davis joan e (10 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Encuadernación de tapa dura. Zustand: Muy bien.

Unbound. Zustand: Very Good. Periodical, newspaper format. Folio wrappers. 12pp. Folded in half (as issued), light wear, very good being American poet Joel Oppenheimer's copy with his "Westbeth" address label affixed to the front wrapper.

Paperback. Zustand: Brand New. reprint edition. 787 pages. 11.25x8.75x1.50 inches. In Stock.

Cloth. Zustand: Near Fine. Not Stated (illustrator). First edition. A very pleasing selection of volumes that explore the fascinating histories of the Cotswolds. A bright collection of five works, each exploring various areas of the Cotswolds' history, including its architecture and churches, monumental brasses, and the diary entries of a parson that sheds fascinating light on the period between 1820-1852.Three volumes are first editions. 'Monumental Brasses' is a facsimile edition and 'Diary of a Cotswold Parson' is a second printing, published the year after the first.With monochrome illustrations from photographs throughout each volume. With many full-page and in-text to 'Monumental Brasses'; sixteen plates to 'Minor Pleasures'; fourteen plates to 'Churches'; frontispiece and fourteen plates to 'Diary', and fourteen plates to 'Stow'. Collated, complete.Containing the following works:'The Monumental Brasses of Gloucestershire' by Cecil T. Davis (1969) - Originally published in 1899.'The Minor Pleasures of Cotswold' by Edith Brill and Peter Turner (1971)'Cotswold Churches' by David Verey (1976)'The Diary of a Cotswold Parson' i.e. Reverend F. E. Witts, 1783-1854. Edited by David Verey (1979)'Stow on the Wold: A History of a Cotswold Town' by Joan Johnson (1980) In the original cloth bindings. With the original dust wrappers, 'Diary' and 'Brasses' being unclipped, and the remainder of the set being price-clipped. Externally, very smart, with only slight signs of shelf wear, most notable to 'Minor Pleasures'. Dust wrappers are very smart, with only light edge wear to 'Stow', 'Churches' and 'Diary'. With sunning to the wrap of 'Minor Pleasures'. Handling marks and a small closed tear to the wrap of 'Monumental Brasses'. internally, firmly bound with bright and clean pages. Near Fine. book.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.