diepenbeeck abraham van (26 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: The Blessed Henry Suso Kneeling before Eternal Wisdom German: Der selige Henry Suso kniet vor der ewigen Weisheit French: Le Bienheureux Henry Suso Kneeling devant la Sagesse Éternelle Spanish: El Beato Henry Suso Arrodillarse ante la Sabiduría Eterna High-quality fine-art reproduction based on an original work from the Met. Creation period: 17th century (before 1650). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: H. Frigdianus van Lucca German: H. Frigdianus van Lucca French: H. Frigdianus van Lucca Spanish: H. Frigdianus van Lucca High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1622). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Man with donkey German: Mann mit Esel French: Homme avec âne Spanish: Hombre con burro High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1630). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Mythological scene with Iphis hanging himself at Anaxarete's door who did not answer his love, a garden beyond. -- Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Mythological scene with Echo as an old miserable woman with sagging breast seated in a cave at right and shouting, Cupid seated at her feet and holding a torch, Narcissus kneeling near a river and admiring his own reflection in left background. -- Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Mythological scene with Ceyx and Alcyone transformed into kingfishers ('halcyons') and breeding a nest on a shore at left, Aeolus standing on the shore outside a cave while brandishing his sceptre at the gods of the winds who are trapped inside the cave. -- Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

[Lichtervelde], Hannibal, [2021]. 87,[1] pp. Ills (chiefly col.). Orig. softcover (pictorial wrappers). 8vo. (Phoebus focus, 22). - As new.In this publication, three specialists highlight two of the sketches Baroque master Abraham van Diepenbeeck made for the stained-glass windows of St. Paul's Church in Antwerp. The stained-glass windows themselves have not withstood the test of time, making these sketches invaluable for reconstructing the church's original interior. - Text in Dutch. - - Abraham van Diepenbeeck (9 May 1596 (baptised) - between May and September 1675) was a Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches.

Blatt-Format: 42 x 27 cm. - Original-Kupferstich nach Abraham van Diepenbeeck von 1655. -- gut erhalten. - Rare original engraving after Abraham van Diepenbeeck from 1655. -- in very good condition. || Abraham van Diepenbeeck (1596-1675) was a Dutch painter of the Flemish School. He was baptised in the Dutch city of 's-Hertogenbosch, as son of the glass painter Jan van Diepenbeeck. He became a pupil and assistant of Peter Paul Rubens, who highly influenced his work. He mostly dealt with mythological and historical subjects, as well as portraits. Around 1629, he moved to Antwerp, where he began to enjoy success through glass painting. Among his works are windows in the Antwerp cathedral representing the "Acts of Mercy". He did similar work at the church of the Dominicans, where he painted scenes from the "Life of Saint Paul". In 1632 he travels to Fontainebleau and Paris, where he copies frescoes by Francesco Primaticcio and Nicolò dellAbbate. In 1636, he becomes a citizen of Antwerp. Van Diepenbeek was admitted to the guild of painters in 1638, and became director of the Royal Academy of Fine Arts (Antwerp) in 1641. After a trip to Italy, van Diepenbeeck began to paint chiefly in oil and to work on illustration. Among these are 58 designs engraved by Cornelis Bloemaert for Michel de Marolles' "Tableaux du Temple des Muses". During the reign of Charles I of England, van Diepenbeeck travelled to England where, besides painting portraits of the first Duke of Newcastle and his family, the artist illustrated the nobleman's book on horsemanship. He died at the age of 79, in Antwerp. Among his well known paintings are: St. Norbert; Ecstasy of St. Bonaventura; St. Francis Adoring the Sacrament; Entombment of Christ; Neptune and Amphitrite; and the Flight of Cl½lia. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

Zustand: New.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Ganzleder. Zustand: Gut. Abraham van Diepenbeeck ( 1596 - 1675 ) (illustrator). 2. Auflage. 8° ( 20,5 x 15,5 cm ) 9 Bl., 476 S., 3 Bl. Mit Kupfertitel, Holzschnitt-Druckermarke auf dem Titel und 34 (von 58) Kupfertafeln. Leder Einband der Zeit, am oberen Gelenk 3 cm langer, hinterlegter Einriss. Miti goldgeprägtem Rückentitel und Rückenvergoldung. Amsterdam, Abraham Wolfgang, 1676. -- Vgl. Landwehr VI, 502. Praz 413. - Die erste Ausgabe erschien im Jahre 1655. Die hochbarocken Kupfertafeln nach Zeichnungen von Abraham van Diepenbeeck, zeigen Darstellungen aus der antiken Mythologie und sind mit lateinischen und altgriechischen Bildunterschriften versehen. Es fehlen 24 Kupfertafeln. Leicht braun- und fingerfleckig, sonst wohlerhalten. Titel mit zwei handschriftlichen Besitzvermerken und einem verblichenem Besitzstempel.

Zustand: Good. Steel engraving. 30 x 20.2 cm. (sheet). Very Good. Sheet trimmed to or within the plate mark.

