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Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 240 pages. Hardcover monograph with 182 illustrations and a hefty index. Texts are in English. Tight binding, with clean interior and sharp edges, wrapped in an illustrated paper dustjacket in equally sharp and bright condition. Bound in green cloth covered boards with gold stamping to the spine and cover. Published in conjunction with the exhibition held in Santa Barbara from March 16-May 11, 1991; at the Nelson Atkins Museum from July 14-September 8, 1991; and at the Krannert Art Museum from January 18-March 1, 1992. Book.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked.

Zustand: New. pp. 392.

Zustand: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 355 pages. 7.00x5.00x1.00 inches. In Stock.

Gebunden. Zustand: New. Forging a Multinational State provides a much-needed history of state-building in central Europe during the long nineteenth century.&Uumlber den AutorrnrnJohn Deak is Assistant Professor of European History at the University of Notre.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.

32 pp.; 27.5 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1975 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Polemic," by Edward Pursor; "Cultural Imperialism, Provincialism, and The New Internationalism"; "A Nebulous Art Presence"; "An Article on Scott Burton In the Form of a Resumé"; "Artists Don't Only Make Art -- They Are Also Artists"; "A Late Night Conversation with Addi," translated by Irene von Zahn; "A Serious Proposal for Nelson Rockefeller"; "Ça Va? Pas Mal." by John Howell; "Oral Cultural Morphogenesis: An Example"; "Vitamin G: Obituary," by John Giorno; "Conventional Wisdom" and "Toward a More Beautiful Coffin." Unique handpainted cover for each copy by Pat Steir. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Good. 1.8 cm. tear to bottom edge of recto. 5.7 cm. dog-ear with bumping to top right corner of publication. Bumping with light chipping across top edge of covers. 2 cm. tear to top edge of page 3. Contents otherwise clean and unmarked.

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair. 9 mm. long "1.00" written in blue ink on recto. Tearing along spine wrapping around to covers including 1.2 cm., 1 cm., 2.1 cm. and others. 1.2 cm. loss to top edge of spine. Bumping and chipping across top edge of recto and verso. 1.4 cm. loss to verso at spine. 5.3 cm. soiling to right side edge of first page. Contents otherwise clean and unmarked.

54 pp.; 27.8 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)" "Conversation with Brice Marden." Cover: Robert Ryman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fair / Good. 15.3 cm. and 3.6 cm. tears to spine. 2.2 cm. tear to recto, bumping of top edge of recto, and 1.2 cm. dog-ear to bottom right corner of recto. Chipping and tearing across top edge of verso. Yellowing of covers and pages. 2 mm. tear to page 3 and 1.3 cm. tear to pages 51-54. Contents clean and unmarked.

Zustand: Good. 4to. 240 pp. Hard Cover. Dust Jacket. Color plates throughout. Very Good, as new.*Heavy book, shipping may cost extra.

28 pp.; 28 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue eight of Real Life Magazine, edited by Thomas Lawson. Contents include: "Edit deAk," an interview by Joan Wallace and Geralyn Donohue; "Democratism or, I Went to See Chelsea Girls and Ended Up Thinking About Jenny Holzer," by Rex Reason; "Documentation," by Ken Lum; "A Critique of Authoritarian Rhetoric," by Richard Hertz; "Stations," by Hans Müller; "Contamination," by John Miller and "Ned Smyth," an interview by Susan Morgan and Dena Shottenkirk. Cover images are details from graffiti in Edit deAk's apartment. Reference : No. 7.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 193, 291. Very Good. Light rubbing and soiling of covers, yellowing of right side edge of recto and left side edge of verso and light bumping of top right corner of publication. Light yellowing of page edges. Contents otherwise clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H.D. Buchloh; "Documenta 7: The Dignity of the Thorn," by Annelie Pohlen; "Documenta 7: Grim Fairy Tales," by Kate Linker; "Documenta 7: The Night Mind," by Donald Kuspit; "Documenta 7: Wagner's Head," by Richard Flood; "Documenta 7: Stalling Art," by Edit deAk. Reviews by Jeanne Silverthorne, Thomas Lawson, Donald B. Kuspit, John Howell, Charles Hagen, Lisa Liebmann, Glenn O'Brien, Ronny Cohen, Colin L. Westerbeck Jr., Robert Atkins, Howard Singerman, Susan C. Larsen, Jeanne Randolph, Jean Fisher, and Ida Panicelli. Cover: "In honor of 'Artforum's' twentieth anniversary and in keeping with current art practice we would like to appropriate from the past this image of our noble founder, Arthur Forum.".

