deuchar stephen (22 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Very Good. Minor shelf wear, stapled binding, pages clean and unmarked. 48 pages, illustrated in black and white.

Softcover. Zustand: Très bon. Edition 2003. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2003. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Zustand: fine. Zustand des Schutzumschlags: very good. First. Color plates, many b/w text Illus. 4to, green cloth, d.w. sunned on spine portion and top of front portion. New Haven: Yale University Press, (1988). A fine copy in a very good dust wrapper.

Hardcover. Zustand: As new. Light from the Middle East: New Photography is the publication from the first major museum exhibition of contemporary photography from and about the Middle East. It features more than 90 works by some of the most exciting artists from the region, spanning North Africa to Central Asia. The exhibition was part of a collaboration between the British Museum and the V&A, which has over the last three years seen the development of a major collection of Middle Eastern photography thanks to substantial funding from the Art Fund. The work includes 30 artists from 13 different countries including internationally established practitioners such as Abbas (Iran), Youssef Nabil (Egypt) and Walid Raad (Lebanon) as well as emerging talents such as Taysir Batniji (Palestine), Shadi Ghadirian (Iran) and Abdulnasser Gharem (Saudi Arabia). The work covers a wide range of techniques and subject matter, from photojournalism to staged and digitally manipulated imagery. Like new issued without a dust wrapper. 8" - 10½". book.

(4), 195pp. 140 illus. Lrg. 4to. Cloth. D.j.

Hardcover. Zustand: Fine. 1st Edition. Published to coincide with an exhibition of the same name held in the Porter Gallery, Victoria and Albert Museum, London, Nov. 13, 2012-Apr. 7, 2013. Contents: Light from the Middle East / Marta Weiss -- Recording -- Reframing -- Resisting -- Behind the image / Venetia Porter -- Interviews -- Afterword / Stephen Deuchar, The Art Fund -- Biographies / Kate Best. 179 pages : illustrations (some color) ; 27 cm. Illustrated boards. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Large 8vo. pp 79, [1]. Colour illustrated softcovers. Illustrated throughout in colour. Published on the occasion of the exhibition; Tacita Dean: Recent films and other works, at Tate Britain, 15 February - 6 May 2001. Includes contributions from J.G. Ballard and Germaine Greer.ISBN: 1854373552 Very good, with some light shelfwear. Small dint at bottom edge, a little rubbed at corners.

195pp. 4to. Original boards in dustwrapper. Colour & b/w illustrations. A fine copy. First edition.

Zustand: Very good.

Hardcover. Zustand: Fine. 4to (29.5 cm), VIII, 195 pp. Publisher's cloth and dust jacket. "English sporting art emerged as a distinctive genre in the early years of the eighteenth century. At the same time, the rural pastimes it depicted came under increasing critical scrutiny. In this handsome book, Stephen Deuchar presents the first full account of this artistic phenomenon, combining a cogent analysis of the ideologies lying behind these sports with the history of their imagery. Deuchar explains that although the activities addressed by sporting pictures were traditionally practised by the upper levels of society, they seemed to encourage a kind of behaviour that ran sharply against the moral, social, and economic ideals espoused by the ruling classes themselves. Some sporting artists - most notably George Stubbs - attempted on behalf of their patrons to resolve this contradiction by presenting rural sports in a favourable, implicitly responsible light. Others, encouraged by the developing confidence of the sporting world and the expanding popularity of its pastimes, were content to nurture and publicize the very customs that were causing most controversy. In the long term, the latter group held sway, drawing the genre even further from the mainstream of the art world. Today, enthusiasts of sporting art tend to be enthusiasts of rural sport, and the work of most sporting artists has been ignored by connoisseurs. However, the widespread but comparatively recent recognition of the abilities of Stubbs in particular has reawakened a general curiosity about the genre as a whole. Building on this, Deuchar demonstrates that the interest of sporting art goes beyond the interest of its subject matter, and his study of its development in the eighteenth century is a valuable source for understanding the interaction of art and society." (from the publisher's description).

Zustand: Good. First edition (hardback). 4to (29cm by 23cm), [viii], 195pp. 140 illustrations (mostly in b&w, some in colour). Original green cloth, dustwrapper. Minor spotting to the edges of the text block, else the book and the dustwrapper are in very good condition. ISBN 0300041160.

Couverture souple. Zustand: bon. RO60138378: 1995. In-4. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 176 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en couleur et en noir et blanc, dans et hors texte. Texte sur 2 colonnes. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Hardcover. Zustand: Fine. Shamma, Sara (illustrator). 1st Edition. Pictorial cloth binding, no dustwrapper as issued, small 4to, pp.100. Published to accompany the exhibition of the same name held at Kings College, London with essays about her work and its theme. Illustrated with numerous full page plates depicting her paintings. Fine copy.

Zustand: Good. Used, dust jacket has light scratches, some outer edges have scuffs, outer pages have Brown marks, book content is in very good readable condition.

Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. 1st 1988. Nearly fine condition in a nearly fine dustwrapper. A full account of this artistic phenomenon, combining a cogent analysis of the ideologies lying behind these sports with the history of their imagery. Large format. Green cloth boards, gilt title to spine. Colour & b/w illustrations. Packaged with care and promptly dispatched!

Paperback. Zustand: Very Good. First Paperback Edition. 4to. 28cm by 28cm. pp 111. Large format paperback. Copiously illustrated in colour and black and white throughout. Signed by all three artists, Angus Fairhurst, Damien Hirst and Sarah Lucas on the title page. Catalogue of an exhibition held at Tate Britain (London), 3 March - 31 May 2004. ISBN: 1854374966 Very slight handling wear with slight creasing at lower corners, otherwise very good+. Excellent condition. Signedes.

pp. 593, (iii). 56 coloured plates and hundreds of monochrome illustrations. A very good copy in dust wrapper.