plush blue cloth, lettered black and silver. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. This major exhibition featured over six dozen artworks, several loaned from prominent foundations and private collections. Fields of Dream will include works by Hans Bellmer, Victor Brauner, Andre_ Breton, Alexander Calder, Federico Castelln, Leonora Carrington, Salvador Dal', Adrien Dax, Paul Delvaux, Giorgio de Chirico, Oscar Dom'nguez, Enrico Donati, Paul Eluard, Jimmy Ernst, Max Ernst, Leonor Fini, Arshile Gorky, Marcel Jean, Jacqueline Lamba, Ren Magritte, Man Ray, Matta, Joan Miro, Gordon Onslow Ford, Wolfgang Paalen, Pablo Picasso, Kay Sage, Kurt Seligmann, Yves Tanguy, Dorothea Tanning, and Antoni Tapies. Including a typed signed letter from the gallery owener, Emmanuel Di Donna to Simon Lee, dealer in contemporary art in Mayfair, London and Hong Kong. ISBN: 0984044760 Fine.ldin. Signedes.
Verlag: , DI DONNA GALLERIES, 2013, 2013
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Hardcover, 96 pages, ENG. edition, 300 x 255 x 14 mm, NEW !, illustrated in color / b/w.,***please handle with care, book has a velvet-like cover ***. ISBN 9780984044733. Paul Delvaux, the subject of a modest exhibition at the Blain Di Donna gallery in Mayfair, was JG Ballard?s favourite painter. The writer prized him for the creation of a complete world. Ballard found that world curious and inviting. He said he could spend hours gazing at the pictures wishing he could escape into their alternate reality. Ballard was made of sterner stuff than me. The places Delvaux paints seem quiet but harsh, not much happens but they feel menacing. They are sparsely populated and lonely. On the other hand, Ballard had a point about how compelling and intriguing he made his vision. It is always either night or noon. The interiors are neo-classical apartments that belong to the European bourgeoisie from before the First World War, and they come with a full collection of Freudian indicators: locked doors, open windows, floors stripped down to the boards. The landscapes are either classical or barren and they have been emptied of all but a few people. The figures rarely interact with each other. No one speaks. The women always outnumber the men. They are thoughtful and distant, isolated but content and always utterly unapproachable. On the rare occasions they are clothed, it seems to be in the dress of the years before 1914: of Delvaux?s childhood. 900 g.