Dick buren (3 Ergebnisse)

Zustand: Used: Like New. Broché, comme neuf.

55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.…

Zustand: Near Fine. Hardback book bound in textile wraps with gold foil text. 303x216mm. 60pp. Edition 143/500. Comes with loose leaf inventory. Contributors include: Robert Jacks, Woody van Amen, Carl Andre, Joseph Beuys, Marinus Boezem, Christian Boltanski, Daniel Buren, Michael Cardena (Miguel Angel Cardenas), Christo, Robin Crozier, Guert van Dijk, Pieter Engels, Hans Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Mauricio Nannucci, Richard Nonas, Arnulf Rainer, Dieter Roth, Yves de Smet, Al Souza, Endre Tot, Timm Ulrichs, Ben Vautier and Wolf Vostell. Signed by Van Beveren (an initialled inside the front cover), van Amen, Beuys, Crozier, van Dijk, and Gubbels (Rot, Hamilton, Vautier signatures are printed).The Cardenas work includes a hand painted card and rubber stamp. Other works include rubber stamp elements, collage, tipped in photographs and postcard works, paintings, and metal sculptural works. Transparency before page 16. The colophon page reads 'During the preparation for my exhibition The Archives, the idea originated to publish an artist book instead of a catalogue. Thirty artists were invited to design one page, specially for this book. Some sent five-hundred works, others sent an idea which has been executed in every book. I do appreciate the participation of all the artists. They made this book a unique document and work of art. It is fixing an era that is subject to rapid changes. It is making the aura of a unique work of art relative; it is representing the character of my archives. The artists participating in this book have been important for the development of my archives during the latest ten years and they have been chosen because of the personal affinity to their work.' (text by Van Beveren). Condition: some surface wear to covers, overall: Near Fine.…