Delford (20 Ergebnisse)
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
Verlag: Acadmic Journal Offprint from: - Revue Archeologique De L'Est Et Du Centre-Est Tome X, Fasc. 1, 1959., 1959
Anbieter: Nar Valley Books & Prints, King's Lynn, Vereinigtes KönigreichNar Valley Books & Prints
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17pp, 7 figs, Printed Card Cover, VGC.
Verlag: Verona : Editions & Archive, 1992
- Softcover
Anbieter: Barksdale Books, Almere, NiederlandeBarksdale Books
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Zustand: Good. Original wrappers, (full page) b/w illustrations, unpaged, 8vo.
Verlag: Milan. Fondazione Mudima 1992. (48 Seiten). S/w24 x 17 Abbildungen. Text in englischer Sprache. Format ca. (24 x 17) cm., 1992
- Softcover
Anbieter: Antiquariat Bernd Preßler, Ahnatal Weimar, DeutschlandAntiquariat Bernd Preßler
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Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Zustand: New. KlappentextFrom the Introduction Como s Asilo D Infanzia Sant Elia occupies a unique position in the oeuvre of Giuseppe Terragni. Executed between his two most celebrated works, the Casa del Fascio of 1932, and the Casa Giuliani Frig.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - Step back in time to 1851 and attend the opening of Madison College in Uniontown, Pennsylvania. This address, given by J.H. Delford and Richard H. Ball, provides a fascinating glimpse into the beginnings of this institution and the challenges it faced.This work has been selected by scholars a…s being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - From the Introduction Como's Asilo D'Infanzia Sant'Elia occupies a unique position in the oeuvre of Giuseppe Terragni. Executed between his two most celebrated works, the Casa del Fascio of 1932, and the Casa Giuliani Frigerio of 1939, Terragni was possibly at the apex of his architectural pr…owess, via imagination and creativity, at its execution. The building itself is a physical manifestation encompassing Terrangni's seminal ideas and theories on architecture and urbanism. [.] The Asilo, a public nursery school, was a relatively modest project, situated in a working class quarter of Como, just south of the city walls. Its humble location alone rendered the project a departure from the conspicuously public site of the Casa del Fascio, located directly behind the Duomo in the center of town. [.] It is one of the few projects that utilize all of Terragni's architectural canons. It remains the only built project that is neither a casa del fascio, nor a tomb or residential project. The Asilo remains a building largely ignored by both the academy and the architecture profession. However, this humble yet monumental building holds within it a culmination of the lessons and ideas of one of the modern architectural masters of the twentieth century. Careful analysis of this building reveals moments where architecture and meaning come together with both subtlety and consequence. [.] >What Others Say About the Book: In Rationalism and Poetry we finally get an update to the voluminous Schumacher works [from the early 1990s] and, this time, rendered from an architect's perspective. Where Schumacher conducted a historian's reconstruction, Andrews draws for us an architect's analysis. He minutely examines, and often diagrams, the corpus of each building-not in relationship to history but relative to the bodies of other buildings both historic and contemporary. In this concise volume, each chapter becomes a frame for considering one aspect of Terragni's enigmatic design. >As pointed out by Igor Stravinsky, in the first page of his book Poetics of Music, 'poetic' is a word related to the concept of 'making', of 'doing'. Brian Andrews [.] uses the tool of drawing to dissect the Asilo Sant'Elia, unveiling the compositional principles, the design strategies and the hidden geometries, recognizing the parts and elements, exposing the mechanisms of this particular 'machine for teaching and learning'. At the same time the author's reflections on the urban issues [.], Terragni's proximity to the world of art (Radice, of course, and the other members of the 'Astrattismo Comasco' movement, with a fertile cross-pollination between painting and architecture), the reference to the Italian architectural tradition (Michelangelo, the reinterpretation of classical architectural themes), complete Andrews' lively and affectionate portrait of Terragni, an architect who preferred to make architecture (with a strong and personal poetic), instead of being a theoretician. Patrizio M. Martinelli, Oxford, Ohio.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - Step back in time to 1851 and attend the opening of Madison College in Uniontown, Pennsylvania. This address, given by J.H. Delford and Richard H. Ball, provides a fascinating glimpse into the beginnings of this institution and the challenges it faced.This work has been selected by scholars as being… culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Verlag: New York - Verona Editions and Archive Francesco Conz ohne Jahr [?], 2004
- Softcover
Anbieter: Antiquariat Fluck, Berlin, DeutschlandAntiquariat Fluck
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Farbig illustriert original-kartoniert; 4°; 32 unpaginierte Seiten; durchgehend farbig bebildert. Gutes bis sehr gutes Exemplar. Sprache: Englisch 190 gr.
Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Good. 1.2 cm., 2 cm., 6 mm. of soiling to recto; 7 mm. and 8 mm. tears to top edge of recto; 8 mm. and 9 mm. tears to bottom edge of recto; tears to spine edge measuring 7 mm., 1 cm. (x 2), 3.1 cm., and 7 mm. tears. Yellowing of covers and pages. Contents clean and unmarked.
Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 67,50
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79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Fair / Good. 9.6 cm. loss to bottom left corner of verso with multiple areas of tearing and loss along length of spine. Light yellowing of covers and contents. Contents clean and unmarked.
Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 67,50
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79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Poor / Fair / Good. Yellowed brittle pages with multiple tears and areas of loss to covers including 6.5 cm. 3.5 cm., and 2.9 cm. losses. Light chipping and folding of pages, contents otherwise clean and unmarked. Sold "as-is.".
Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 112,50
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79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Very Good. 6 mm. tear and 1 mm. loss to bottom edge of recto. Tearing along staple binding at spine measuring 6 mm., 5 mm., 1.3 cm., 1.1 cm. tears. Light yellowing of covers and pages. Contents clean and unmarked.
Weitere BilderVerlag: The First National Church of the Exquisite Panic Press, [Brooklyn], 1973
- Softcover
- Erstausgabe
- Signiert
Anbieter: BLACK SWAN BOOKS, INC., ABAA, ILAB, Richmond, VA, USABLACK SWAN BOOKS, INC., ABAA, ILAB
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EUR 359,99
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Spiral Bound. Zustand: Near Fine binding. First Edition. Signed. Twenty-nine half-tones of Polaroid photographs, in oblong wrappers; plastic comb binding.~~Robert Delford Brown's obituary in the New York Times (April 4, 2009) referred to him as "the high priest of Happenings". "He appeared in the persona of a religious leader an…d founder of his own religion, The First National Church of the Exquisite Panic", listed as publisher of this book [See the collection notes for the Robert Delford Brown papers, 1964-2009 at the Smithsonian Archives of American Art.] ~~This copy with signed with inscription on the verso of the title page. Also, with an ALS laid in: "Dear Miss Emily Phaup, Please forgive the long delay, but your letter fell behind a bookcase, and I just retrieved it. If you receive this letter, please let me know, and I'll send you an autographed book. Thank you, Robert Delford Brown". The ALS on "letterhead" for "Robert Delford Brown at the Great Building Crack-up Gallery | 251 W. 13th St. N.Y.C., 10011" and dated by Mr. Brown, Aug. 24, 83. Near Fine binding.
Verlag: The First National Church of the Exquisite Panic Press, Inc. Great Neck, NY, 1971
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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[1] pp.; 27.8 x 21.5 cm/; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Announcement flyer for event held at 251 W. 13th St., New York City, April 21, [n.d.]. "Robert Delford Brown and his wife Rhett invite you to Sunday Brunch - April 21 - 12:15 PM to 3:15 PM - in honor of Shunk-Kender,…at the Jackson Square Branch Ex-Library.Future home of the First National Church of the Exquisite Panic, Inc.Please Present this invitation at the door." --text from flyer. Very Good. Folded into thirds. Clean and unmarked.
Verlag: The First National Church of the Exquisite Panic Press, Inc. New York, NY, 1967
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 179,99
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6 pp.; 27.4 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book with text on hangin by Robert Delford Brown with illustrative photographs. Good. Creasing across height of publication and light edge-wear including bumping of upper right corner. Discoloration of co…vers and light overall soiling. Contents clean and unmarked.
Verlag: The Great Building Crack-Up Gallery New York, NY, 1971
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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EUR 404,98
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5 vol.: vol.1: [1] pp. (portrait); vol. 2: [1] pp. (Rhett Delford Brown Bio); vol. 3: [1] pp. (notes on the great building crack-up); vol. 4: [2] pp. (press release); vol. 5: [1] pp. (invitation); 5 vol.: vol.1: 25.6 x 20.4 cm. (portrait); vol. 2: 27.9 x 21.7 cm. (Rhett Delford Brown Bio); vol. 3: 28 x 21.7 cm. (notes on the gre…at building crack-up); vol. 4: 28 x 21.5 cm. (press release); vol. 5: 31.2 x 23.3 cm. (invitation); loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Collection of ephemera from the The Great Building Crack-Up Gallery. Includes a photographic portrait of Robert Delford Brown; "Notes on the Great Building Crack-Up;" a biography of Rhett Delford Brown; a press release for the opening of The Great Building Crack-Up Gallery held on October 30, 1971 and stapled to the press release a flyer / invitation to the opening of the gallery. Good / Very Good. Vintage silver gelatin photograph portrait of Brown is in good condition with 3.3 cm. embossment from removed paperclip, 13 cm. crease across center of photo and additional light creasing and edge-wear. "Notes on the Great Building Crack-Up:" folded in three; light rubbing; moderate handling wear; bumping of corners including 2.3 cm. bumping of upper left corner; rubbing of verso. Rhett Delford Brown Bio: folded, yellowed opening announcement stapled to upper left corner of page; folded in three; 16 cm. crease to upper left corner with additional light creasing. Press Release: Light edge-wear, otherwise clean and unmarked. Flyer for opening: stapled to press release; significant edge-wear including over a dozen tears and areas of losses ranging in size from 1 mm. to 1.8 cm; and 16 cm. vertical creasing.
Weitere BilderFluxlux: The Last Event of Robert Watts, Sunday October 16th, 1988
Watts, Robert; Larry Miller, Geoff Hendricks, Ben Patterson, & Pamela Kraft, Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul
- Erstausgabe
Anbieter: Fenrick Books, Queens, NY, USAFenrick Books
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EUR 179,99
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No Binding. Zustand: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown…, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.
