dazhang (18 Ergebnisse)

Oversized Hardback. Zustand: Very Good - Cash. Zustand des Schutzumschlags: Very Good. Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! The dust jacket is in very good condition with edgewear at top and bottom of spine. Stock photos may not look exactly like the book.

Paperback. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 366pp. Fully illustrated in colour and line-drawings.The previous owner has signed the fep.

Softcover. Zustand: Near Fine. Zustand des Schutzumschlags: N/A. 192pp, fully illustrated. Pictorial laminated light card covers. 8vo. Very light chipping to edges and wear to covers. Internally, neat, clean, bright and tight.

Softcover. Zustand: Near Fine. Zustand des Schutzumschlags: N/A. 194pp, fully illustrated. Pictorial laminated light card covers. 8vo. Volume is neat, clean, bright and tight throughout.

186 Seiten mit zahlreichen farbigen Abbildungen. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. // Original hardcover in a dust jacket. Clean book in good condition. Book from a non smoking environment. Book with many coloured illustrations. Sprache: Englisch Großformat, Original-Leinenband mit Schutzumschlag.

Zustand: Very good.

Hard Cover. Zustand: As New. Zustand des Schutzumschlags: As New. First English Edition. 186 pages, 139 beautiful illustrations. In the original card box. Still shrinkwrapped. Innumerable sacrificial altars and ancestral temples bear witness to the role of Confucianism, which was the dominant ideology in China for over 2000 years. Many of these elegant ritual and ceremonial buildings are devoted exclusively to the remains of illustrious forebears, emperors and kings. The scale and form adopted by the various buildings was dictated by the strict codes of Confucian rites which were often also dedicated to the moon, the sun, the universe and the rivers. Among the most elegant examples are the Temple of Heaven, the Temple of Confucius, the Ancestral Temple, the Temple of State, and the Dai Temple. 321183012x Large 4to.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

186 S. Leinen mit Schutzumschlag. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Gut erhalten. Sprache: eng.

180 S. Leinen mit Schutzumschlag. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Zahlreiche Abbildungen und Tafeln. Schutzumschlag mit kleinen Einrissen. Buch gut erhalten. Sprache: eng.

Gr.4° (36,5 x 27 cm); d'grüner OLnbd. mit goldgepr. Deckelsignet und Rückentitel; farbig fotoillustr. OU in Orig.-Pp.-Schuber; 180 Seiten zweispaltig (englischer Text) mit überaus zahlr. farbigen Abbildungen im Text und auf Tafeln. ISBN 3211830111. - Umschlag nur gering angestoßen und knittrig. - Sehr sauberes Exemplar.

hardcover. Zustand: Befriedigend. 253 Seiten; Schutzumschlag mit Gebrauchsspuren, Artikel stammt aus Nichtraucherhaushalt! F19-1114 Sprache: Deutsch Gewicht in Gramm: 1.

186 pp.; 139 colour illus., figs., maps, biblio. Series: Ancient Chinese Architecture. Transl. from Chinese. Wien/New York, 2002. Cloth, in slipcase. KEYWORDS: 069 China.

Gr.4° (36,5 x 27 cm); d'grüner OLnbd. mit goldgepr. Deckelsignet und Rückentitel; farbig fotoillustr. OU in Orig.-Pp.-Schuber; 186 Seiten zweispaltig (englischer Text) mit überaus zahlr. farbigen Abbildungen im Text und auf Tafeln. ISBN 321183012x. - Sehr sauberes Exemplar.

Wien & N.Y., Springer, 2003. 180 pp. Col. ills. Hardcover,d/j. - Dustjacket very slightly worn at the edges.

Gewicht in Gramm: 550 umschlag mi kleinen einrissen,ansonsten gut und sauber.

