david wertheimer (13 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 241 Pages. Book.

Zustand: New. In.

Hardcover. Zustand: Good-VG. Zustand des Schutzumschlags: Poor. 3rd reprint (1st ed.1958). xiii+751, num.ills.; small sig.of Jonckheere (eminent staistician and psychologists) top fr.endpaper, otherwise internally clean, tight & unmarked, covers generally clean & unworn but a few faint white smears to. Green clothspine plus few brown flecks to bottom fore-edge of textblock, Unclipped jacket a wreck lacking bottom half of spine and rest creased/chipped etc., will include in separate plastic envelope when ordered as too battered to repair by text of some interest.

gebundene Ausgabe. Zustand: Gut. 751 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Einbandkanten sind leicht bestoßen. Leichte altersbedingte Anbräunung des Papiers. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 1000.

Zustand: New. In.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDEntire issue devoted to The Bork Nomination. Little bumped else very good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. First Edition. 235 pages including notes and index. Draws upon numerous interviews, court records, and the notebooks of Mr. Keegstra's students. Clean and unmarked. Moderate wear. Top corner of first leaf clipped. Solid copy.; 12mo - over 6¾" - 7¾" tall; A Trust Betrayed - The Keegstra Affair.

Hardcover. Zustand: Brand New. 360 pages. 9.00x6.25x1.25 inches. In Stock.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. 29 x 23 inches. Printer proof with 3 smaller poster and one large one.Interview with Wertheimer about the photograph on this poster:'How did you shoot the "Kiss"?I was in the men's room on the floor above the stage area at the Mosque Theater in Richmond, Virginia, on June 30 of 1956. I got more or less sidetracked and then I turned around and said: "Where's Elvis?" Elvis had disappeared. I go down the stairs of the theater. I get down to the landing where the stage area is. You've now got 3,000 kids, mostly girls, in there, and the "Elvis Presley Show" is going on; except there's no Elvis Presley around. I look down this long, narrow passageway, the light at the end of the tunnel. There's a silhouette of two people at the far end, and I say, "Oh yes, there's Elvis, with a girl, his date for the day." Do I interrupt them? Do I squeeze off a frame or two from a distance or do I go closer in? Well, you start off becoming a human tripod, because you don't want to start using flash. It's really quite dark. So then you decide, well, if I get closer and Elvis gets annoyed, he might say, "Al, get out of here, you've had it, go back to New York, don't bother." But, if I don't shoot it, I can't really consider myself a journalist. After all, I came here to do the story, and that's part of the story. There's a handrail on the left side. So I move up about five feet, and they're busy, they're intently involved with themselves. So I climb up on the handrail, and I wrap my legs around these metal tubes, and I'm now shooting over her shoulder, into his face. I'm getting close-ups. Nobody's paying any attention to me because when people are doing things that are more important to themselves than having their picture taken, you usually get good pictures. It's a simple formula. So now I'm not satisfied, typically. I'm not satisfied with what? I'm not satisfied with back lighting. I want front lighting. But the only way to get front lighting is to go beyond where they are. So I put on my best maintenance man voice and say, "Excuse me, coming through." I squeeze past the two of them. Again they don't pay attention to me because they're like hypnotizing each other. I'm now set on the landing facing the two of them, and I'm setting myself with the frame. It's a fairly decent composition, and I'm waiting for something to happen within my frame. She says to him: "Elvis, I'll betcha can't kiss me," and she sticks out her tongue just a teeny bit. And he says, "I'll betcha I can," in a very masculine, cool way. And he then approaches the kiss, he's got his tongue stuck out just a wee bit, and he overshoots the mark. I didn't realize that till I developed my film later on. He bent her nose, you see, a very romantic view. So now he backs off coolly, and tries it a second time, comes in for a perfect landing, and that's the end of that. That tenth of a second became history.' Provenance: Peter Howard, Serendipity Books, Berkeley.