dom sylvester houedard dsh (20 Ergebnisse)

Zustand: Very good+/Near fine. John Furnival (illustrator). 260 x 260mm. Introductory text print by Marina Warner from the dsh Openings 92 portfolio, no edition size given, less than 25 copies printed. Printed white on black silkscreen stock. Condition: some surface scuff marks to the black silkscreen ground. Overall: Very good+/Near fine.

Paperback. Zustand: Fine. 1st Edition. Book. 20pp colour illustration softback. Artist and poet whose famous Three Graces floating sculpture was installed at sea (& later destroyed in a storm) at the Brighton Concrete Poetry Festival, 1967. Texts from the artist, Thomas A Clark, Dom Sylvester Houedard (dsh). Published by the Ken Cox family, Glos, England, 2007.

Paperback. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Book. Issue 4 of the poetry periodical edited by Thomas A Clark. (Note there is thought to be no issue 2) published between 1967-68. First Edition 8vo. 12 pp., stapled. Condition - a very fresh clean copy, some (unobtrusive and expected) creasing to the tissue pages laid in before the first & after the last page, otherwise fine. Overall near fine.

Paperback. Zustand: Very Good. First Edition. Wraps. Small oblong 8vo exhibition catalue. Black Illustrated wraps (by Tony Stokes). 12 pages. Not illustrated, lists some of the exhibits with good intro by DSH. Concret Poetry etc.,Very Good.

Zustand: As New. Beshara Publications, 2000. 216 x 136 mm, 125pp., black print on white stock. Transcripts of talks given near the end of Dom Sylvester's life, expanding on six of Eckhart's sermons.

Zustand: Fine. John Furnival (illustrator). 260 x 260mm. 'Un et Une' print from the dsh Openings 92 portfolio, no edition size given, less than 25 copies printed. Printed red and blue on cream card stock. Condition: fine.

Paperback. Zustand: Very Good +. Zustand des Schutzumschlags: very good. dsh, 12 dancepoems from the cosmic typewriter, 1969, South Street Publications: Aplomb Zero No.1., 130 x 255 mm, 20pp., paperback, saddle stapled, black print on white stock. Extracts from dsh's ballet the cosmic typewriter: a somantric diversion for the exploding galaxy. Introductory note by dsh. 12 translations from the Nahuatl by dsh. Condition: some wear and sunning to covers. Overall: Very Good+.

No Binding. Zustand: Very Good +. 1st Edition. Postcard. Dom Sylvester Houedard L'Amour Nowel postcard, Openings Press, 1972. DSH reversal poem, red screen print on white (note d/h printed signature employed by the artist during this period). Condition: 20mm band of toning to bottom edge, minor wear to edges otherwise fine. Overall Very Good+.

Paperback. Zustand: Very good +/Near fine. Dom Sylvester Houedard (dsh) with Charles Verey (ed.), CEOLFRITH 15, Ceolfrith Arts Centre, Sunderland, England, July 1972. 226 x 189mm. 92pp. Catalog, black on white stock, invisible bound in printed wraps. Edition of 600 copies. Published on the occasion of the dsh retrospective at the Laing Art Gallery in Newcaste-upon-Tyne, organised by Ceolfrith Arts Centre in conjunction with the Victoria and Albert Museum. Edited by Charles Verey, with design and layout by Donata Cinicolo 3. An excellent resource including a biography (or 'chronobiography/autozoography'), bibliographies and exhibition lists, black and white typestract illustrations and a variety of dsh texts reprinted from other catalogues and periodicals, as well as critical essays on dsh by Antony Everitt, Ana Hatherley and Charles Verey. Condition: some toning to wraps, internally fine. Overall: very good+/near fine.

Paperback. Zustand: Very Good. 1st Edition. 129 x 99 mm (folded). dsh : Mini-posters. Concertina / paper sculpture. Early dsh publication with a sculptural quality (see images). Condition vg - foxing to covers and handling to covers, verso handling with blue finger prints, yellowed with age, some wear and light spotting creased spine (to be expected). But being printed black & white on thick card the booklet is a very acceptable copy of a scarce publication, No. 172 of 200. Condition: Some toning and soiling to covers, the occasional mark and some light foxing internally, no tears or writing. Covers: Very Good, Internally: Very Good+.

Paperback. Zustand: Very Good. 1st Edition. 129 x 99 mm (folded). dsh : Mini-posters. Concertina / paper sculpture. Early dsh publication with a sculptural quality (see images). Condition vg - foxing to covers and handling to covers, verso handling with blue finger prints, yellowed with age, some wear and light spotting creased spine (to be expected). But being printed black & white on thick card the booklet is a very acceptable copy of a scarce publication, No. 123 of 200.

Zustand: Fine. dsh, vienna circles, Curry / 1 Cent, Toronto, 1992. 65 x 125mm. Stapled booklet with green covers printed with blue and black text. Contents pages blue with black text. Second edition, edition of 118 copies. First published by Renegade Press, Cleveland, 1965. Dedicated to Ernst Jandl, in memory of Ludwig Wittgenstein and Konrad Bayer. Condition: fine.

No Binding. Zustand: Very Good +. 1st Edition. Book. dsh - Dom Sylvester Houedard Visual Poetries. Concertina publication, 299 x 105mm folded, 299 x 524mm unfolded. Cover features portrait of the artist by John Furnival, essay on the artist by Guy Brett, dsh on concrete poetry, selected extracts from critical writings, bibliography and list of 50 works. Essential reference information for dsh. Features portrait of dsh by Furnival illustration - please see our listing of this poster/print ('portrait of dsh'). Condition: Some spotting and toning at the top edge on both sides, otherwise very good.