Abraham van Diepenbeeck (illustrator). '"S. FRANCISCUS"'Engraving of Saint Francis holding a cross, standing with a sheep at his side.Made by Michael Natalis after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper. Watermark: Coat of arms with horn.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT FRANCIS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Michael Natalis (1610-1668) was a Flemish engraver known for his detailed engravings.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Paper loss at bottom corners. Than paper at op corners. Staining at top left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Abraham van Diepenbeeck (illustrator). '"S. GUILIELMUS"'Engraving of Saint Guilielmus standing in prayer, with various coats of arms and symbols at his feet.Made by Theodor van Merlen after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT GUILIELMUS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Theodoor van Merlen II (1609-1672) was a Flemish draughtsman, graphic artist, and copper engraver.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Paper loss in top corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Abraham van Diepenbeeck (illustrator). '"B.M. PETRUS CALMTHOUTANUS"'Engraving of Blessed Petrus Calmthoutanus Petrus van Kalmthout holding an axe and a book, with an angel above him holding a laurel wreath. Petrus van Kalmthout (c.1535-1572) was a Norbertine priest who was murdered by Dutch rebels on april 16th 1572.Made by Michael Natalis after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).BLESSED PETRUS CALMTHOUTANUS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Michael Natalis (1610-1668) was a Flemish engraver known for his detailed engravings.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Slight paper loss at top corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Abraham van Diepenbeeck (illustrator). '"S. ALBINUS"'Engraving of Saint Albinus holding a palm branch, with cherubs above and figures in the background.Made by Theodor Matham after Abraham van Diepenbeeck.Medium: Engraving on hand laid (verge) paper.Sheet size: 14 x 25 cm (5.51 x 9.84 inch). Image size: 14 x 25 cm. (5.51 x 9.84 inch).SAINT ALBINUS, RELIGIOUS ENGRAVING, BAROQUE ART, FLEMISH PRINT | PCO-E22-14BACKGROUND INFORMATIONPublished by Martinus van den Enden, part of a series of Saints, published c.1615-1676.Reference: Referenced in collections of Flemish religious prints, often tied to Antwerp publishers.Biography engraver: Theodor Matham, also Theodoor Matham (born 1589) was a Dutch engraver. He was the younger son of the better known engraver Jacob Matham, and the brother of the engravers Jan and Adriaen Matham.Biography artist: Abraham van Diepenbeeck (1596-1675) was Dutch painter, draftsman, glass painter, print maker and tapestry designer who worked most of his active career in Antwerp. He designed glass windows for various churches and monasteries in Antwerp for which he made many design drawings and oil sketches. He engraved and designed many prints which were published by prominent Antwerp printers such as van Meurs, the Plantin Press and Martinus van den Enden the Elder. He had a close relationship with the workshop of the leading Flemish Baroque painter Peter Paul Rubens and collaborated on various projects under the direction of Rubens. In the 1630s van Diepenbeeck started to create monumental paintings. His work was influenced by Rubens and Anthony van Dyck. Condition: good, given age. Slight paper loss in top left corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Abraham van Diepenbeeck (illustrator). 'CLARISSIMVS IC.TVS D. HENRICVS ZOESIVS ACADEMIAE LOVANIENSIS ANTECESSOR. OBIIT ANNO CHRISTI M.DC.XXVII. DIE XVI. FEBRUARII. AETAT. LVI.'A highly detailed portrait engraving of Hendrik Zoesius (?-1627), professor of Greek and Law at the University of Leuven. He is depicted seated at his desk, holding a book in his right hand. Behind him, shelves filled with books and a coat of arms are visible. The print, executed by Petrus Clouwet after a design by Abraham van Diepenbeeck, features a Latin inscription detailing Zoesius' academic role and date of death. This portrait is an excellent example of 17th-century Flemish engraving, showing intricate detailing in the subject's clothing, facial features, and surrounding scholarly environment.Made by Petrus Clouwet after Abraham van Diepenbeeck.Medium: Engraving on hand-laid (verge) paper.Sheet size: 20 x 30.2 cm (7.87 x 11.89 inch). Image size: 20 x 30.2 cm. (7.87 x 11.89 inch).HENDRIK ZOESIUS, LEUVEN UNIVERSITY, 17TH-CENTURY PORTRAIT, LEGAL SCHOLAR, FLEMISH ENGRAVING, PETRUS CLOUWET, ABRAHAM VAN DIEPENBEECK, HISTORICAL PORTRAIT | PCO-A76-31BACKGROUND INFORMATIONRijksmuseum Amsterdam, RP-P-1906-650.Reference: Frederik Muller, Beschrijvende catalogus van 7000 portretten van Nederlanders en van buitenlanders, tot Nederland in betrekking staande, Amsterdam 1853, cat. nr. 6307.Biography engraver: Petrus Clouwet (Antwerp, active 1639-1670), a Flemish engraver known for his detailed portrait works and collaborations with prominent artists of his time.Biography artist: Abraham van Diepenbeeck (1596-1675), a Flemish painter and engraver, trained under Peter Paul Rubens and known for his religious, historical, and portrait works. Condition: good, given age. Tear in lower left corner, trimmed margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: sehr guter Zustand. Kupferstich von P. Pontius (1603-1658), nach einem Selbstbildnis. 16,3:11,6 cm. Wurzbach 64; Drugulin 4636; Hollstein 70. Für: Joannes Meyssens 'Images d'hommes d'esprit', 1649. - An einer Seite unter Verlust der Plattenkante beschnitten, kleiner brauner Fleck.

