David sarah miles (13 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 244 pages. 9.00x6.00x0.55 inches. In Stock.

Vintage press kit for the epic 1970 film. The third collaboration between director Lean and screenwriter Bolt, following "Lawrence of Arabia" (1962) and "Doctor Zhivago" (1965). Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Press kit "introducing" director David Lean, containing a biography, an additional anecdote related to filming, a detailed production guide, press clippings, and six black and white reference photographs of the subject, along with a caption sheet. Housed in a tri-fold studio folder specific to the subject. Folder Very Good plus. Press material Near Fine or better. Photographs Fine. …

SOFTCOVER. Zustand: Fine. 1st Edition. Small square 4to in stiff card covers, 43pp, colour plates, etc . [CONDITION: Small flat crease to bottom corner tip of front cover else FINE, a well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Fine. First edition in original photographic card wrap covers. Folio 12½'' x 8¼''. Contains 28 printed pages of text with monochrome photographs throughout. In Fine condition, no dust wrapper as published. Member of the P.B.F.A. KENT [Tunbridge Wells].

Zustand: Fine. First edition in original photographic card wrap covers. Folio 12½'' x 8¼''. Contains 28 printed pages of text with monochrome photographs throughout. In Fine condition, no dust wrapper as published. Member of the P.B.F.A. KENT [Tunbridge Wells].

Vintage oversize, double weight, borderless still photograph from the 1970 film, showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9.25 x 13.25 inches. Near Fine.…

Vintage deluxe press kit for the epic 1970 film, including two oversize photos and six reference photographs. The third collaboration between director Lean and screenwriter Bolt, following "Lawrence of Arabia" (1962) and "Doctor Zhivago" (1965). Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. The press kit contains: Ten loose sheets of heavy weight paper, each folded to 11 x 14 inches, printing on rectos only. The first sheet with a press release regarding the film, the other nine with a description from Bolt's screenplay in English, French, Spanish, German, Italian, and Japanese on the outside and the corresponding full-color printed image from the film inside. Two 11 x 14 sheets of photographic paper, each containing two images, one of David Lean on the set, the second of the same scene from the film. With descriptions of the scenes printed on the verso of each photograph. Six 10 x 8 reference photographs, one showing Lean and crew filming on the coast of Ireland, the rest depicting scenes from the film. Each with captions printed on the verso. One biography of David Lean, three pages, printed on rectos only. 8.5 x 11 inches, bound with a single staple. All items housed in a studio clamshell box as issued. Clamshell box: About Near Fine with light fading and a few small bruises. Press materials Fine.…

Five vintage borderless reference photographs from the 1966 film, showing a scene with David Hemmings staging a photoshoot with a topless Vanessa Redgrave Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States, and the United Kingdom, featuring an international cast. The director's brash use of color, set design, nonstandard editing techniques, and typical emphasis of atmosphere over plot would carry over into the two major films that followed, "Zabriskie Point" (1970) and "The Passenger" (1975). Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 9.75 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. …

Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film, with provenance stamp of film scholar and author "J. P. Berthome" on verso. Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar. Michelangelo Antonioni's first English-language film, marking the beginning of the final phase of his work, co-produced by companies in Italy, the United States and the United Kingdom and featuring an international cast. The director's brash use of color, set design, non-standard editing techniques, and typical emphasis of atmosphere over plot would carry over into the two major films that followed, "Zabriskie Point" (1970) and "The Passenger" (1975). In his 2009 essay on the film, Danny Lyon notes, "It is apt that through [his established] style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic [cultural] revolution was perhaps most effectively captured by an Italian." Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay. 10 x 8 inches. Light edgewear and creasing in far corners, else Near Fine. Criterion Collection 865. Ebert I. Grant UK/Italy.…