Zustand: Fine. Poetry magazine/ booklet. 8 pp. Printed black on white stock, stapled. 265 x 208mm. Optical designs throughout by the constructivist artist Jeffrey Steele. Contributors includeIan Hamilton Finlay (Ed.), Paul de Vree, Mary Ellen Solt, Edwin Morgan, Dom Sylvester Houedard (dsh), J.F.Hendry, Ernst Jandl and Lewis Carroll. Contains insert of a Wild Hawthorne Press pricelist of their international avant-garde publications (with minor annotation by Sue Finlay).

No Binding. Zustand: Fine. Print 81 x 94mm, blue printed on white paper. Given by dsh to the family shortly after Ken Cox died. It plays on Cox's reflective typographical work with the letters of his name. It is likely dsh saw the reversal of Ken Cox's name in a spiritual way, reflecting Cox's "very personal kinetic use of letters and words", where his poetry machines "are parts and extensions of himself: they are gestures, partly, with which the classical rhetorician accompanies his speech, - but more than that, they are the mudras that constitute the communication of dancer and contemplative in the east". (dsh, 'Kenelm Cox', Times Obituary, November 1968). Original drawing by dsh in Sackner Archive, USA. Undated, circa 1969.

Zustand: Near Fine. 148 x 81 mm (folded). Folding card printed black on yellow. A'kinkon poem for Aylesford review'. Verso reads: 'kinetically/the sol wld move/ east to west / thru the thalamus', with recto concrete poem showing the 'sol' moving through 'thalamus'. No edition size given. A rare 1964 artists card by Dom Sylvester Houedard. Condition: fine.

Zustand: Fair. dsh, the kropotkin interim survey structure, dsh261270 (1970)205 x 290 mm. Unique typestract printed by dsh on a typewriter using blue and red ink on off-white paper. A silhouetted shape with a boarder of blue typewritten slashes. The work was originally attached to a sheet of mountboard and has recently been removed from the board by a paper conservator. The surface of the image is in-tact, the reverse of the paper has thinned slightly when it was removed. Some minor discolouration to the paper, towards the top and bottom edges, caused by the glue. The image originally had motifs typed in red ink (previously in the central space), but the red ink faded dramatically during the wet conservation process. Overall condition: Fair/Good.

No Binding. Zustand: Very Good. Edward Wright (illustrator). 1st Edition. Print. Double-sided screenprint/ lithograph, 57x50.3cm. Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in orange and green on white stock. Recto features silkscreen in three colours together with the title and date. Verso, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System as well as acknowledging Semi-Bold Flaxman by Edward Wright. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Circa 300 prints were produced on white, pink and yellow stock. This copy being on white. Condition: vg. some toning to edges, light ding to bottom right corner, general handling. Handling and staining to verso. A historic print - the concrete poetry movement mourning the loss of their most prominent sculptor.

No Binding. Zustand: Good. Edward Wright (illustrator). 1st Edition. Print by dsh. Double-sided screenprint/ lithograph, 57x50.3cm. Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in green and orange on yellow stock. Recto features silkscreen in two colours together with the title and date. Verso, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System as well as acknowledging Semi-Bold Flaxman by Edward Wright. Circa 300 prints were produced on white, pink and yellow stock. This copy being on yellow stock. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Condition: fine A historic print - the concrete poetry movement mourning the loss of their most prominent sculptor.

Zustand: Very Good +. Pages 1, 2, 3 (Complete Set), Edited by David Briers. Pages can be seen as a more refined and less chaotic publication than Writers Forum productions of the time. Emphasising Briers' knowledge and connections with established artists, it can be argued that it was ahead of its time, though Zurbrugg's inclusion in no. 1 emphasises that it did see itself as a reaction against narrow concrete: "The aim of Pages is to publicise the avant-garde, and by doing so to prove that it does not exist except as a name" (Foreward, Pages No. 1, David Briers). Pages No. 1, Autumn, 1970. David Briers (ed.), 35pp., 210 x 295 mm. Printed black, white and blue on white stock, stapled into colour printed wraps. Includes a loose inserted postcard by Richard Hamilton 'Postmark' (1970). Contents include: dsh's 'parameters and paramitas' with other contributions from Diter Rot, Jochen Gerz, Jiri Valoch, Tom Phillips, Mauricio Kagel, Joseph Beuys. Cover image by Herman Makkink 'Christ Unlimited'. Pages No. 2, Winter, 1970. David Briers (ed.), 37pp., 210 x 295 mm. Printed black, white on white and green paper, stapled into colour printed wraps. 39pp. Includes Nicholas Zurbrugg's article 'Towards the death of concrete poetry' and controbutions from Jiri Valoch, John Furnival, Richard Demarco, Cornelius Cardew, Ian Breakwell, Robert Filliou and others. Cover image by Herman Damen. Pages No. 3, 1972. 23pp., 210 x 295 mm. Cover image by Robin Crozier. Ref: Allen, Artist's Magazines - An Alternative Space For Art, MIT Press, 2011 p283. Condition: some wear and marks to covers, some foxing to top of front covers of issues 1 & 3, no writing or tears. Overall: VG+. ADDITIONAL MATERIAL: Included with this complete set of magazines are 2 additional sheets, printed black on white stock and stapled in corner. These sheets are rare and have not been seen by us before. They include Pages information and sales details.