david welles (13 Ergebnisse)

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: No Dust Jacket. 379 pages. Ex-university library book, some wear to the edges and spine. Cracked front hinge; pages yellowed; a good reading copy of an antique book still. Quantity Available: 1. Category: Theology & Religion; Inventory No: 211735.

Softcover. 8°, Original issue with 53 pages and many black and white photos. Good condition. --- Originalheft mit 53 Seiten und vielen s/w Fotos. Gutes, sauberes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K10801-435609.

1st U.K. edition. 8vo. Prelims. + 463pp. B/w. illustrations. Original boards. Pictorial d/w., black spine with silver and faded red lettering, slightly rubbed to edges. ISBN 0316914371 US$18.

Vintage studio still photograph of actor/director John Huston from the 1967 film. With one provenance stamp on the verso. Loosely based on the 1953 novel by Ian Fleming. The governments of multiple Countries contact James Bond to investigate why so many of their spies are being murdered. He hires a group of other spies all names James Bond to confuse the organization behind the murders. Shot on location in Scotland, Ireland, and England. 8 x 10 inches. Very Good plus. Weldon 1983.

Paperback. Zustand: Brand New. 120 pages. 10.25x6.50x0.25 inches. In Stock.

Vintage publicity studio still photograph from the 1956 film. The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin, and the only film in the series to star Mickey Rooney instead of Donald O'Connor. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Near Fine.

Hardcover. Zustand: Very Good. No Jacket. 482 p. : ill. ; 27 cm. ; LCCN: 58-13278 ; LC: QE711; Dewey: 560 ; OCLC: 547382 ; "The story of life during the past two billion years. . . Here the Fentons tell what fossils are, where they are found, what they mean, and how they are related to plants, animals, and other creatures living on earth today." ; brown cloth ; no dustjacket ; ex-lib, stamps, labels ; Contents: Tales told by the dead -- Rocks, fossils and ages -- Groups, names and relationships -- Earth's oldest remains -- A variety of protists -- Sponges, true and probable -- Simple coelenterates -- Moss animals, or bryozoans -- The sturdy brachiopods -- Armored echinoderms -- Sea stars, urchins and cucumbers -- Snails and their kin -- Pelecypods: clams, mussels and oysters -- Feet before heads: the nautiloids -- Ammon's stones and naked cephalopods -- Worms, burrows and trails -- When trilobites roamed -- Crustaceans -- Arthropods from shoals to air -- Nets and wrigglers to sharks -- The bony fishes -- New plants on old lands -- Lungs, legs and land-dwellers -- Amphibian and reptile groups -- Farewells to land -- Scale-bearers and lizard-hipped dinosaurs -- Bird-hipped dinosaurs -- Flying reptiles and birds -- The rise of mammals -- A revolution and its sequel -- More and better mammals -- Ancient families -- Beasts and birds of the Ice Age -- Read, see and collect. ; VG. Book.

Vintage reference photograph from the 1956 film, showing Mickey Rooney facing off with a knight. Printed mimeo snipe affixed to the verso. The seventh and final film in the "Francis the Talking Mule" series. The only film in the series to be directed by Charles Lamont instead of Arthur Lubin, and the only film in the series to star Mickey Rooney instead of Donald O'Connor. 10 x 8 inches. Near Fine.

Four vintage studio still photographs from the 1967 film. Inspired by the 1953 Ian Fleming novel. A spoof of Bond films of the 1960s, made when producer Charles K. Feldman, who had the rights to Fleming's work, could not come to an agreement to create a film parallel to those produced by Albert R. Broccoli and Harry Saltzman at Eon Productions. 10 x 8 inches. Near Fine.

Draft script for the 1973 film. A federal agent becomes obsessed with taking down a drug ring after the death of his teenage daughter in a heroin overdose. Featuring many cast and crew members from director Sidney J. Furie's "Lady Sings the Blues," released the year prior. Shot on location in Marseilles, and in Washington DC, Illinois, and California. Stiff blue titled wrappers. Title page present, dated May 20, 1972, with credit for screenwriter Alan Trustman. 121 leaves, with last page of text numbered 118. Xerographic duplication, with photocopied punch holes to a few pages. Pages and wrapper Near Fine, bound internally with a silver prong binding. Parish and Hill 112. Howard, Blaxploitation Cinema, p. 51, 151.

Vintage color reference photograph from the 1967 film, showing actress Ursula Andress. Annotations in manuscript ink on the verso. Loosely based on the 1953 novel by Ian Fleming. The governments of multiple Countries contact James Bond to investigate why so many of their spies are being murdered. He hires a group of other spies all names James Bond to confuse the organization behind the murders. Shot on location in Scotland, Ireland, and England. 10 x 8 inches. Near Fine.

Vintage borderless reference photograph from the 1976 film, showing actress Faye Dunaway. A dramatization of the tragic 1939 voyage of the ocean liner St. Louis, a ship carrying hundreds of German Jewish refugees from Nazi Germany that seemingly no European nation is willing to save from certain doom. Shot on location in Barcelona, London, and St. Pancras. 10 x 8 inches. Near Fine.

Vintage borderless photograph from the 1967 film, showing actress Ursula Andress posing in a feathered robe. Provenance stamp on the verso. Inspired by the 1953 Ian Fleming novel, a spoof of the then-current James Bond films, made when producer Charles K. Feldman, who had the rights, could not come to an agreement to create a film parallel to those produced by Albert R. Broccoli and Harry Saltzman at Eon Productions. Nominated for an Academy Award. 10 x 8 inches. Very Good plus, with light wear at the corners.