Dixon frank robert (9 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 248 Pp. First Printing Stated. Fine In Fine Dust Jacket Priced $6.50.

Paperback. Zustand: Brand New. 116 pages. 11.00x8.50x0.28 inches. In Stock. Dixon, Frank Robert (illustrator).

Zustand: Sehr gut. 487 p. In very good condition. ISBN: 9780387946399 Sprache: Englisch Gewicht in Gramm: 837 17,1 x 2,5 x 24,8 cm, hardcover.

135 Seiten. Mit Abbildungen. Softcover. Ordnungsgemäß aus einer Universitäts-Bibliothek ausgesondert (Stempel, Signatur). Sauberes, gut erhaltenes Exemplar. Sprache: Englisch Gewicht in Gramm: 627.

hardcover. Zustand: Befriedigend. 487 Seiten; 9780387946399.4 Gewicht in Gramm: 1.

Zustand: Good. - Quarto [11-3/4 inches high by 8-1/2 inches wide], three quarters dark green calf & cream-colored cloth titled in gilt between raised bands on the spine. The top edge is gilt; marbled endpapers. There is some rubbing to the leather and the cloth is foxed & soiled. iv & 298 pages. Illustrated with a frontispiece in red & white, 15 plates and profuse illustrations in black & white. The versos of the endpapers, the front & rear blanks and the fore-edge & bottom edge are foxed. There is occasional foxing to the text pages. Good. Among the articles are essays on Walter Crane, Percy Dixon, The Madox Browns, M. Lachenal, H. Granville Fell, Adam Heaton, Jules Cheret, Frank Brangwyn, Jean Dampt, Sir Thomas Wardle, Frederick Walker and Robert Sauber. Also: "Godiva" by Alfred Lord Tennyson illustrated by A. Brennan, "Recollections of William Morris", "The Guild of Handicraft" and "Cornish Painters".The Artist began as a trade magazine without illustrations published by the art suppliers and retailers William Reeves. After a change of ownership in 1894 it was renamed "The Artist Photographer & Decorator: An Illustrated Monthly Journal of Applied Art. It acquired the title listed here in 1897. From then on, it focused primarily on decorative art, with particular emphasis on the Arts and Crafts movement. …

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.…

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.…

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.…