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. Reviews by Lisa Liebmann, Donald Kuspit, Thomas Lawson, Jeanne Silverthorne, Edit deAk, Kate Linker, Charles Hagen, Ronny H. Cohen, John Howell, Judith Russi Kirshner, Howard Singerman, Hal Fischer, Barbara Kruger, Paul Groot, and Paul Taylor. Cover: James Wines.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. Reviews Kate Linker, Thomas McEvilley, Richard Armstrong, Donald Kuspit, Barbara Kruger, Lisa Liebmann, John Howell, Ronny Cohen, Charles Hagen, Glenn O'Brien, Jean Fisher, Thomas Lawson, Kevin Concannon, Judith Russi Kirshner, Michael Bonesteel, Sarah Fox Pitt, Suzaan Boettger, Howard Singerman, Jeff Kelley, Ida Panicelli, Luciana Rogozinsky, Max Wechsler, Denys Zacharopoulos, Annelie Pohlen, Wolfgang Max Faust, and Lars Nittve. Cover: Robin Winters.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. Reviews by Thomas Lawson, Lisa Liebmann, John Howell, Edit deAk, Charles Hagen, Jeanne Silverthorne, Kate Linker, Barbara Kruger, Richard Flood, Michael Bonesteel, Thomas McEvilley, Susan C. Larsen, Christopher Knight, Annelie Pohlen, Paul Groot, Stuart Morgan, and Lisa Liebmann. Cover: John Cliett.

Paperback. Zustand: Very Good. First Edition. 44 pages. Features: Making the Classic Drawer; Boomerangs in the Workshop; Small Turnings; Nepali Tools; Designing Small Turnings; Basic Sharpening; Experimenting with Bevel Angles; Cutting and Edging Melamine; Project Table Saw; John Clark's high-performance coat rack; Woodworking Incunabula. Clean, bright and unmarked with light wear. A lovely copy of this fine Canadian woodworking publication.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. Reviews by Jeff Perrone, Edit De Ak, Hal Foster, Deborah Perlberg, Leo Rubinfien, Judith Lopes Cardozo, Richard Lorber, C.L. Morrison. Cover: Panel (detail), Peru, coast, Pre-Conquest, cotton wrap, alpaca, weft (Textile Museum, Washingon, D.C.). Includes full page ad for The New Museum's membership program, with a detailed description of the mission of the museum (which was founded January, 1977).

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. False Objects: Duplicates, Replicas and Types John Perreault Elizabeth Murray s Dandyish Abstraction Donald B. Kuspit Chicago Dialectic C. L. Morrison To Be or To Act: On the Problem of Content in Nonobjective Art Andréi B. Nakov Kahn and Venturi: An Architecture of Being-in-Context John Lobell Wallace Berman: Portrait of the Artist as an Underground Man Merril Greene FEATURES REVIEWS NEW YORK Edit deAk on Roman Opalka Edit deAk on John Chamberlain Edit deAk on Ted Stamm Richard Lorber on Robert Wilson and Scott Burton Jeff Perrone on Kenneth Noland Jeff Perrone on Roy Lichtenstein Jeff Perrone on Joel Meyerowitz Hal Foster on Joel Shapiro Hal Foster on Hamish Fulton Hal Foster on Louise Nevelson Hal Foster on Robert Mapplethorpe Deborah Perlberg on Loren Madsen Deborah Perlberg on Helen Frankenthaler Deborah Perlberg on Martha Wilson Deborah Perlberg on Jackie Apple Leo Rubinfien on David Hockney Leo Rubinfien on Frank Stella Leo Rubinfien on Judith Ornstein Judith Lopes Cardozo on Roberta Allen Judith Lopes Cardozo on Natalie Bieser CHICAGO C. L. Morrison on David Greene C. L. Morrison on S. Thomas Scarff LOS ANGELES Peter Frank on Lauren Rothstein, Tom Holste, and Gloria Kisch.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.