Zustand: Very Good. A mid-17th century print depicting inhabitants of Canada and their clothing. It is beautifully hand coloured. Costumes of Canada, excerpt from the book Ecclesiastical History of the Whole World by Cornelius Hazart., Image Size : 269x171 (mm), 10.59x6.73 (Inches), Platemark Size : , Paper Size : 299x181 (mm), 11.77x7.13 (Inches), Hand Colored, Copper Engraving.

Zustand: Good. Original engraving. 46.6 x 58cm. sheet size. Centerfold. Tear without loss in upper margin .National; Portrait Gallery NPG D38714; OCLC Number 228726949Text on the print:"Apres l'homme le Cheval le plus noble animal,Est rendu par ce Seigneur si juste et si égal,Par cette Methode, que tout le monde admire,Qu'on voit aisément, qu'il est sujet de Son EmpireSon assiette si belle, ses aides si secrettes;Tout à la neglicence, encore, si bien faittes,Nous sont un argument assés valide et puissant,Qu'il est à ses talons et Bride obeïssant,Et que tous les Chevaux sont assujettis à sa loÿ;Puis qu'ils luy obeïssent comme à leur propre Roy. S'il montoit un Diable tres-robuste,Ce Diable jroit en touts Airs fort Iuste.M.D.V.".References : Huth, 23; Podeschi 26 and 49; Lowndes, 1663; Wing N884-87; Brunet I, 1700; Graesse II, 93; Mellon Books on the Horse and Horsemanship (1783) p. 49; Mennessier de la Lance II, p. 250; Nissen ZBI 848.

Zustand: Good. Original engraving. 46.6 x 58cm. sheet size. Centerfold. Tear without loss in upper margin .OCLC Number 228726949Text on the print:A portrait of a squire holding the reins of a horse, landscape behind. Plate 10 of the Duke of Newcastle's treatise on horsemanship, .References : Huth, 23; Podeschi 26 and 49; Lowndes, 1663; Wing N884-87; Brunet I, 1700; Graesse II, 93; Mellon Books on the Horse and Horsemanship (1783) p. 49; Mennessier de la Lance II, p. 250; Nissen ZBI 848.

S.l.s.d. (Antwerpen, 18th century ?), in-4°, 26 x 22 cm, engraved title + 48 engraved plates, 19th century half leather. Suite of 48 engravings and a title made after drawings by van Diepenbeeck and engraved by F.Bouttats, P. van Lisbetten, A.Lommelin, Gaspar Bouttats, Martin Bouche. The plates have captions in Latin, French and Dutch. The suite depicts the life of the Florentine nun Maria de Pazzis. This edition is in all probability a 19th century reprint. We could not trace where this or the first edition were published (Antwerp ca. 1700 ?).

Mary kneeling to the left, resting her left hand on the Bible, the Angel appearing to the right, kneeling on a cloud, with lily in his hand. The dove appears above surrounded by flying seraphs and angels. Page from a "Missale Romanum" after 1724 l Engraving on paper with margins; plate mark: 270 x 173 mm, total: 335 x 212 mm.

A putto in the clouds, playing with bubbles.From a set of four plates depicting allegories of the four elements. an anonymous engraver after Cornelis van Dalen II, possibly Arnold Houbraken. Numbered at bottom right: '3'. Titled below: 'AER.' Engraving on paper with margins; plate mark: 183 x 129 mm, total: 257 x 170 mm; some stains on the bottom; on the margin above traces of the previous binding. On verso traces of previous mounting In very good condition. Hollstein 16 (copy). Watermark with fool's cap.

Kein Einband. Zustand: Gebraucht. Bleistift, braune Feder auf Bütten am linken Rand auf Büttenpapier geklebt. 16,6 x 18,3 cm (Blatt). 27,1 x 17,7 cm (Untersatzpapier). Unten auf Untersatzpapier alte Zuschreibung mit Feder "A:v:Diepenbeek". Zeichnung.

Zustand: Good. Abraham van Diepenbeeck (illustrator). 'Parade du trot pour la main gauche'Engraving, handcolouring on hand laid (verge) paper. Sheet size: 55,5 x 47,7 cm. (21,9 x 18,8 inch). Image size: 51 x 39 cm. (20,1 x 15,4 inch).From the book by W. Cavendish - Methode et invention nouvelle de dresser les cheveaux, 1658.Made by 'Theodor van Kessel' after 'Abraham van Diepenbeeck'. Theodor van Kessel (1620-1696) was a flemish engraver, he worked for David Teniers the younger. Abraham van Diepenbeeck (1596-1675) was a Dutch glaspainter, painter and drawer, who belonged to the Antwerp school. Condition: Good, given age. Wormholes and restored tears in the upper margin, because of a small margin extra paper from that time is added on the right margin, old restoration of a wormhole in the left lower corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: HORSE TRAINING-COSTUMESRBOS-T.15-large.