dean marcus (28 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Co ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Zustand: As New. Signed Copy . Very Good dust jacket. Signed/Inscribed by co-authors Marcus Stern, George E. Condon Jr., and Jerry Kammer on front endpage.

Paperback. Zustand: Brand New. 222 pages. 9.00x6.00x0.47 inches. In Stock.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 2016. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Edition 2016. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Zustand: Good. No Jacket. Quarto, card covers, pp.144 with many b/w photographs. A now scarce gazetteer.

Zustand: New. KlappentextrnrnPlease, put the book down and walk away. You re not ready for everything contained in this book. You re going to get mad, you re going to get sad, and you re face is going to hurt. It s the rollercoaster ride your knuckles will bl.

Zustand: New. KlappentextrnrnWhy didn t somebody tell me all of this stuff, before? My Parents have been married for over 30 years, my siblings have all been married for awhile, and people have been getting married left and right. Why couldn t any of them let.

Paperback. Zustand: Brand New. 1st edition. 341 pages. 8.90x5.98x0.71 inches. In Stock.

Softcover. Zustand: Very Good. No Jacket. First Edition. Illustrated card covers, small tear to bottom of spine.

Gebunden. Zustand: New. KlappentextrnrnPlease, put the book down and walk away. You re not ready for everything contained in this book. You re going to get mad, you re going to get sad, and you re face is going to hurt. It s the rollercoaster ride your knuckles will bl.

Soft cover. Zustand: Very Good Plus. First Edition. 1990. 144pp. B&W illustrations. "This book is a must for anybody interested in Scotland's architectural heritage. It combines a wealth of historic and up-to-date information with hundreds of photographs - the majority previously unpublished - to provide a unique record of 140 beautiful but abandoned country houses in Scotland today. It cannot fail to fascinate all those who have ever dreamt of rescuing such a building." Minor shelf wear to corners of front page. Previous owner's signature to title page. The book is otherwise in excellent condition. There are no other inscriptions and all contents are tight and clean.

Buch. Zustand: Neu. Neuware - Please, put the book down and walk away. You're not ready for everything contained in this book. You're going to get mad, you're going to get sad, and you're face is going to hurt. It's the rollercoaster ride your knuckles will bleed from, for holding on so tight. This book will jerk your chain, ruffle your feathers, smack you around, and leave you pondering.What can I say I didn't wait 7 years to write this book so you can forget about it. You'll never forget about it, just like the people that have heard these stories before. This book has every aspect of life compiled into it's pages. Race, drugs, religion, relationships, and sex. Yeah, sex sells, but you may not like the sex in this book. Is that possible After reading this book, you'll never see sex in the same way. Like I said, you can't handle this book.The T-bone steak in a world of hamburgers. Put it down.

Buch. Zustand: Neu. Alone, In a Crowded Room | Marcus J Dean | Buch | Gebunden | Englisch | 2006 | Author Solutions Inc | EAN 9780595677511 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Gebunden. Zustand: New. The first survey entirely devoted to the metropolitan region of Berlin-Brandenburg and its urban design potentials in the 21st century, featuring prospects and projects through texts, illustrations, and lavish informative maps and graphicsEin Analyse- u.

Zustand: New. pp.

Hardcover. Zustand: Brand New. 1st edition. 342 pages. 9.00x6.25x1.00 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. THE DIVIDED MEADOWS OF APHRODITE: IAN HAMILTON FINLAY Michael Archer SLACKERS Jack Bankowsky PURGATORIO CANTO I: A PROJECT FOR ARTFORUM John de Fazio LOOK WHO'S TALKING Connie Samaras WAR WITHOUT BODIES Allan Sekula CUNNING STUNTS Text by Carlos Fuentes, drawings by Brian Nissen CRITICAL REFLECTIONS Thomas McEvilley LUNA PARK: A PROJECT FOR ARTFORUM Max Kozloff WHO'S BAD? ACCOUNTING FOR TASTE Barbara Kirshenblatt-Gimblett TYPISCH DEUTSCH, A PROJECT FOR ARTFORUM Anna & Bernhard Blume OPENINGS: RICHARD HAWKINS Dennis Cooper COLUMNS FEATURES REVIEWS NEW YORK Jan Avgikos on Robert Barry Jan Avgikos on Cosima von Bonin Michael Corris on Ad Reinhardt John Yau on Norman Bluhm David Rimanelli on Sam Francis David Rimanelli on William Wilson Tom Kalin on Edward Ruscha Lisa Liebmann on Joan Brown Lisa Liebmann on Robert Yarber Kirby Gookin on Maura Sheehan Kirby Gookin on Anne Truitt Rhonda Lieberman on Tina Barney Charles Hagen on Eileen Cowin Justin Spring on Andrew Young Donald Kuspit on Gillian Jagger Donald Kuspit on Romare Bearden Jenifer P. Borum on Pepón Osorio Ronny Cohen on Bernarda Bryson Shahn Dena Shottenkirk on Anne Deleporte Lois Nesbitt on Rudolf Stingel BOSTON Patricia C. Phillips on Elizabeth Diller and Ricardo Scofidio CHICAGO James Yood on Mike Hill SAN FRANCISCO Maria Porges on May Sun Dean Rolston on Joe Goode Performance Group LOS ANGELES Amy Gerstler on Kerr + Malley Benjamin Weissman on Terry Allen Colin Gardner on Constance Mallinson MONTREAL John K. Grande on Betty Goodwin TORONTO Linda Genereux on Joanne Tod BARCELONA Anatxu Zabalbeascoa on Tom Drahos VENICE Giorgio Verzotti on Biennale of Architecture PARIS Francesca Pasini on Piero Manzoni, Pino Pascali, Ettore Spalletti Olivier Zahm on Marylène Negro Miriam Rosen on Christine Spengler NICE Giorgio Verzotti on No Man's Time GENEVA Elizabeth Janus on Urs Lüthi MUNICH Justin Hoffman on Raimond Kummer STUTTGART Johannes Meinhardt on Christa Näher COLOGNE Norbert Messler on Stephan Balkenhol Noemi Smolik on Maria Lassnig Julia Koether on Nils Norman DÜSSELDORF Sabine B. Vogel on Christoph Schäfer & Cathy Skene LONDON Michael Corris on Tony Cragg.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.