32 pp.; 27.5 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1975 issue of Art-Rite, edited by Edit deAk and Walter Robinson. Contents include: "Polemic," by Edward Pursor; "Cultural Imperialism, Provincialism, and The New Internationalism"; "A Nebulous Art Presence"; "An Article on Scott Burton In the Form of a Resumé"; "Artists Don't Only Make Art -- They Are Also Artists"; "A Late Night Conversation with Addi," translated by Irene von Zahn; "A Serious Proposal for Nelson Rockefeller"; "Ça Va? Pas Mal." by John Howell; "Oral Cultural Morphogenesis: An Example"; "Vitamin G: Obituary," by John Giorno; "Conventional Wisdom" and "Toward a More Beautiful Coffin." Unique handpainted cover for each copy by Pat Steir. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. Light yellowing of cover and pages with light bumping of top and bottom right corners. Contents clean and unmarked. An exceptionally well preserved copy.

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.

24 pp.; 26 x 19 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Spring 1974 issue of Art-Rite, edited by Edit deAk, Joshua Cohn, and Walter Robinson. Contents include: "Two for the Road," by Stephanie Edens; "Heubl, Heubler, Heublest"; "On Documentation"; "The Book"; "Un-Skirting the Issue," statements by Laurie Anderson, Lynda Benglis, Judy Chicago, Abigail Gerd, Nancy Graves, Joan Jonas, Agnes Martin, Lee Krasner, Sylvia Sleigh, Sylvia Stone, May Wilson, and Hannah Wilke; "Diaristic Art: A Trek Through the Navelocentric Universe"; "Michelle Stuart"; "Excerpts: The Red Horse"; "'Some Form to Hold Me,'" by John Howell; "Lucy Lippard: Freelancing the Dragon"; "Latent Life: Boltanski," by Bill Zimmer; "Contemporanea.Italian Stereo: Conversation with Acconci," by Vito Acconci and "Contemporanea.Italian Stereo: The Tabula Rasa," by Barbara Radice. Additional contributions by Lee Breuer. Cover: Christo. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Fine. Yellowing of covers and pages. Contents clean and unmarked. An outstandingly well-preserved copy.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. Light curl to left side of publication. 4 mm. tear to bottom edge of recto. Light dust soiling of covers and edgewear. Contents clean and unmarked. Includes a slipped-in, folded handwritten note on Cover letterhead addressed to Walter [De Maria] from Cover's editor, Judith Aminoff.

16 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1973 issue of Art-Rite, edited by Edit deAk, Joshua Cohn, and Walter Robinson. Contents include: "The First and Last, One and Only Conceptual Artist"; "Maximum Kozloff"; "Notes: Yvonne Rainer," by Ela Troyano; "The Most Recent Realism and its Pornographic Potential"; "A Couple More"; "Ireland at Greene"; "The Case of the Paint-Cast Shadow"; "The Perpetual Kid"; "Pozzi"; "Preserves," by Edward Pursor "The Prevalence of Issues," by John Harrington. Cover art by William Wegman. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Good. 1.5 cm. loss to bottom right corner of publication. 3 mm. and 1 mm. tear to spine. Light tearing and chipping of top edge of page 3 and 13. Yellowing of covers and pages. Contents clean and unmarked.