Original copper-engraving (50 x 86.7 cm, overall sheet 54 x 90.5 cm) showing the imperial reception of the victorious army and its commander, the military officer Fukang'an (d. 1796), from the extremely rare set of the Qianlong battle prints relating to the Taiwan Rebellion (1787-1788). Slight dust-soiling, small tear without loss and minor crease to right hand outer margin, generally very good. The Qianlong battle prints are a series of prints from copper engravings dating from the second half of the 18th century which provide an extremely interesting example of the interaction of Chinese and European artistic practices. The prints were commissioned by the Qianlong emperor of the Qing dynasty (1644-1911), who ruled from 1735 to 1796, and depict his military campaigns - known as The Ten Great Campaigns (Shiquan Wugong) - in China's inner provinces and along the country's frontiers. The master illustrations for the earliest of the these engravings were large paintings executed by European missionary artists employed at that time at the court in Beijing. These artists include Italian Jesuit Giuseppe Castiglione (1688-1766), French Jesuit Jean-Denis Attiret (1702-68), Bohemian Jesuit Ignatius Sichelbarth (1708-80), and the Italian Augustinian missionary, Jean-Damascène Sallusti (d. 1781). The engravings of the first set of 16 paintings, Suite de seize estampes representant les conquetes de l'Empereur de la Chine (Paris, 1767-1774), commemorating three campaigns against the Dzungars and the pacification of XinJian (1755-1759), were not produced in China, but rather in Paris, at that time home to the best European artisans working in this technique. The emperor even decreed that the work should emulate the style of the Augsburg copper-engraver Georg Philipp Rugendas the Elder (1666--1742), whose work he knew. Small-scale copies of the paintings by Castiglione and his Beijing colleagues were sent to Paris to be transferred on to copperplates, printed, and then sent back to China, along with the plates and prints. To commemorate later military campaigns, additional sets of engravings were executed in Peking by Chinese apprentices trained by the Jesuits and differ markedly in style and elaborateness from those of the Paris series; the print offered here, from the campaign relating to the Taiwan Rebellion (1787-1788), is an example of one of these engravings produced in China by Chinese artists. They are easy to to be quickly identified as they have calligraphic poems in Chinese composed and written by the Qianlong Emperor, unlike the French ones which have the typical imprint of artist and engraver beneath the image. The Taiwan Rebellion (1787-1788): In 1786, Taiwan's Heaven and Earth Society, comprising Ming loyalists, rose up in revolt under their self-proclaimed king, Lin Shuang-wen. His army soon comprised some 50,000 people, and by 1787, the rebels occupied almost the entire part of southern Taiwan. The initial Qing troops sent to suppress the rebellion were poorly organised, and were easily defeated by the insurgents. Eventually the Qing court sent General Fukang'an with 20,000 reinforcements, which, being better equipped and more disciplined, quickly suppressed the rebels, capturing the ringleader Lin Shuang-wen. Impressed by the wall paintings and the engravings he had commissioned from the Jesuits at the imperial court to commemorate his central Asian victories against the Dzungars (see above), Emperor Qianlong commissioned similar commemorative prints to be made of his campaign against the Taiwanese. By the time of the Taiwan campaign, however, all four of the Jesuit painters who had worked on the first series had died. Therefore, Chinese court painters trained by the Jesuits were entrusted with the task. The scenes in the present lot were designed by Jia Quan and Li Ming, who were used to working in the Jesuit tradition. They are dated 1787, 1788, and 1789, with the series of prints being published in 1790. Thus these engravings provide an extremely interesting example of the interaction of Chinese and European artistic concepts, as well as an indication of the fascinating relationship of the Jesuit artists in Beijing with the Qing court. Qianlong's battle copper prints were just one of the means the Manchu emperor employed to document his campaigns of military expansion and suppression of regional unrest. They served to glorify his rule and to exert ideological control over Chinese historiography. Seen in their political context, the Qianlong prints represent a distinct and exceptional pictorial genre and are telling examples of the self-dramatization of imperial state power, examples of which are obviously found in multiple cultures. The East Asia Department of the Berlin State Library holds a set of five series with a total of 64 prints. Rare. A complete copy of the Qianlong battle prints relating to the Taiwan Rebellion from the library of Norman Bobins fetched £81,900 at Christies in July, 2023. (Library of Congress; cf. the Norman Bobins copy sold at Christies in 2023).