deeming helen (16 Ergebnisse)

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 272 pages. 9.61x6.69x0.55 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 324 pages. 9.00x6.50x0.75 inches. In Stock.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: NEW.

Zustand: New. &Uumlber den AutorHelen Deeming is an Honorary Research Associate at Royal Holloway, University of London. She is the author of Songs in British Sources, c.1150-1300 (2013) and the editor, with Elizabeth Eva Leach, of Manuscripts and Me.

Taschenbuch. Zustand: Neu. Neuware - What characterises medieval polyphony and song Who composed this music, sang it, and wrote it down Where and when did the different genres originate, and under what circumstances were they created and performed This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another.

Taschenbuch. Zustand: Neu. Medieval Polyphony and Song | Helen Deeming (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2023 | Cambridge University Press | EAN 9781316601495 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place songs alongside other diverse contents, and the songs themselves may be inscribed as texts alone or as verbal and musical notation. This book looks afresh at these manuscripts through ten case studies, representing key sources in Latin, French, German, and English from across Europe during the Middle Ages. Each chapter is authored by a leading expert and treats a case study in detail, including a listing of the manuscript's overall contents, a summary of its treatment in scholarship, and up-to-date bibliographical references. Drawing on recent scholarly methodologies, the contributors uncover what these books and the songs within them meant to their medieval audience and reveal a wealth of new information about the original contexts of songs both in performance and as committed to parchment.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781107062634.

Hardcover. Zustand: Brand New. 272 pages. 9.61x6.69x0.63 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 352 pages. 9.72x6.85x0.75 inches. In Stock.

Cambridge University Press, 2014. Hardback, d/j, 8vo, xxi,324pp, illust. D/j slightly bumped. A good copy. 9781107062634. -2.5.

Buch. Zustand: Neu. Neuware - 'This book is about the music composed for singers during the long period of Europe's history that we now call the Middle Ages, or 'medieval' period (from the Latin medium - 'middle', and aevum - 'age/era'). Though it by no means encompasses all vocal music from this period, the music explored in this book embraces a dazzling variety of sounds, including compositions of monumental scope and complexity, matched to the architectural splendour of the Gothic churches and cathedrals in which they were performed, as well as some of the most poignant songs of love and loss ever to have been written. This book aims to give an overview of where and when the different kinds of medieval polyphony and song emerged, who was responsible for composing them, singing them and writing them down, and the kinds of functions - in churches and monasteries, royal and aristocratic courts, universities, and other urban institutions - that they were created to serve'--.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place songs alongside other diverse contents, and the songs themselves may be inscribed as texts alone or as verbal and musical notation. This book looks afresh at these manuscripts through ten case studies, representing key sources in Latin, French, German, and English from across Europe during the Middle Ages. Each chapter is authored by a leading expert and treats a case study in detail, including a listing of the manuscript's overall contents, a summary of its treatment in scholarship, and up-to-date bibliographical references. Drawing on recent scholarly methodologies, the contributors uncover what these books and the songs within them meant to their medieval audience and reveal a wealth of new information about the original contexts of songs both in performance and as committed to parchment.