60 pp.; 26.8 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Special combined issue of LAICA Journal (No. 19) and Art-Rite (No. 19). Issue edited by Walter Robinson, Edit deAk, Bridget Reak-Johnson, Debra S. Burchett. Contents include: "Projects," by Edit deAk and Walter Robinson; "Homespun Versions of Mass Media," by Walter Robinson; "Teen Genius," by Kickboy Face; "Swim Parables," by Robert Morgan; "X & Y Offer," by X & Y; "Conversation: Between Craziness and Clarity," by John McCracken; "Swim Parables: Given to 4/4 Rhythms 5x," by Robert Morgan; "Texts," by Dick Miller; " Reifying the Heifetz-Trotsky Axis," Ronald Al Robboy; "Two Painters: Welcome in L.A," Peter Plagens; "D.W. Griffith Reconsidered," by Randall Warniers; "Storytelling, Infantilism and Zoophily," by Walter Robinson; "Biggs's Time Television," by Susan Martin; "Manny Farber," by Richard Armstrong; "Judy Pfaff," by Richard Armstrong; "Autobiography: The Self in Art," Laurie Anderson; "The Rescue," Clare Spark; "Opting Out and Buying In," by Howard Singerman "Patterns in the Support System for California Art," by Peter Frank. Cover: Chris Burden. Reference : "Art-Rite" by Walter Robinson, Edit deAk, Bridget Reak-Johnson, Debra S. Burchett, Edit deAk, Walter Robinson, Kickboy Face, Robert Morgan, X & Y, John McCracken, Robert Morgan, Dick Miller, Ronald Al Robboy, Peter Plagens, Randall Warniers, Walter Robinson, Susan Martin, Richard Armstrong, Richard Armstrong, Laurie Anderson, Clare Spark, Howard Singerman, Peter Frank, Chris Burden. New York / Los Angeles, NY / CA : Art-Rite Publishing Co. / LAICA Journal, 1978 Good. 8 mm., 2 mm., and 1 cm. losses to bottom edge of recto with additional tearing. Bumping of right side edge of recto. 2.3 and 1.5 cm. of staining to verso. Contents clean and unmarked. This copy is the LAICA variant, without the Art-Rite sticker on recto cover.

Paperback. Zustand: Fine. Book. 320 x 222 mm, 54 sheets. Published in an edition of 300 signed and numbered copies. The first Hungarian assembling magazine, organized and published by the artist Gyorgy Galantai following the exhibition 'Textile without Textile' curated by Andras Ban (FMK, 19-26 October 1979). Folding manila portfolio, with silkscreen recto and verso, containing 54 mixed media contributions (each signed and numbered) of varying sizes and paper stocks. Features litho, stencils, collage, watercolour, Xerox, handstamps and original photographic prints etc. Each contribution is akin to an original artist's work and the magazine a mini self-contained exhibition. All contributions in mint, pristine condition. Participating artists include: Aniko Bajko (Hungary); Mihaly Balazsovics (H); Andras Ban (H); Viktor Benko (H); G.A. Cavellini (Italy); Laszlo Deak (H); Miklos Erdely (H); Gyorgy Fazekas (H); Nicola Frangione (I); John Furnival (Great Britain); Gyorgy Galantai (H); Judit Gink (H); Kati Gulyas (H); Laszlo Herczeg (H); Marc Van Hoe (Belgium); Aranka Hubner (H); Csilla Kelecsenyi (H); Karoly Kelemen (H); Gyorgy Kemeny (H); Andras Koncz (H); Zoltan Labas (H); Andras Lengyel (H); Lorant Mehes (H); Anna Moor (Czech); Laszlo Nagyvari (H); Marco Pachetti (I); Attila Pacser (H); Gyula Pauer (H); Janos Sugar (H); Margit Szilvitszky (H); Zsuzsa Szenes (H); Agnes Szep (H); Balint Szombathy (Yugoslavia); Arpad f.Toth (H); Ferenc Veszely (H), and Andrzej Wielgosz (Poland).