david jane jean (31 Ergebnisse)

Paperback. Zustand: Very Good. Reading Poetry: An Anthology This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Brand New. 160 pages. 8.54x5.47x0.75 inches. In Stock.

Soft cover. Zustand: Very Good. *Veteran-Owned, Family-Run, Small Business in the Pacific Northwest* / ISSN 03098168, Barcode: 9770309816008.

58 pages (text in German, English, and French), 48 full-page color photographs of sub-Saharan African masks and figures for which the color white--andits symbolism--becomes a conduit that leads to the understanding of the power of the object.

Paperback. Zustand: Brand New. illustrated edition. 391 pages. 9.50x6.50x0.75 inches. In Stock.

68 pp.; c.80 colour illustrations, bibliography. Text: German and English. Exh. catalogue Galerie Walu. Zürich, 2010. Pbk. KEYWORDS: 006 Africa: West 043 Goud.

Paperback. Zustand: Brand New. illustrated edition. 391 pages. 9.50x6.50x0.75 inches. In Stock.

Mit 1 Karte u. 99, tls. ganzs. Abb. 174 S. u. 1 w. Bl. Kl. 4°. OLn. Gutes Exemplar. (950 Gr.) Ausstellungskatalog. Text in Deutsch und Englisch. Sprache: deutsch/englisch.

174 S. Leinen 4°. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Schnitt minimal fleckig. Sonst sehr gut erhalten. Sprache: deu.

174 S. Leinen. 4°. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Zustand: Very good.

174 pp.; c.200 b/w illus. of Gabon objects, especially masks, 6 b/w text illus., map, bibliography. Text: English and German. Exh. catalogue Galerie Walu, Zürich, 2005. Hbk. KEYWORDS: 007 Africa: Central.

Erste Ausgabe. 22 x 27 cm. Erste Auflage, 174 S. Geprägte OLwd. Reich bebildert. Tadellos.

66 pages, illustrations ; 22 cm. Published on the occasion of the exhibition presented at the Walu Gallery from July 5 to August 31, 2002 Trilingual text: French-English-German Copyright: Jean David, 2002.

Hardcover. Zustand: As New. 172 pages, illustrated in b w, textes in german and english. Like new.

26,5*21,5 cm. OLeinenband. 154 S. : zahlr. Ill. Einband leicht fleckig, sonst gut- K16-1 ISBN 9783952249567 Wichtiger Hinweis: Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries. Sprache: Englisch Gewicht in Gramm: 1100.

Softcover. Zustand: Sehr gut.

Geh. 4°, 22 S., meist farbige Abb. (meist auf Tafeln). Etw. gebrauchsspurig. EA. 26 Exponate. Erschienen zur Ausstellung.

Lex.8°, 174 S., orig. Leinen-Ebd. (Hardcover), geringe Lagerspuren, sonst sehr guter Zustand. Sprache: Deutsch.

Vintage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. Based on the adult comic book by Jean-Claude Forest, published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot on location in Rome. 8 x 10.5 inches. Near Fine. Vogel, Film as a Subversive Art.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

Vintage borderless reference photograph from the 1968 film, showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest, published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space, shot on location in Rome. 8 x 10 inches. Near Fine. Vogel, Film as a Subversive Art.

Two vintage borderless reference photographs from the 1968 film, both showing director Roger Vadim with cast and crew members on the set. Fotografica Pierluigi stamps on the versos, along with layout annotations in manuscript ink and pencil. Based on the adult comic book by Jean-Claude Forest, published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 7 x 9.5 inches. Very Good plus. Vogel, Film as a Subversive Art.

Vintage oversize borderless double weight reference photograph of director Roger Vadim, actor Honey Autumm, a crew member, and an extra, from the set of the 1968 film. Shot by still photographer Emilio Lari, with his stamp on the verso, as well layout annotations in manuscript pencil and stamps reading "Noir & Blanc," "APIS-PARIS." Based on the adult comic book by Jean-Claude Forest, published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 9.5 x 11.75 inches. Light edgewear, else Near Fine. Vogel, Film as a Subversive Art.

Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film, with a "David Hurn-magnum" photographer's stamp on the verso. Based on the adult comic book by Jean-Claude Forest, published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release, it was re-released to greater acclaim in 1977, and has since influenced countless fashion designers, films, and musicians, including Duran Duran, whose name is a play on that of the main villain. Set in outer space and shot in Rome. 10.5 x 8.25 inches. Near Fine. Vogel, Film as a Subversive Art.

unknown_binding. Zustand: Sehr gut. 174 Seiten; Deutsch/Englische Ausgabe! Sprache: Deutsch Gewicht in Gramm: 500.

OLwd. m. geprägtem Rücken- u. Deckeltitel. 4°, 174 S., zahlr. Abb. (auf ca. 70 Tafeln). Tadellos. EA. Erschienen zur Ausstellung. Text dt. und engl.

4°, 174 S., zahlr. Abb., OLwd., Tadell. Erschien anlässlich der Ausstellung "Gabon", 30.9. - 30.11.2005 in den Räumlichkeiten der Galerie Walu, Zürich. Text Jane und Jean David. Übers. Jane Catterall und Paul Smith. Die Objekt stammen aus der Sammlung Eduardo u. Miriam Uhart, Chile. 1200 gr. Schlagworte: Kunst - Aussereuropäisch, Afrika.

Life Magazine du 29 Mars 1968. In-4 agrafé de 100 pages au format 34,5 x 26,5 cm. Couverture avec superbe photographie de Jane Fonda extraite du film " Barbarella ". Dos, plats et intérieur frais. Etiquette de livraison pour l'abonné, collée au coin inférieur gauche de la couverture. Numéro avec de nombreux articles illustrés de photographies et de publicités en couleurs et noir et blanc, dont 5 pages consacrées à Jane Fonda, avec photographies, dont 2 extraites du film de Roger Vadim avec Jane Fonda, prises par David Hurn. A noter que cette publication est parue 8 mois avant la sortie en salles du film " Barbarella" qui sera présenté au public américain en octobre de la même année. Rare édition originale, surtout dans un tel état de fraicheur. La BD " Barbarella " sera adaptée au cinéma, sous le même titre, en 1968, par Roger Vadim avec dans les rôles principaux : Jane Fonda, John Phillip Law, Anita Pallenberg, Milo O'Shea, Marcel Marceau, Claude Dauphin, David Hemmings, Ugo Tognazzi, Serge Marquand, Véronique Vendell, etc.